Cherry Jones

‘30 Rock,’ ‘Mad Men’ Lead 2009 Emmy Award Winners as Best Comedy, Drama

BrianTT — Sun, 20 Sep 2009 21:04:35 -0600

CHICAGO – Neil Patrick Harris hosted a joyful edition of the 61st Primetime Emmy Awards on Sunday night, September 20th, 2009, at which AMC’s “Mad Men” and NBC’s “30 Rock” were the big winners with Alec Baldwin, Jon Cryer, Kristin Chenoweth, Toni Collette, Cherry Jones, Michael Emerson, Glenn Close, and Bryan Cranston walking away with the major acting awards.

Harris opened with a musical number that could have been called “Put Down the Remote”. It kicked off a show that was surprisingly buoyant and well-paced. After hosting the Tonys and now the Emmys, the Oscars may want to consider giving the best host that awards shows have seen in a long time a call. After the number, Harris spoke of his love for TV, something that served as a theme for the entire night.

For the first time (and hopefully not the last), the show was split up by genre, handing out all the awards for comedy programming first. (Although it was kind of a cheat with the big award, Best Comedy, being saved for the end of the night. Just the acting, writing, and directing awards were presented early.)

The night started on a fantastic note as the wonderful and highly underrated Kristin Chenoweth won Best Supporting Actress for “Pushing Daisies”. It’s too bad the show is off the air. Nice job, ABC. Chenoweth joked, “I’m unemployed now, so I’d like to be on Mad Men.”

Harris and Kevin Dillon were robbed for the next acting award, Best Supporting Actor, which went to Jon Cryer for “Two and a Half Men,” after several consecutive nominations and straight losses to Jeremy Piven for “Entourage,” who was surprisingly not even nominated this year. With Chenoweth and Cryer both being unpredictable winners, the stage was set for an upset in several categories.

And it continued. Justin Timberlake, who had won the Outstanding Guest Appearance in a Comedy for his work on “Saturday night Live” presented the next award, Best Actress, to another surprising winner, Toni Collette for Showtime’s “United States of Tara”. Three acting awards and no winners for multi-nominated “30 Rock” was a surprise at this point in the evening, as most critics and TV writers expected Tina Fey to win here.

Best Actor in a Comedy looked like it might be where “30 Rock” picked up its first acting Emmy for its most-nominated year, but would previous winner Tony Shalhoub or beloved newcomer Jim Parsons steal the trophy? Of course not. No one can stop Alec Baldwin, who said “I’d trade this to look like him” in reference to his award’s presenter, Rob Lowe, and then honestly thanked Lorne Michaels for believing in him.

The reality awards began with Jon Cryer and Hayden Panetierre giving the Emmy for Best Reality Host to Jeff Probst for “Survivor”. Best Reality Competition Program went to “The Amazing Race,” a consistent winner in the category.

The Mini-Series and TV Movie categories were next and Kevin Bacon & Kyra Sedgwick kicked off the section of the evening by presented Best Supporting Actress to Shoreh Aghdashloo for “House of Saddam” and Best Supporting Actor to HBO’s great “Grey Gardens”. He jokingly said “I’ll make my speech as brief as possible in the hope that it won’t be interrupted by a Congressman or a rapper.”

Other Mini-Series and Movie winners included Brendan Gleeson for “Into the Storm” and Jessica Lange for “Grey Gardens” in the acting categories. The winner for Made For Television Movie was HBO’s “Grey Gardens” and “Little Dorritt” took home the prize for Outstanding Miniseries.

The dramatic awards started with a surprising and well-deserved win by Michael Emerson as Best Supporting Actor for “Lost”. The winner for Outstanding Supporting Actress in a Drama Series went to another shocking choice, Cherry Jones for “24”. That’s where the surprises stopped, as the final hour of the evening went relatively predictably.

Ellen Burstyn and Michael J. Fox had previously won awards for Best Guest Appearance in a Drama and presented Best Directing to Rod Holcumb for “ER”. The winner for writing went to, of course, “Mad Men” and its scribes Kater Gordon and creator Matthew Weiner.

Lead Actress in a Drama Series went to the fantastic Glenn Close for “Damages,” predictably repeating her win from last season. Lead Actor in a Drama Series was also a repeat from last year with Bryan Cranston taking home the Emmy again for his work on AMC’s “Breaking Bad”.

