Diablo Cody

‘Juno,’ ‘Jennifer’s Body’ Writer Diablo Cody Set to Adapt ‘Sweet Valley High’

PatrickMcD — Wed, 23 Sep 2009 11:47:27 -0600

LOS ANGELES – “Sweet Valley High” filtered through Diablo Cody? That is exactly what Universal is doubling down on, in negotiations to pick up the rights to the long-running book series, with Cody (“Juno,” “Jennifer’s Body”) attached to adapt.

Diablo Cody and ‘Sweet Valley High’
Photo credit: Diablo-Cody.com, Culturecat.net

Cody’s formative years were informed by the books, which centered on two teenage girls, Jessica and Elizabeth Wakefield, who lived in the fictional town of Sweet Valley, California. Jessica was the more conniving and materialistic of the sisters, and usually needed help from the more practical Elizabeth when her schemes went awry.

The series, created by Francine Pascal, made its debut in 1983, publishing 150-plus books with more than 60 million copies in print. The last one came out in January 2003.

Reuters was the source for the story.

By PATRICK McDONALD
Senior Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com

‘Jennifer’s Body’ a Bloody, Out-of-Body Dud For Oscar-Winning ‘Juno’ Scribe Diablo Cody

HollywoodChicago.com — Fri, 18 Sep 2009 00:01:00 -0600

CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”. The difference? Theron nailed it; Cody bloodied this bold opportunity.

Rating: 1.5/5.0

Since our Nov. 2007 interview with Cody for the Oscar-winning “Juno,” she’s as quick with her wit in person as she is with her pen for the screen.

While an early reading of the “Jennifer’s Body” script showed promise, once it hit the screen Cody’s razor-sharp wit was blunted against the mismatched backdrop of two female leads who couldn’t sell the script and the overarching horror tone that the talented Cody hasn’t yet mastered.

Read Adam Fendelman’s full review of “Jennifer’s Body” in our reviews section.

Like “Juno,” you still hear Cody’s obscure and uniquely twisted pop-culture references. Like “Juno,” you once again travel with Cody as she deftly maneuvers the cliché without being so.

Like “Juno,” Cody has found another way to inject the importance of relationships into strong female roles. But “Jennifer’s Body” more than disappoints – and, in fact, offends considering the prodigy who wrote it – on three primal levels.

“Jennifer’s Body” from Oscar-winning “Juno” writer Diablo Cody and director Karyn Kusama stars Megan Fox, Amanda Seyfried, Johnny Simmons, Adam Brody, J.K. Simmons, Amy Sedaris, Ryan Levine, Juan Riedinger, Colin Askey, Chris Pratt, Juno Ruddell, Kyle Gallner and Josh Emerson. The film, which was released nationwide on Sept. 18, 2009, is rated “R” for sexuality, bloody violence, language and brief drug use with a 102-minute running time.

Continuing reading for Adam Fendelman’s full “Jennifer’s Body” review.

The insatiable appetite of Jennifer (Megan Fox) takes her on the prowl for a meaty snack in “Jennifer’s Body”.
Photo credit: Doane Gregory, 20th Century Fox

Continuing reading for Adam Fendelman’s full “Jennifer’s Body” review.

Slideshow: 10-Image Gallery For Diablo Cody’s ‘Jennifer’s Body’ With Megan Fox

BrianTT — Fri, 28 Aug 2009 14:39:04 -0600

CHICAGO – This 10-image slideshow contains the official press images for “Jennifer’s Body,” starring Megan Fox, Amanda Seyfried, Adam Brody, J.K. Simmons, and Johnny Simmons. The film was written by Diablo Cody and directed by Karyn Kusama and opens on September 18th, 2009. It is rated R.

Synopsis: “A sexy horror film with a wicked sense of humor, JENNIFER’S BODY is about small town high school student Jennifer (Megan Fox), who is possessed by a hungry demon. She transitions from being “high school evil” - gorgeous (and doesn’t she know it), stuck up and ultra-attitudinal - to the real deal: evil/evil. The glittering beauty becomes a pale and sickly creature jonesing for a meaty snack, and guys who never stood a chance with the heartless babe, take on new luster in the light of Jennifer’s insatiable appetite. Meanwhile, Jennifer’s lifelong best friend Needy (Amanda Seyfried), long relegated to living in Jennifer’s shadow, must step-up to protect the town’s young men, including her nerdy boyfriend Chip (Johnny Simmons).”

