J.K. Simmons

Interview: After Three Decades of Acting, G.W. Bailey Finds Home in Kyra Sedgwick’s ‘The Closer’ on TNT

HollywoodChicago.com — Mon, 14 Jul 2008 19:49:49 -0700

CHICAGO – After being born and bred in Texas, G.W. Bailey scoffs at the notion of “humidity” in Chicago.

Bailey – who has a renowned career in film, TV and the stage that spans three decades – has been seen in seminal roles in “M.A.S.H.,” “Police Academy,” “Short Circuit,” “Laverne & Shirley,” “St. Elsewhere,” “The Jeff Foxworthy Show,” “Murder, She Wrote,” “Mannequin,” “Happy Days,” “CHiPs,” “Newhart,” “Benson” and many more.

G.W. Bailey in “The Closer” on TNT.
Photo credit: TNT

He recently spoke with HollywoodChicago.com about his “three families”. Bailey was in Chicago on July 9, 2008 for a VIP party where the first episode of season four for acclaimed TV show “The Closer,” which stars Golden Globe winner Kyra Sedgwick, was broadcast early to Chicagoans. The inaugural episode of the new season of “The Closer” aired tonight.

Following the party, Bailey described in our interview how his personal family comes first, his non-profit work for children with cancer comes second and his “The Closer” family rounds out the trio. The show is Bailey’s longest-running TV appearance. He is currently credited with 43 episodes as Det. Lt. Provenza.

In “The Closer,” Sedgwick plays a deputy police chief who runs the Priority Homicide Division of the Los Angeles Police Department with an “unorthodox style”. The series says: “Her ability to read people and obtain confessions helps her and her team solve the city’s toughest, most sensitive cases.”

“The Closer” is currently in its fourth season. Bailey describes what we will see in the fourth season in contrast to the third.

“James Duff (the creator and runner of the writing room) likes to have a theme or arc of some concept. It’s not always that obvious. When the writers are working on a script or scene, it’s not that they have to that word in mind. Last season was ‘family,’ but that takes a lot of guises. Kyra’s effort to save my hide a couple times was ultimately to make sure the family stayed together. The family happened to be our squad.

“This season, the overall word they’re working with is ‘power’. Again, that takes on many guises. For the opening episode [of season four], there’s a villain who has returned and exercises a power over her that’s very interesting. There’s a lot of tension.”

Bailey also describes his theory of why “The Closer” – and shows like it today – are addictive and made for TV.

“It’s ultimately about writing, but people love mysteries. There’s an interesting murder or secret that she’s after. People like to follow that trail. It’s also because it’s character driven. These people come off as real people. They’re very diverse racially in their experiences and in their ages. The writers go to great lengths to give us people and not just cop No. 6 or cop No. 3.

The poster for “The Closer” on TNT.
Image credit: TNT

“I could mention some very famous shows where you can interchange one cast from another and you wouldn’t know the difference. Our folks are very specific and interesting people.

“There’s the brilliance and brain of Det. Lt. Mike Tau (Michael Paul Chan), the violence of Det. Julio Sanchez (Raymond Cruz) and the curmudgeon of Det. Lt. Provenza (Bailey) who has seen it and done it all.”

But even though Bailey has seemingly done it all over an illustrious career in acting, he’s still humbled by one person in particular on “The Closer”: J.K. Simmons (“Juno,” “Burn After Reading,” “Jennifer’s Body,” “Rendition,” “Postal,” “Spider-Man 3,” “Thank You For Smoking,” “Law & Order,” “Spider-Man 2,” “Oz,” “Spider-Man”).

“With J.K., your confidence level goes up. He’s like playing tennis with somebody. If you want to get better at tennis, you play with better tennis players.

“[Working with] J.K. is like playing with a better tennis player. You really have to be prepared and focused because he is. He doesn’t fumble through his lines. He has done his work. When he walks on that stage, he’s ready to go. Some of the best work I’ve done on ‘The Closer’ in 3.5 years I did the other day because I was in a scene with him. There’s no question about it.”

While Bailey currently calls “The Closer” home, though, he still keeps the stage close to his heart. He doesn’t often find time for it, though, and when he does he is reminded of its double-edged sword.

“I have the attention span of about a 9-year-old. I love doing different things. I love the diversity. When it has been a long time since I’ve been on the stage, I miss it desperately. If I find the time to do it, then after one week I think: ‘What in the hell did I miss about this? This is so hard and the money is so little.’ But I still miss it. There’s really nothing like it.”

Bailey describes the benefits afforded by TV work and why Sedgwick is the star of this show.