Finally, the two big awards of the night went, rather predictably, to “30 Rock” and “Mad Men”. A night that started with a few shockers finished with four winners repeating from last year. Congratulations to all the winners and good luck to everyone thinking of toppling Close, Cranston, “30 Rock,” and “Mad Men” next year.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Blu-Ray Review: Kiefer Sutherland, ‘24’ Continue to Set the Bar

BrianTT — Fri, 12 Jun 2009 12:08:11 -0600

CHICAGO – The standard DVD season sets for “24” have long been setting the bar for what TV on DVD “should be”. Winning awards for their technical transfers and detailed, copious special features, the producers of “24“‘s home releases took it a step further this year by changing the game yet again with the Blu-Ray release of “24: Season Seven”.

Blu-Ray Rating: 5.0/5.0

After a lackluster first season release (which they made up for with a “Special Edition” a few years later), the next five seasons of “24” were essentially perfect TV on DVD releases. They had informative, detailed special features, gorgeous video & audio, and fascinating commentary tracks. And it didn’t hurt that they were for some of the most beloved programming of the ’00s.

Season seven was clearly a chance for “24” to change the game again. The sixth season had been a clear winner for worst of the series to date by TV and DVD critics and instead of being allowed to get right back on that horse and reverse the shark-jumping ways, the Writer’s Strike delayed season seven by a whole year.

24: Season Seven was released on Blu-Ray on May 19th, 2009.
Photo credit: Fox

The seventh horrible day in the life of Jack Bauer (Kiefer Sutherland) brought “24” back from the brink of ridicule, delivering a much more effective thrill ride than season six. In a clever move, the writers of “24” both recognized the time off - this day started four years after the last - and even blew up many of the conventions of their own show, including having CTU completely fall apart and bringing back the considered-dead Tony Almeida (Carlos Bernard) and having audiences guess all season is he was really good or bad.

And Fox wisely chose not to make people who watch the show on DVD wait any longer than they already had and made the amazing decision to release the seventh season of “24” the day after the season finale aired.

Think about the precedent. People could buy the entire season of “24” before most viewers who watch it on DVR even had a chance to watch the season finale. TV on DVD has undeniably changed the way people watch television, but there was always a window of time that often made viewers who waited for DVD feel a little behind the times. If the “24” day-after-finale release becomes a pattern, viewers who wait for DVD or Blu-Ray will be nearly up-to-date with those who watch a show in its original airing. Ratings are going to drop even further.

Not only did Fox change the release date pattern (previous seasons of “24” has been released on DVD near the holidays to prime audiences for the upcoming season to air on TV), but they released this technically accomplished show on Blu-Ray for the first time. And, of course, “24” looks and sounds amazing on Blu-Ray. The sound design on this show has long been some of the best on TV and the 5.1 DTS-HD Master Audio track is simply spectacular.

“24: Season Seven” on Blu-Ray includes two excellent featurettes - “The Making of Season 7” and “Hour 19: The Ambush”. Deleted scenes and the cool “The Fimucite Festival Presents: The Music of 24” are also included.

Commentaries include:

Episode 1 - Executive Producer/Director Jon Cassar and Carlos Bernard
Episode 3 - Executive Producer Manny Coto, Co-Executive Producer Brannon Braga and Bernard
Episode 5 - Cassar and Annie Wersching
Episode 9 - Executive Producer David Fury and Hakeem Kae-Kazim
Episode 10 - Coto, Braga, and Wersching
Episode 12 - Co-Executive Producer/Director Brad Turner and Tony Todd
Episode 13 - Turner, Composer Sean Callery, and James Morrison
Episode 14 - Executive Producer Juan Carlos Coto, Wersching, and Bob Gunton
Episode 18 - Executive Producer Howard Gordon, Bernard, and Jeffrey Nordling
Episode 22 - Executive Producer Evan Katz, Mary Lynn Rajskub, and Glenn Morshower
Episode 23 - Executive Producer David Fury, Co-Executive Producer Alex Gansa, and Morshower
Episode 24 - Executive Producers Howard Gordon and Cassar