You can click “Next” and “Previous” to scan through this slideshow or jump directly to individual photos with the captioned links below. All photos credited to James Dittiger (#1), Doane Gregory (#2-10) and Fox. All Rights Reserved.

Jennifers_Body_01: After being possessed by a hungry demon, small town high school student Jennifer (Megan Fox) transitions from being high school evil - gorgeous (and doesnt she know it), stuck up and ultra-attitudinal - to the real deal: evil/evil.
Jennifers_Body_02: Jennifer (Megan Fox) goes on the prowl for her next meaty snack.
Jennifers_Body_03: The insatiable appetites of Jennifer (Megan Fox) take her on the prowl for a meaty snack.
Jennifers_Body_04: Jennifer (Megan Fox) takes flight in pursuit of a new victim.
Jennifers_Body_05: Needy (Amanda Seyfried) is worried about the imminent arrival of her best friend, who is now a demon.
Jennifers_Body_06: Needy (Amanda Seyfried) emerges the worse for wear after encountering her best friend, who has become a fearsome demon.
Jennifers_Body_07: Best friends Jennifer (Megan Fox, left) and Needy (Amanda Seyfried) enjoy an evening together at a local bar - unaware that it will forever change their lives.
Jennifers_Body_08: Jennifer (Megan Fox) prepares to feast on her best friends boyfriend Chip (Johnny Simmons).
Jennifers_Body_09: Director Karyn Kusama lines up a shot on the set.
Jennifers_Body_10: Nothing can water down the appetite of Jennifer (Megan Fox).

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Two New Pictures of Megan Fox in Diablo Cody’s ‘Jennifer’s Body’

BrianTT — Sat, 25 Jul 2009 12:26:45 -0600

CHICAGO – On September 18th, Megan Fox, the star of “Transformers: Revenge of the Fallen” will star in a comedy/horror hybrid called “Jennifer’s Body” and we’ve got two new pics and the official poster for this Twentieth Century Fox film.

The official synopsis from the studio reads: “When small-town high school hottie Jennifer (Megan Fox) is possessed by a hungry demon, guys who never stood a chance with her, take on new luster in the light of Jennifer’s insatiable appetite. From the Oscar-winning screenwriter of “Juno.””

“Jennifer’s Body” was Megan Fox, Amanda Seyfried, Johnny Simmons, Adam Brody, J.K. Simmons, Amy Sedaris, Chris Pratt, Juno Ruddell, and Kyle Gallner. It was written by Diablo Cody and directed by Karyn Kusama (“Girlfight,” “Aeon Flux”).

Megan Fox in Jennifer’s Body.
Photo credit: Doane Gregory

(L to R) Johnny Simmons and Megan Fox in Jennifer’s Body.
Photo credit: Doane Gregory

Jennifer’s Body.
Photo credit: Fox

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Toni Collette Shines on Intriguing ‘United States of Tara’

BrianTT — Tue, 13 Jan 2009 14:39:28 -0700

Television Rating: 3.5/5.0

CHICAGO – Writer Diablo Cody, the Oscar-winning scribe of “Juno,” Executive Producer Steven Spielberg, and the Oscar-nominated actress Toni Collette have joined forces for the impressive and intriguing “United States of Tara,” airing this Sunday, January 18th on Showtime.

“United States of Tara” displays the fingerprints of three primary creative forces - the snappy dialogue of Cody, the unbelievable range of Collette, and Showtime’s creative impetus to bring us people living outside the norm but hiding in plain sight. Nancy Botwin on “Weeds,” Dexter Morgan on “Dexter,” Hannah/Belle on “Secret Diary of a Call Girl,” and Tara Gregson on “United States of Tara” may look like you and me but they live distinctly abnormal lives.