“I enjoy working for the camera. I love TV because it’s fast. You tell your story and you’re out. But I could never do what Kyra does. I’ve never, ever seen a human being do what she does on this show – just the sheer volume of work every day and on every scene. It ain’t called ‘The Provenza Show’. It’s called ‘The Closer’ and she’s the closer.

J.K. Simmons (left), Kyra Sedgwick (second from left) and G.W. Bailey (front) in “The Closer” on TNT.
Image credit: TNT

“There’s the volume of lines and not only learning them but being prepared with what to do with them.”

Bailey added: “It’s about having the confidence to arrive at 5:30 a.m. and still bring energy and focus and excitement and truth in a scene at 7 p.m. That’s enormous. If I show up at 5:30 a.m., I’m about done by lunch. But I love my guy. I get to say a few funny lines and then go to my trailer. I get to get in and get out.”

Beyond Bailey’s professional life, his non-profit work stands on its own with incomparable importance.

“I’ve been doing work with kids for cancer for 23 years. It’s certainly the important part of my life – not that entertaining people isn’t important. It is. I’m very proud of my profession. I always have have been. It’s just important in a different way.

“I have three areas of my life. The most important is my family, then there’s The Sunshine Kids family for kids with cancer and then there’s my professional family.” Bailey concluded about ‘The Closer’ by jesting: “You know, we call Kyra ‘mama’ as a nickname. I like having a good-looking, younger mama.”

Prior to his work with “The Closer,” Bailey names two particular projects as those standing the test of time with the most professional pride.

“One of the major products in TV used to be TV movies and the mini-series programs. For all practical purposes, though, those are dead now. They just don’t exist. But when they were flourishing, I was lucky enough to get to do a bunch of them. Out of those, I did one called “Doublecrossed” for HBO with Dennis Hopper. I’m certainly proud of that entire film.

“In terms of being part of creating a recurring character, though, that would be Army Sgt. Luther Rizzo in ‘M.A.S.H.’. I love that guy. I wasn’t a regular, but even as a recurring character, I loved being in arguably the greatest show in the history of television.”

“The Closer,” which stars Kyra Sedgwick, J.K. Simmons, G.W. Bailey, Corey Reynolds, Robert Gossett, Jon Tenney, Anthony John Denison, Phillip P. Keene, Michael Paul Chan, Raymond Cruz and Gina Ravera, aired episode one of its fourth season on July 14, 2008 on TNT.
“The Closer” airs on Mondays at 8 p.m. CST.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Wide Release of Divisive Film ‘Postal’ From Controversial Director Uwe Boll Canceled

HollywoodChicago.com — Thu, 15 May 2008 18:13:57 -0700

CHICAGO – In response to our negative review of the divisive new film “Postal” from controversial director Uwe Boll, Boll e-mailed us with these simple words:

Uwe Boll wrote:“You should ask yourself: Who gave me my moral rules? Question yourself. Too bad you didn’t like the movie.”

Uwe Boll’s “Postal”.
Photo credit: MovieSet

We responded requesting an interview and he’s amenable. Before we had the chance, Boll at 7:43 p.m. on May 15, 2008 issued to us a statement announcing the cancellation of his film’s wide theatrical release by U.S. theater exhibitors.

Unless the boycott lifts, Boll says it’s his latest film that many audiences won’t see at most theaters.

“Theatrical distributors are boycotting ‘Postal’ because of its political content,” Boll said in the Thursday statement. “We were prepared to open on 1,500 screens all across America on May 23, 2008. Any multiplex in the U.S. should have space for us, but they’re afraid.”

Boll continued: “We have even tried to buy a few screens in New York and Los Angeles. They won’t let us even rent the theaters! I urge independent exhibitors to contact us and book ‘Postal’. Audiences have been expecting the film. I don’t think exhibitors should censor what gets played in U.S. theaters.”

As it currently stands, Boll says Event Film will only release the “R”-rated film in New York, Los Angeles, Chicago, Denver and Tucson, Ariz. Our full “Postal” image gallery can be found here. The film’s plotline is described from the studio with these words:

A religious charlatan (Dave Foley), his mild-mannered nephew (Zack Ward) and a gang of bosomy commandos face off against Osama bin Laden and the Taliban in an epic battle that will determine the fate of the world in “Postal,” which is the latest film from controversial director Uwe Boll (“BloodRayne”).

Boll roasts an entire herd of sacred cows and smashes taboos to smithereens in this over-the-top and hilariously subversive critique of modern-day America.

Inspired by the notorious video game of the same name, “Postal” is a jaw-droppingly original spoof of contemporary culture and an equal-opportunity offender that lampoons religious extremists, minorities, bureaucrats, immigrants, cops, women, the Holocaust, gun nuts and more with even-handed abandon.