‘24: Season Seven’ was released by Fox Home Video and stars Kiefer Sutherland, Carlos Bernard, Cherry Jones, Colm Feore, Jeffrey Nordling, Rhys Coiro, Janeane Garofalo, Anne Wersching, and Mary Lynn Rajskub. The show was released on May 19th, 2009. It is not rated.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

‘24’ Reflects Changing Times With Excellent Season-Seven Premiere

BrianTT — Wed, 07 Jan 2009 13:09:24 -0700

CHICAGO – The world has changed significantly since Kiefer Sutherland and the rest of the team behind Fox’s “24” were forced to save it repeatedly over the first six seasons of one of the most popular shows of the last decade. Will “24” still be relevant with controversy over real-life torture dominating the headlines and a new regime getting ready to take office?

The new season of “24” picks up at 8am in the life of Jack Bauer and it will be after noon by the time the first four hours have unfolded over two nights on FOX, starting January 11th, 2009. In the opening moments of the first episode, the chief engineer of the government’s infrastructure and security system is kidnapped and a group of domestic terrorists has taken control of something very powerful - our nation’s air traffic control.

The clock is ticking for 24: SEASON 7 to premiere with a special two-night, four-hour event Sunday, Jan. 11 and Monday, Jan. 12 (8:00-10:00 PM ET/PT) on FOX.
Photo credit: Michael Muller FOX

Meanwhile, as he came home to do at the end of “24: Redemption”, Jack is being questioned by the government for the interrogation techniques that he used while he was an agent for CTU. At the same time a new President, Allison Taylor (Cherry Jones), is dealing with her first big crisis in office.

Controversy over the detainment of people without due process and the use of extreme methods to get answers from suspects while a new leader takes control of the White House. Anyone who thinks “24” shouldn’t be viewed in context of what’s happening in the real world is clearly missing the point. The writers of the show have very consciously made an effort to have “24” not only reflect the times we are in but to change with them.

Kiefer Sutherland as Jack Bauer. The clock is ticking for 24: SEASON 7 to premiere with a special two-night, four-hour event Sunday, Jan. 11 and Monday, Jan. 12 (8:00-10:00 PM ET/PT) on FOX.
Photo credit: Kelsey McNeal/FOX

Of course, it’s not all discussion and politics. Before the end of the first hour, Jack is putting his controversial techniques to use when he is brought from Capital Hill to the FBI to help stop the terrorists who have taken in-flight planes hostage.

Why Jack? Well, it turns out that the man behind the terrorist plot is someone that Bauer knows very well, the thought-dead Tony Almeida (Carlos Bernard), who Jack saw pass away in his arms near the end of season five. He didn’t die. (And, don’t worry, this is not a spoiler. It’s revealed within moments of the premiere. We would never spoil the end of even the first hour of the new season, much less any details from the three that follow.)

To stop Tony, Bauer is forced to work with several new faces at the FBI, including its head, Larry Moss (Jeffrey Nordling), two of its analysts (Rhys Coiro & Janeane Garofalo), and agent Renee Walker (Anne Wersching). Of course, Tony isn’t the only familiar face making an eventual return. Jon Voight will also return later in the season

Is Jack the only man that can stop Tony? What really happened to the now-dead son of President Taylor? The “First Man,” Henry Taylor (Colm Feore), doesn’t think his son committed suicide. And is the terrorist attack on air traffic control related to the President’s impending decision to intervene in a genocide in Africa?

And will interrogation and torture play a role through the entire season? It’s certainly a major part of the background of the first four hours. The government’s response to Bauer’s past has had very little effect on him, although he does seem a little calmer in these first four hours than he usually is in the two-night premiere of “24,” as if he’s been through this kind of crap too many times to panic again.

But, and maybe this is what “24” fans really want to hear, Jack is always going to be Jack. He will go to whatever ends necessary to save his country and there are several moments in the morning of the seventh season where he’s screaming, choking, and getting ready to kill to get the job done. In fact, an audience could definitely take from “8:00am-12:00pm” that the creators of “24” are condoning torture when an agent like Jack Bauer thinks its necessary. Case in point - When someone with necessary information says “I have rights” in one episode, the agent questioning him responds with “I suggest you use your last breath wisely.”