Toni Collette as Tara in United States Of Tara.
Photo credit: Nigel Parry/Showtime

What makes Tara Gregson’s (Toni Collette) life so unique is that she isn’t alone inside her own body. As so many kids have said, “Mom’s just not herself today.” But in Tara’s life, it can be sadly true. Tara has dissociative identity disorder. There are three personalities that often come to the forefront and take over the lives of Tara and her family - “T,” a teenager fond of thongs and drugs, “Buck,” a beer-swilling Vietnam vet prone to violence, and “Alice,” a housewife straight out of a 1950s advertising campaign.

Toni Collette as Tara and John Corbett as Max in United States of Tara.
Photo credit: Nigel Parry/Showtime

Like a lot of people with DID, Tara’s personalities take over in time of great stress or crisis and most of her family have gotten used to the “other people” living in their house. In the premiere episode, when Tara finds morning after pills in her daughter’s bag, mom understandably freaks out a bit and “T” takes over. Later, when force is called for, “Buck” makes an appearance. I’m not sure that people with real DID use their personalities in such a functional or practical way, but it definitely makes for interesting drama.

The family forced to deal with the “United States of Tara” include Max (John Corbett), her loving and supportive husband, Kate (Brie Larson), her rebellious daughter, and Marshall (Keir Gilchrist), her kind-hearted and intellectual son. Tara’s insecure sister Charmaine (Rosemarie Dewitt, recently seen in “Rachel Getting Married”) struggles to understand her sibling’s illness and great comedic actors like Tony Hale and Patton Oswalt guest-star.

At times, “United States of Tara” can feel too self-conscious and too in love with its own concept. The subtext of the show, a modern woman dealing with the stresses of modern life with multiple personalities, can be a little too clever for its own good as is Cody’s controversial ear for dialogue. Marshall, in particular, with his references to Thelonious Monk and George Cukor in just the first episode, feels almost like Cody’s reaction to criticisms that the teenage characters in “Juno” sounded more like twenty or thirtysomethings. “You thought that was adult dialogue coming out of a kid’s mouth?!? Check this out.”

Most importantly, Cody and her team of writers need to find something interesting underneath the personalities of its heroine to emphasize equally. “Weeds” works because it is about a lot more than just a pot-dealing mom in the ‘burbs. “United States of Tara” needs to find characters as interesting as the ones inside Tara Gregson, not just responses to them. The supporting cast is very good, particularly Dewitt and Corbett, but they are as yet underdeveloped and I worry they will always take a back seat to the chaos in the front.

Rosemarie DeWitt as Charmaine, Toni Collette as Tara, and Brie Larson as Kate in United States of Tara (Episode 5).
Photo credit: Jordin Althaus/Showtime

As for that front, it’s something to behold. Collette has always had an underrated range, giving great performances in “Muriel’s Wedding,” “The Sixth Sense,” “About a Boy,” “Japanese Story,” “In Her Shoes,” “Little Miss Sunshine,” and HBO’s “Tsunami: The Aftermath”. She’s simply a fantastic actress and she does work here worthy of Emmy consideration.

On paper, Tara may sound like a gimmicky role, something anyone could knock out of the park, and that may be true, but what’s difficult about the over-the-top character is making her unusual situation feel genuine and Collette does that from scene one. She’s perfect and, easily, the main reason to watch the show. It’s a performance good enough to make every flaw of the show easier to overlook.

At least through its first four episodes, “United States of Tara” works and, while it may not be there quite yet, it is easy to see this show becoming one of the best on television with just a little tinkering. With an actress as talented as Toni Collette in your lead, greatness is always possible.

‘United States of Tara,’ which airs on SHOWTIME, stars Toni Collette, John Corbett, Rosemarie Dewitt, Brie Larson, and Keir Gilchrist. The premiere airs on January 18th, 2009 at 9PM CST.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Ellen Page’s ‘Smart People’ Only as Scholarly as Zealous Senior in High School

HollywoodChicago.com — Fri, 11 Apr 2008 01:30:45 -0600

CHICAGO – I’m flummoxed. I know “Smart People” was supposed to be comedic drama with a splash of romance. Instead, I have been misled. It’s not a comedy. It’s not a tragedy. It’s not even a tragicomedy.