The outrageous political and social satire stars Zack Ward (“Transformers”), Dave Foley (“News Radio”), J.K. Simmons (“Spider-Man”), Jackie Tohn (“On the Lot”), Larry Thomas, the Soup Nazi from “Seinfeld,” Erick Avari (“Mr. Deeds”) and Verne Troyer (“Austin Powers: The Spy Who Shagged Me”).

The film is produced by Boll, Dan Clarke and Shawn Williamson.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Darker Director For Darkest ‘Harry Potter’? Guillermo del Toro Hopes So

HollywoodChicago.com — Tue, 08 Jan 2008 22:07:44 -0700

CHICAGO – So, Warner Bros.: Yes or no? Darker director Guillermo del Toro (“Pan’s Labyrinth”) wants to direct “Harry Potter and the Deathly Hallows” so badly he bought the final J.K. Rowling book for his daughter and latched onto it himself so she had to say: “When are you going to give it to me?”

He solidified his position of passion for the gig to MTV on Tuesday.

Guillermo del Toro.
Photo credit: mun²

“I read it and I was very moved by the ending. It ends very much like a [Charles] Dickens novel.”

“I’m definitely interested [in directing the seventh ‘Harry Potter’ film],” he insisted, “now that the movies have grown darker. They have a contrast between the gloomy existence of the kid and the world he’s exposed to. They have evolved into a really nice universe.”

MTV can envision the fit, too:

The ‘deathstick’: a wand of destiny [that] makes its bearer unbeatable. A resurrection stone [that] enables the one who wields it to visit with the dead. A trip to the afterlife and a final duel [that] makes “Star Wars: Return of the Jedi” look like kindergarten cops and robbers.

Indeed, given all the new elements of the “Harry Potter” universe introduced in “Harry Potter and the Deathly Hallows,” there’s little doubt it would be right in del Toro’s wheelhouse – especially after the visionary “Pan’s Labyrinth” cemented him as the master of fairy tales that cross over from children to adults.

Even back on Oct. 26, 2007, the director again talked to MTV in Budapest about his interest in the project. His name even popped up as a directorial possibility for the third film (“Harry Potter and the Prisoner of Azkaban”), which winded up going to good friend Alfonso Cuarόn.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Color-Pencil Animated Opening Credit Sequence For ‘Juno’ Surfaces Online

HollywoodChicago.com — Fri, 28 Dec 2007 11:08:03 -0700

The color-pencil animated opening credit sequence for “Juno” has surfaced online thanks to its creator: Shadowplay Studio. I learned about this from a Dec. 27 post on /Film.

Watch the “Juno” opening sequence here!

Ellen Page and Michael Cera for “Juno” on Sept. 8, 2007.
Photo credit: WireImage.com
Since “Juno” director Jason Reitman also directed “Thank You For Smoking,” you wouldn’t be surprised to find out that Shadowplay is also responsible for creating that film’s opening titles, too.

Diablo Cody (left) and Ellen Page for “Juno” on Nov. 5, 2007.
Photo credit: WireImage.com
There’s universal agreement (as much as there can be universal agreement) that “Juno” is one of the best films of the year and perhaps the best of the independents.

Jennifer Garner for “Juno” on Sept. 8, 2007.
Photo credit: WireImage.com

Ellen Page (left) in “Juno”.
Photo credit: IMDb
Reitman says the following about the sequence in a blog post from Aug. 2007:

They were created by Shadowplay Studio, which is the same team who did the badass opening titles for “Thank You For Smoking”.

I met them back in 2000 when we both had short films playing the festival circuit. Their short (“This Guy is Falling”) was a really impressive half live-action/half animation piece they did in college.

When they did “Thank You For Smoking,” the titles were rendered on a series of computers in one of their mother’s living rooms. Now they got a fancy place in an art-deco building on Wilshire.

The “Juno” opening titles are out of control. I don’t want to give away too much, but the whole process was really labor intensive.

The Shadowplayers would have parties in which friends and family would help construct the whole thing. I can’t wait for you all to see it and then I can explain how it was done.

My interview with “Juno” star Ellen Page and “Juno” screenwriter Diablo Cody can be found here. The HollywoodChicago.com film review of “Juno” by Shane Hazen can be found here.

“Juno” screenwriter Diablo Cody.
Photo credit: WireImage.com

Ellen Page and Michael Cera in “Juno”.
Photo credit: IMDb

Jennifer Garner (left), Jason Bateman and Ellen Page in “Juno”.
Photo credit: IMDb

From left to right: J.K. Simmons, Ellen Page, Allison Janney and Jason Bateman for “Juno” on Nov. 5, 2007.
Photo credit: WireImage.com