Kiefer Sutherland as Jack Bauer (R) and Annie Wersching as Renee Walker (L). Day 7 premieres with a special two-night event Sunday, Jan. 13 (8:00-10:00 PM ET/PT) and Monday, Jan. 14 (9:00-10:00 PM ET/PT) on FOX.
Photo credit: Kelsey McNeal/FOX

At the same time, there’s a definite theme of consequences of government action, no better represented than in the character arc of Tony Almeida. Bernard’s return to the show, as soap opera-esque as it may be, gives a jolt to the series that was missing in season six.

With all the political issues aside, how’s the action? There’s a Bauer escape at the end of episode three that stands with his best and all four hours feel more believably paced than the cluttered action of season six. The first four hours of season seven may not be as “explosive” as some seasons, but it feels more like the first two seasons - confident and as tightly and expertly edited as anything you’ll see on television this year.

It’s not surprising that the action is well-done and “Redemption” hinted at how directly “24” would address real-life issues this year, but what’s most unexpectedly promising about the start of season seven is the expanded cast. At least at the beginning, this is not the “Jack Bauer show” by any stretch of the imagination. Great stage actors Jones and Feore are unlike any President and spouse we’ve seen on the show to date and I love the new team of “good guys” in Garofalo, Nordling, Coiro, and Wersching. (Although, on “24,” you can never be sure who’s actually “good”.) There’s not a single false performance in the first four hours of season seven.

A great ensemble, interesting political themes, and action as good as anything in movie theaters at this time of year. The debut of the seventh season of “24” is good enough to think that the changes in character and tone to reflect the changing times and the new administration might work well enough to keep this landmark show around for the years it takes to see another one.

‘24,’ which airs on FOX, stars Kiefer Sutherland, Carlos Bernard, Cherry Jones, Colm Feore, Jeffrey Nordling, Rhys Coiro, Janeane Garofalo, Anne Wersching, and Mary Lynn Rajskub. The premiere of season seven airs on January 11th, 2009 at 7PM CST.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

TV Review: ‘24’ Searches For ‘Redemption’ With Prequel to Season Seven

BrianTT — Mon, 17 Nov 2008 14:24:46 -0700

CHICAGO – After a delay that lasted well in excess of a year, “24” returns to FOX this Sunday, Nov. 23, 2008 from 7 to 9 p.m. with a two-hour “special event” (they used to just be called “TV movies”) called “24: Redemption”.

The prequel to season seven of “24” intends to bridge the gap between day six and seven for Jack Bauer and set the plot in motion for what promises to be an interesting reboot of a show that hasn’t been on the air in almost two years.

The 2008 writer’s strike delayed the seventh season of “24” by an entire year. The show, which has never aired under anything but the George Bush presidency, now faces a brave new world when Jack Bauer starts another ticking clock in early 2009.

The writers of this prequel “event” are keenly aware that not only has their show been off the air for a lifetime in the what-have-you-done-for-me-lately world of television but also that they need to appeal to an audience that’s preparing for the much-debated “change” that has been promised by new president elect Barack Obama.

Obama will be the man in the Oval Office for nearly all of season seven of “24”.

While it may or may not carry over to the upcoming season of the show, there’s an interesting new dynamic at play in “24: Redemption”. The trademark “torture first; ask questions later” attitude of “24” has been replaced (at least in this prequel) by a more idealistic world view with a hero who saves the day and a new president who promises change.

Thankfully, Kiefer Sutherland never looks into the camera and says: “Mr. president, yes we can.” It’s still a dark and brutal program, but there has clearly been a creative reassessment of the show. It’s the kind of self-awareness that could resurrect a series that looked like its popularity might be sliding away with Bush and Cheney’s ever-plummeting approval ratings.

Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
Photo credit: Kelsey McNeal, FOX Broadcasting

The sixth season of “24” ended with Jack Bauer once again alone and without support. The seventh season picks up four days later with Jack in front of a U.S. Senate subcommittee. He’s forced to answer for his controversial past conduct and “24: Redemption” is meant to bridge those two Jacks.

Robert Carlyle as Carl Benton in “24: Redemption”.
Photo credit: Kelsey McNeal, FOX Broadcasting

In the years since season six, Jack has been wandering the globe while finding himself in the fictional country of Sangala, Africa where he works with a special-ops pal named Benton (Robert Carlyle) in a boys’ school.

