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Despite Flopping as a Comic Book Movie, ‘Red 2’ Coasts By with Well-Written Characters

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you didn’t see the DC Entertainment splash screen when this “Red 2” sequel kicks off with the fake death of one of its usual suspects, you wouldn’t mind that the rest of the film feels nothing like a comic book movie except for its animated transitions between scenes.

‘G.I. Joe: Retaliation’ Almost Turns Macho Stupidity Into Art

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “G.I. Joe: Retaliation” is the kind of dumb summer action blockbuster that works in the season when the kids aren’t in school and the movie theater is used as an excuse to get in the air conditioning as much as see anything approaching filmmaking. It nearly works in March. Nearly.

‘A Good Day to Die Hard’ Makes For Bad Movie Night

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – The franchise has been in steady decline since the original “Die Hard,” quite simply one of the best action films of all time, but that still doesn’t prepare one for the truly horrendous “A Good to Day to Die Hard,” a complete waste of time on every level. Loud, obnoxious, boring, cartoonish, morally reprehensible, and just plain stupid, “A Good Day to Die Hard” is just bad, bad, bad.

Stunning, Creative Vision of ‘Looper’ with Joseph Gordon-Levitt

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.

Sylvester Stallone in Formulaic ‘The Expendables 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Face it, it is fun to see the major action stars of the 1980s, ‘90s and now – Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Dolph Lundgren, Bruce Willis and Arnold Schwarzenegger – together again for “The Expendables 2.” Why the hell can’t anyone write a decent story for them?

Wes Anderson’s ‘Moonrise Kingdom’ Delights with Clever Tale of Young Love

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Wes Anderson’s “Moonrise Kingdom” is a true delight — a fun, clever, and, of course, whimsical tale about the days when love seemed worth running away from home over and getting a scout badge meant the world. Easily Anderson’s best film since “The Royal Tenenbaums,” “Moonrise” is arguably the most tonally consistent film he’s made to date, a thoroughly enjoyable endeavor that one would have to be pretty cynical to dismiss entirely.

Talented Ensemble Wasted on Incredibly Dull ‘Red’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – They say you can learn as much from a bad movie as you can from a good one. If that’s true, what’s the lesson to be taken from the extremely boring and misguided “Red”? Perhaps that moviemaking is not the sum of its parts and that you can’t just get together an amazing cast, shout action, and expect magic.

Sylvester Stallone, Jason Statham Are Halfway in ‘The Expendables’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Seeing them all together was fun. Enduring some macho joshing, even in the form of stiff dialogue, was tolerable. But doing a bad, boring action movie with Sylvester Stallone trying to prop up his “legacy” was sadly too much to bear. Jason Statham, Jet Li, Mickey Rourke, Bruce Willis and Arnold Schwarzenegger are among “The Expendables.”

Robert De Niro, Director Barry Levinson Wade Through Hollywood’s Mud in ‘What Just Happened?’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In his long and distinguished career, Robert De Niro has probably seen it all when it comes to Hollywood excesses and quagmires. Given that experience, he seems the perfect choice to portray an aging film producer and power broker whose influence is on the decline.

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    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

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