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Billy Connolly

Great Cast Receives Winning Showcase in Dustin Hoffman’s ‘Quartet’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There are few things more fragile than an actor’s ego. It must be treated with the utmost care in order to prevent a split-second meltdown. The enormous pressure of audience expectations coupled with the piercing eye of an ever-present media is enough to send sensitive folk to a sanitarium. Thick skin is a necessity in show business, but what happens when that skin begins to age?

Gorgeous ‘Brave’ Connects While Not Matching Pixar Standard

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Pixar’s 13th film has been lauded as a major first for the company – the inaugural adventure aimed squarely at young females. Luckily, there’s nothing here that diminishes that goal in any way. “Brave” features a strong, well-designed, interesting heroine, perfectly voiced by Kelly Macdonald, and it doesn’t pander to its demographic, proving that girls can play with the big boys while also giving them a fable of their own.

Jack Black, Emily Blunt Think Big in ‘Gulliver’s Travels’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Call it too much holiday eggnog, but the re-imagining of the immortal classic “Gulliver’s Travels,’ starring Jack Black, Emily Blunt and Jason Segal, has a little Yuletide fun and hurts no one. If you like Jack Black, you’ll enjoy the film. If you don’t, find another way to spend 93 minutes this tinsel time weekend.

No Matter How Hard You Believe Otherwise, ‘The X-Files: I Want to Believe’ Most Anemic Story Yet

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Following an addictive TV series that spanned from 1992 to 2002, I wanted to believe “The X-Files: I Want to Believe” would more dynamically pay homage to its television success than Chris Carter’s first film attempt in 1998. In take two, though, it didn’t happen.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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