Of course, no one has worse timing than Jack Bauer. He just happens to be at the school on the same day that a sadistic warlord (Tony Todd) is planning a bloody coup and needs some “little soldiers” to help with the mass murder.

Jack is literally on the road out of town with a backpack over his shoulder when things get serious. He is once again drawn into an international crisis. One minute, he’s off to save the next African village and literally 10 minutes later he’s dodging a rocket launcher.

It’s the classic Bauer dilemma: help out and face the government official (Gil Bellows) trying to bring Jack back to the U.S. for justice or turn his back on innocent children. It’s no contest for our man Jack.

While “Redemption” may be a “24” with no counterterrorist unit (CTU), it hasn’t lost any of its distrust for government and its officials. Gil Bellows is definitely smarmy enough, but even he doesn’t touch just a few minutes with Jon Voight.

Voight is licking his lips at the scenery he plans to chew in season seven as an American businessman who may have ties to terrorism (and a certain bloodthirsty warlord in Sangala). All of this happens to be going down on the day that president elect Allison Taylor (the great Cherry Jones) is taking over residence in the Oval Office.

The scenes between Jones and Powers Boothe’s outgoing president Noah Daniels have a riveting parallel to reality with the two even comparing the new leader’s “idealism” and the old one’s “cynicism”. Daniels delivers the line that President Bush probably wishes he could say to Barack Obama: “Let’s talk after you’ve been sitting in my chair for a while.”

The concept of one government inheriting not only the problems but also possibly the underhanded dealings of the previous one could add a new creative energy to a show that was seriously lacking it in season six. The casting of Jones makes one wonder if the producers of “24” thought Hillary Clinton was the more likely winner on Election Day.

President elect Allison Taylor (Cherry Jones, right) meets with U.S. President Noah Daniels (Powers Boothe, left) before her inauguration in the special two-hour prequel event “24: Redemption”.
Photo credit: Greg Gayne, FOX Broadcasting

Jones and Boothe are spectacular, but “24” has and will always belong to Kiefer Sutherland who doesn’t miss a beat stepping back into Bauer’s well-worn shoes.

“24: Redemption” has an unusual supporting cast in that it introduces some new players for season seven, features several actors who will only be in “24: Redemption” and doesn’t include many of the regular faces (like Mary Lynn Rajskub or the returning Carlos Bernard).

That said, perhaps it’s appropriate that with the exception of Jones’ few scenes we’re reintroduced to “24” with a movie that features Sutherland front and center. If anyone is going to carry the show back from the worst season in its history, it’s going to be Jack Bauer. In the end, “24: Redemption” is really just prologue and back story for what’s to come in season seven.

However, judged as a standalone “event” (as FOX likes to describe it), it comes up a little short. The action in Sangala is too predictable (Bellows, in particular, might as well be twirling a curly-cue mustache as he’s such a stereotypically slimy bad guy) and the pile of coincidences that can sometimes bring down the show hurts the believability of the action in the nation’s capital.

The president elect’s son (Eric Lively) gets involved with the drama surrounding what’s happening in Africa in a way that doesn’t feel plausible at all (which is saying a lot for this show). The real-time structure is stretched as far as it ever has been.

While “24” has always been a program that requires an intense suspension of disbelief, “24: Redemption” seems to need more than average. For a country that recently voted for change, “24: Redemption” seems to be going in the right direction but may not have gone far enough to not look like a Bush-era relic.

“24: Redemption,” which airs on FOX, stars Kiefer Sutherland, Robert Carlyle, Cherry Jones, Jon Voight, Tony Todd, Gil Bellows and Powers Boothe. The two-hour event airs on Nov. 23, 2008 at 7 p.m. CST.

Flip through our high-quality, 22-image slideshow for “24: Redemption”.

Read our interview with “24” star Mary Lynn Rajskub (Chloe O’Brian).

By BRIAN TALLERICO
Staff Writer
HollywoodChicago.com
brian@hollywoodchicago.com

Slideshow: 22-Image Gallery For ‘24: Redemption’ With Kiefer Sutherland

BrianTT — Sun, 16 Nov 2008 16:50:58 -0700

CHICAGO – This 22-image slideshow contains official press images for the new TV film “24: Redemption” (previously named “24: Exile”), which stars Kiefer Sutherland, Gil Bellows, Robert Carlyle, Cherry Jones, Powers Boothe and Jon Voight. The prequel to the seventh season of “24” airs on Nov. 23, 2008 at 8 p.m. EST or 7 p.m. CST on FOX.