“Smart People” is a blandly scripted “poor me” with an attempt at a plot and some glitzy Hollywood names thrown in for good box-office measure.

While I know this was no “Juno,” I couldn’t help cursing first-time writer Mark Poirier for not taking a much-needed page – or a full-fledged course of mentoring – from Oscar-winning “Juno” inker Diablo Cody.

Read Adam Fendelman’s full review of “Smart People” in our reviews section.

View our full “Smart People” image gallery.

“Smart People” is also a product of another newbie: first-time director Noam Murro.

Since her “Juno” stardom in 2007 – and actually her big-screen break out even before that in 2005’s “Hard Candy” – 21-year-old Ellen Page has righteously warranted her way on Hollywood’s “A” list.

My draw to “Smart People” was Page and Page alone. While she’s always a professional who crafts the best she can from the material she’s handed, an actor ultimately is a slave to his or her script. “Smart People” offensively held Page back whereas “Juno” unleashed her.

Ellen Page in “Smart People”.
Photo credit: IMDb

Thomas Haden Church and Ellen Page in “Smart People”.
Photo credit: IMDb

Read the full review…

80th Academy Awards Headlined By ‘No Country For Old Men,’ ‘There Will Be Blood,’ ‘The Bourne Ultimatum’

HollywoodChicago.com — Mon, 25 Feb 2008 12:50:43 -0700

CHICAGO – “No Country For Old Men,” “Juno,” “Once,” “Atonement,” “The Bourne Ultimatum,” “There Will Be Blood,” “Ratatouille,” “The Golden Compass,” “Elizabeth: The Golden Age,” “La Vie en Rose,” “Michael Clayton” and more headlined the 80th Academy Awards on Feb. 24, 2008.

In total, “No Country For Old Men” led the pack with four Oscars followed by a surprising three for “The Bourne Ultimatum” and two for “There Will Be Blood”. A complete list of all 2008 Oscar winners at the 80th Academy Awards is found below. All image credits go to Oscar.com.

Best Picture:
Scott Rudin, Ethan Coen and Joel Coen for “No Country For Old Men”

Best Director:
Joel Coen and Ethan Coen for “No Country For Old Men”

Best Original Screenplay:
Diablo Cody for “Juno”
The HollywoodChicago.com interview with “Juno” writer Diablo Cody can be found here.

Best Adapted Screenplay:
Joel Coen and Ethan Coen for “No Country For Old Men”

Best Actor:
Daniel Day-Lewis for “There Will Be Blood”

Best Actress:
Marion Cotillard for “La Vie en Rose”

Best Supporting Actor:
Javier Bardem for “No Country For Old Men”

Best Supporting Actress:
Tilda Swinton for “Michael Clayton”
The HollywoodChicago.com interview with “Michael Clayton” director Tony Gilroy can be found here.

Best Art Direction:
Dante Ferretti (art direction) and Francesca Lo Schiavo (set decoration) for “Sweeney Todd: The Demon Barber of Fleet Street”

Best Cinematography:
Robert Elswit for “There Will Be Blood”

Best Film Editing:
Christopher Rouse for “The Bourne Ultimatum”

Best Original Song:
“Falling Slowly” from “Once” (music and lyrics by Glen Hansard and Marketa Irglova)
The HollywoodChicago.com interview with “Once” director John Carney and stars Glen Hansard and Marketa Irglova can be found here.

Best Original Score:
Dario Marianelli for “Atonement”

Best Sound Mixing:
Scott Millan, David Parker and Kirk Francis for “The Bourne Ultimatum”

Best Sound Editing:
Karen Baker Landers and Per Hallberg for “The Bourne Ultimatum”

Best Visual Effects:
Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood for “The Golden Compass”

Best Costume Design:
Alexandra Byrne for “Elizabeth: The Golden Age”

Best Makeup:
Didier Lavergne and Jan Archibald for “La Vie en Rose”

Best Animated Feature:
Brad Bird for “Ratatouille”

Best Animated Short Film:
Suzie Templeton and Hugh Welchman for “Peter & the Wolf”