“24” jump-starts its seventh season with a two-hour, real-time special movie that airs on Nov. 23, 2008. Set and shot entirely in Africa, “24: Redemption” stars Kiefer Sutherland as Jack Bauer who is forced to battle an international crisis with mentor Carl Benton (Robert Carlyle).

Meanwhile, the U.S. prepares to inaugurate new president Allison Taylor (Cherry Jones). Set a few months before day seven will officially begin for “24,” “24: Redemption” also introduces two characters who will be integral to that season’s plot: Frank Tramell (Gil Bellows) and Jonas Hodges (Jon Voight).

You can click “Next” and “Previous” to scan through this slideshow or jump directly to individual photos with the captioned links below. Unless otherwise noted on an individual photo, all photo credits for this slideshow belong to Kelsey McNeal and the FOX Broadcasting Company.

24redemption1: Captured in Africa exhibit: “24” producer Michael Klick captures Jack Bauer (Kiefer Sutherland) performing a stunt while filming “24: Redemption,” which airs on Nov. 23, 2008 on FOX. Photo credit: Michael Klick
24redemption2: Kiefer Sutherland as Jack Bauer in “24: Redemption,” which is the two-hour special “day-seven prequel” airing on Nov. 23, 2008 on FOX.
24redemption3: Gil Bellows as Frank Tramell in “24: Redemption”.
24redemption4: Robert Carlyle as Carl Benton in “24: Redemption”.
24redemption5: Captured in Africa exhibit: Unit photographer Kelsey McNeal captures a behind-the-scenes look at Kiefer Sutherland (right) and Siyabulela Ramba (left) while filming “24: Redemption”.
24redemption6: Jack Bauer (Kiefer Sutherland, center) battles an international crisis in the special two-hour prequel event “24: Redemption”. Robert Carlyle is also pictured on right.
24redemption7: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption8: U.S. State Department officer Frank Tramell (Gil Bellows, right) tries to convince Carl Benton (Robert Carlyle, left) that Jack must return to the U.S. in the special two-hour prequel event “24: Redemption”.
24redemption9: Robert Carlyle as Carl Benton in the special two-hour prequel event “24: Redemption”.
24redemption10: Jack Bauer (Kiefer Sutherland) forms a bond with the children at an orphanage in South Africa in the special two-hour prequel event “24: Redemption”. Siyabuela Ramba is also pictured on right.
24redemption11: Robert Carlyle as Carl Benton in the special two-hour prequel event “24: Redemption”.
24redemption12: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption13: An international crisis ensues in the special two-hour prequel event “24: Redemption”.
24redemption14: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption15: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption16: U.S. State Department officer Frank Tramell (Gil Bellows, left) tries to convince Jack to return to the U.S. in the special two-hour prequel event “24: Redemption”. Also pictured is Robert Carlyle on right.
24redemption17: Jon Voight as Jonas Hodges in “24: Redemption”.
24redemption18: Jon Voight as Jonas Hodges in the special two-hour prequel event “24: Redemption”.
24redemption19: President-elect Allison Taylor (Cherry Jones, right) meets with U.S. president Noah Daniels (Powers Boothe, left) before her inauguration in the special two-hour prequel event “24: Redemption”. Photo credit: Greg Gayne/FOX
24redemption20: Jonas Hodges (Jon Voight) attends the presidential inauguration in the special two-hour prequel event “24: Redemption”.
24redemption21: President-elect Allison Taylor is sworn in as president of the U.S. in the special two-hour prequel event “24: Redemption”. Photo credit: Greg Gayne/FOX
24redemption22: Captured in Africa exhibit: “24” producer Michael Klick used his infrared camera to capture Jack Bauer (Kiefer Sutherland) on the run while filming “24: Redemption”.Photo credit: Michael Klick

Read our full “24: Redemption” review by critic Brian Tallerico.

Read our interview with “24” star Mary Lynn Rajskub (Chloe O’Brian).

By BRIAN TALLERICO
Staff Writer
HollywoodChicago.com
brian@hollywoodchicago.com