Best Documentary Feature:
Alex Gibney and Eva Orner for “Taxi to the Dark Side”

Best Documentary Short Subject:
Cynthia Wade and Vanessa Roth for “Freeheld”

Best Live-Action Short Film:
Philippe Pollet-Villard for “Le Mozart des Pickpockets” (“The Mozart of Pickpockets”)

Best Foreign Language Film:
Stefan Ruzowitzky for “The Counterfeiters” (Austria)

Host Jon Stewart marked one of this year’s surprise moments when he offered for “Once” co-star Marketa Irglova – initially cut off by music – to return to the stage and deliver her acceptance speech. That speech has made its way to YouTube and can be seen below.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Color-Pencil Animated Opening Credit Sequence For ‘Juno’ Surfaces Online

HollywoodChicago.com — Fri, 28 Dec 2007 11:08:03 -0700

The color-pencil animated opening credit sequence for “Juno” has surfaced online thanks to its creator: Shadowplay Studio. I learned about this from a Dec. 27 post on /Film.

Watch the “Juno” opening sequence here!

Ellen Page and Michael Cera for “Juno” on Sept. 8, 2007.
Photo credit: WireImage.com
Since “Juno” director Jason Reitman also directed “Thank You For Smoking,” you wouldn’t be surprised to find out that Shadowplay is also responsible for creating that film’s opening titles, too.

Diablo Cody (left) and Ellen Page for “Juno” on Nov. 5, 2007.
Photo credit: WireImage.com
There’s universal agreement (as much as there can be universal agreement) that “Juno” is one of the best films of the year and perhaps the best of the independents.

Jennifer Garner for “Juno” on Sept. 8, 2007.
Photo credit: WireImage.com

Ellen Page (left) in “Juno”.
Photo credit: IMDb
Reitman says the following about the sequence in a blog post from Aug. 2007:

They were created by Shadowplay Studio, which is the same team who did the badass opening titles for “Thank You For Smoking”.

I met them back in 2000 when we both had short films playing the festival circuit. Their short (“This Guy is Falling”) was a really impressive half live-action/half animation piece they did in college.

When they did “Thank You For Smoking,” the titles were rendered on a series of computers in one of their mother’s living rooms. Now they got a fancy place in an art-deco building on Wilshire.

The “Juno” opening titles are out of control. I don’t want to give away too much, but the whole process was really labor intensive.

The Shadowplayers would have parties in which friends and family would help construct the whole thing. I can’t wait for you all to see it and then I can explain how it was done.

My interview with “Juno” star Ellen Page and “Juno” screenwriter Diablo Cody can be found here. The HollywoodChicago.com film review of “Juno” by Shane Hazen can be found here.

“Juno” screenwriter Diablo Cody.
Photo credit: WireImage.com

Ellen Page and Michael Cera in “Juno”.
Photo credit: IMDb

Jennifer Garner (left), Jason Bateman and Ellen Page in “Juno”.
Photo credit: IMDb

From left to right: J.K. Simmons, Ellen Page, Allison Janney and Jason Bateman for “Juno” on Nov. 5, 2007.
Photo credit: WireImage.com

A Metaphorical Peek Under the Skirt of ‘Jennifer’s Body’ From Screenwriter Diablo Cody

HollywoodChicago.com — Sat, 15 Dec 2007 14:29:01 -0700

On Oct. 23, we learned that “Juno” screenwriter Diablo Cody – one of Hollywood’s most rising scribe stars – got plucked by Fox Atomic for a comedic supernatural thriller entitled “Jennifer’s Body”.

“Juno” and “Jennifer’s Body” screenwriter Diablo Cody.
Photo credit: ViewImages
After reading a Sept. 20, 2007 draft of the “Jennifer’s Body” script from Cody, Peter Sciretta at /Film on Saturday published a read-worthy script review. I’ve highlighted some standout nuggets below.

Cody’s mix of razor-sharp wit, obscure pop-culture references, unique characters and ability to maneuver her way through potentially cliché situations has all of Hollywood calling her name.

I’m sure some people will see some comparisons to “Juno” especially in the characterizations and dialogue.

Anita “Needy” Lesnicki is kind of a quick-witted geek: the kind [who] uses the word “ostentatious” during … everyday conversation and dates a band geek named Chip.

Jennifer is the hotter, more popular member of the duo.

“Jennifer’s Body” is a very different [script] than “Juno”. For example, it is extremely gory.

One passage from Cody’s script describes a scene where blood and viscera [are] scattered everywhere with intestines strewn about “like party streamers”. One victim is described as looking like “lasagna with teeth”.

The main problem with “Jennifer’s Body” is that – as it begins to wind down – you realize you already know how it ends.

If I were to offer one suggestion to Fox Atomic, it would be this: begin the story at the beginning and not the ending.

It should also be noted that the screenplay is 115 pages long, which usually translates to an almost two-hour film. That might be a tad … too long for a genre film.

Read the full /Film script review here.

Interview, Part Two: Why Hollywood’s Addicted to ‘Juno’ Scribe Diablo Cody, Star Ellen Page

HollywoodChicago.com — Thu, 06 Dec 2007 23:05:39 -0700

Editor’s note: This interview contains explicit language.
This is part two of this interview. Part one is here.
CHICAGO – The sale of Diablo Cody’s “Juno” script has become the opening of her career can of worms.

“Juno” screenwriter Diablo Cody.
Photo credit: ViewImages
In Oct. 2007, it was announced that Fox Atomic purchased Cody’s script for the comedic supernatural thriller “Jennifer’s Body”. Mason Novick and Jason Reitman are both on board as producers. Cody added: “I think [Reitman is] done with high school movies.”

While Cody has been painted with “the new Tarantino,” Page has been flattered by being likened to Meryl Streep and Audrey Hepburn.

“That seems outlandish. I don’t feel special,” Page said as if she’s not a flourishing Hollywood star. “I’m just doing what I love to do. That’s a crazy thing to think about. Having an opportunity to do this is an enormous gift. Getting all this attention just weirds me out.”

Cody laughed – and we won’t know why – except to say it was a “private joke” on the topic of Page’s modesty.

Page returned to her diffident direction: “It’s nice when people give you compliments, but it’s not always easy to take compliments. I have really awesome friends who are 10 times cooler than me doing really [amazing] things they don’t get attention for.”

Cody said maternally: “You should learn to take compliments, girlie, because you’re gonna be getting some.” Page pressed on: “I just run around for 30 days talking. Thanks, but what am I?”

Cody interrupted: “I’m sorry about this bloody rag. It’s out of control.” Cody was referencing her ever-bleeding finger in our interview.

“Juno” star Ellen Page as Kitty Pride in “X-Men: The Last Stand”.
Photo credit: EllenPage.net
Back to Page’s retiring persona, she said: “Insults are fine. I don’t care what people think of me. Criticism [usually] feels honest.” Returning to maternal mode, Cody became protective when asked for criticism on Page’s performance of her adolescent, pregnant character.

“I would criticize nothing about her,” Cody retorted. “Ellen’s one of my heroes. She’s one of my favorite actors.”

Speaking of her motherly instincts, we shifted gears and discussed that vital topic in her personal and work life. Cody is a stepmom.

“That’s very important to me,” she said. “I honestly don’t think there’s any character more vilified in folklore or film than the stepmother. The reason I have a problem with it is not just because I am one but because a very, very large percentage of American children have one.”

As for the disapproving perception often associated with a stepmom in society today, Cody said: “I don’t see how that’s sending an uplifting or healthy message to anybody to tell them they have a villain in their family or to tell them they’re abnormal or tainted.

“If I could create a positive portrayal of a relationship between a stepmother and a stepdaughter – particularly at this fraught adolescent time [in the film] – maybe that will impact somebody. I always say evil stepmothers aren’t born. They’re made. There are bitchy stepmoms out there just like there are bitchy moms.”

She continued: “As a stepmother, you feel like ‘if society’s going to treat me like a villain, I’m going to fucking act like one’. And then the cycle continues. So let’s break the cycle!”

Speaking of breaking cycles, the timing of our interview was smack dab in the middle of the current writer’s strike by the Writers Guild of America (WGA).

Diablo Cody on strike on Nov. 7, 2007 in Los Angeles.
Photo source: Diablo Cody’s “The Pussy Ranch” blog
Cody is a card-carrying member of the WGA. She supports its national exclamation aimed at awarding the same residuals to writers for online sales as others already receiving such benefits. Cody’s support of the strike, though, isn’t at all for benefits she wants personally.

“I’m very pampered as a writer. I get recognition. I’m well paid,” Cody said. “The strike benefits all of us. I’m not really supposed to be talking about it, but the new-media issue and residuals issue affect everybody. I do feel like a lot of writers get the short end of the stick in general, but not me.

“I wish every writer can have the treatment I’ve had so far in my career. I have no complaints [personally], but I have complaints on behalf of my peers.”

Beyond “Jennifer’s Body,” Cody is also in bed with Toni Collette (“The Sixth Sense”), Steven Spielberg and Showtime. She says Spielberg conceived the concept of a mom with multiple personalities and Cody pitched a story to him based on that plotline. Showtime bit and Cody says she’s looking forward to meeting with Collette.

“Slutty,” Page offered. Confused, this critic said: “Collette’s slutty?” Page purified: “No!” Cody’s media training stepped in: “That’s why you can’t just randomly say that in interviews. That’s just her all-purpose adjective. It just means ‘cool’.”

Cody has also penned a female “Superbad” screenplay she coins “Girlie Style”. As it’s a college sex comedy with female protagonists, by now the pattern has clearly emerged about her topical fixations on sex and women.

“Juno” screenwriter Diablo Cody.
Photo credit: Scott Walker
“I’m a feminist,” Cody declared. “I wish I didn’t have to be. Initially I was insulted when people would ask me about writing great roles for women. I just wanted to write great roles. I felt like I was [bowing] to the patriarchy if I just wrote ‘women’s pictures’. But now being slightly more seasoned – lightly salted…”

In reaction to being “lightly salted,” Page popped back in with a titter: “Nice. A touch of thyme! A pinch of dill!”

Cody again sported her grave hat: “I do feel like I have a responsibility to write strong roles for women because I’m seeing so many amazing actresses – or as I like to call them ‘actors’ – who are being squandered. I don’t like the term ‘actress’.”

Page concurred: “When people ask me what I’m doing and I say I’m an ‘actor,’ the old bald white man will say: ‘Oh ho ho ho. Don’t you mean actress?’”

Cody pursued: “The term ‘actress’ sounds like it’s from the silent film era. Like: ‘Actress Clara Beau!’ It’s cheesy. I say actor. In interviews like this, I find myself having to default to ‘actress’ because when I say ‘there are no good roles for actors,’ it gets misconstrued that I’m talking about men.”

Beyond talking about men, what about writing about them? Though time will be the ultimate judge, Cody asserted: “I’ll write about boys. I’m certainly not averse to it. I myself am kind of a dude, so the fact that I’m able to tap into any woman’s psyche is shocking.”

Ellen Page.
Photo credit: George Pimentel, WireImage
To conclude our interview, we returned to where it all began for Cody – blogging – and the burdens and blessings inherent in it.

“You can’t just drop your blog because something [bad happens with it],” Cody stated. “Do you have any idea what kind of shit I’ve been through in cyberspace?”

She added: “How do I deal with that? I make a lot of money and laugh. Sorry. That’s a douche bag answer. I’ve been through a lot with it, but I don’t care because it’s four people in Minnesota who are bitter and ugly. They can eat a dick. They can collectively eat a dick.”

Page related: “It’s the same with what I do. I don’t even write anything personal about myself. I just act. Hardly many people even know who I am yet, but a few do. I just get automatically judged. People are just judgmental in general.”

“The Internet gives everybody a voice. I think that’s gross. Only the most articulate members of society should be allowed to voice their opinion,” Cody said sarcastically. But she concluded seriously: “There are a lot of illiterate trolls on the Internet who can just eat a dick.”

Part one of this interview can be found here.
By Adam Fendelman
Publisher
HollywoodChicago.com