Gary Oldman

David S. Goyer’s ‘The Unborn’ is Unoriginal, Uninspiring Mess

BrianTT — Fri, 09 Jan 2009 08:14:20 -0700

Rating: 1.0/5.0

CHICAGO – Odette Yustman stars in David S. Goyer’s “The Unborn,” a poorly conceived and produced horror movie that could have just as easily been called “The Un-scary,” “The Uninspiring,” “The Unoriginal,” or “The Unexciting”. Whatever you do, just un-plan to see it this weekend.

After his similarly superstitious and sloppy “The Invisible.” it’s surprising that David S. Goyer would go back to a storytelling well that failed him the first time. That film was an ineffective trip to the other side and “The Unborn” is an ineffective film about a trip back.

Rabbi Sendak (Gary Oldman) and Casey Beldon (Odette Yustman) attempt an exorcism.
Photo credit: Rogue Pictures

The poor girl haunted by a visitor from the other side in “The Unborn” is the gorgeous Casey Beldon (Yustman). This Megan Fox doppelganger is haunted by dreams of a young boy, a creepy dog, and a buried fetus. One night, she’s attacked by a neighbor child she’s babysitting and warned that “Jumby is waiting to be born.” “Jumby” was the nickname for the twin that died while Casey was still in utero. And he’s angry about more than just being given a stupid nickname before he was even born.

The Unborn from Rogue Pictures opens on January 9th, 2009.
Photo credit: Rogue Pictures

After the babysitting night from Hell, Casey is haunted by an increasing series of nightmarish events, including ghostly children, waves of potato bugs, and terrifying dreams. And that damn neighbor kid likes to hang out in her yard and look creepy.

Apparently, the fact that Casey was a twin and that her brother died makes her a portal for an evil visitor from the other side, a “Dybbuk,” an ancient force that has been waiting to get through and wreak havoc on humanity ever since he was first thwarted in a concentration camp during WWII. Yes, Goyer has the nerve to use the holocaust as a storytelling device in a generic horror movie.

Absolutely none of the imagery in “The Unborn” has the power that it needs to for a movie like it to work. Goyer’s choices as a screenwriter and a director are more head-scratching than terrifying, as if he read a few books on ancient myths and superstitions and took whatever grabbed his attention that day. There’s no sense of building atmosphere or tension. “The Unborn” is merely a string of weird images held together by one of the most disjointed and poorly conceived horror screenplays in a long time. Considering the state of the genre, that’s almost an accomplishment.

Everything about “The Unborn” feels slapped together by a horror movie Mad Libs program. Even the plot makes little to no sense. Is it Casey’s dead twin or a demonic creature trying to break through to the other side? Why does the Rabbi who doesn’t believe her one day come to her rescue the next? Where does her father (James Remar) disappear to in the entire second half of the film?

Odd cameo-length performances from Carla Gugino, Idris Elba, James Remar and Rhys Coiro add to the sensation that “The Unborn” was shot during a week-long break from “The Dark Knight” set. Goyer’s not the only thing in common. Both films were shot in Chicago and both films feature Gary Oldman in supporting roles. He plays a Rabbi trying to help Casey in “The Unborn”. Sadly, none of the quality of the one Chicago production with Oldman made it to the other.

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A 20-Image Slideshow of The Unborn

The only thing that saves “The Unborn” from being an early worst-of-the-year candidate is the mildly interesting performance from Yustman and a few interesting visual flourishes from Goyer. They’re not strung together into anything effective, but even a few moments - there’s a startling sequence in a club bathroom that works - can save a horror movie from being at the bottom of the genre barrel.

Perhaps the appropriate reaction to “The Unborn” is best summed up by an exchange I heard on the way out of my screening. A man behind me on the escalator said to his date, “I knew it would be bad, but I didn’t think it would be that bad.” Now you know.

‘The Unborn’ stars Odette Yustman, Gary Oldman, James Remar, Carla Gugino, Cam Gigandet, Meagan Good, Rhys Coiro, and Idris Elba. ‘The Unborn,’ which was written and directed by David S. Goyer, opened in Chicago on January 9, 2009.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

‘The Dark Knight’ Bestows Role of a Lifetime For Heath Ledger, Epic Proportions For Itself

HollywoodChicago.com — Wed, 16 Jul 2008 23:01:00 -0600

Rating: 5.0/5.0
(rarely perfect)

CHICAGO – With only three short words comprising the film’s enigmatic title, “The Dark Knight” also boasts three epic claims to fame: the role of a lifetime for the late Heath Ledger as the hauntingly deranged Joker, one of the best films of 2008 and one of the greatest superhero films of all time.

In a year when Hollywood has the superhero woody comparable to when westerns were the greatest thing since sliced bread, “The Dark Knight” not only fares well against blockbuster competition with films like “Iron Man” and “The Incredible Hulk” but also manages to rise above chartbuster status into a whole new league of undisputed justice.

Heath Ledger stars as the Joker in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

Though a decidedly dark and outcast Batman is the heart behind the marketing machine for “The Dark Knight” from writer and director Christopher Nolan (who also directed the film’s first iteration in 2005 entitled “Batman Begins”), Christian Bale in the seminal role as one of history’s most beloved characters has his show stolen by Ledger’s villain.

Christian Bale as Batman in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

While to some it may be surprising to classify Bale’s performance as “B” list and Ledger’s as “A+” list, you almost feel modesty in Bale’s screen time to honor the true man of this film’s 142 minutes.

While “The Dark Knight” completed principal photography prior to Ledger’s death, Bale delivers an intricately muted role as compared to Ledger. While entwined with the power inherent in his superhero marauding, Bale’s also humbled from working with another man who was delivering the culmination of his life’s work.

Health Ledger disappears so convincingly and completely into the Joker that you struggle to remember him in anything else.

This is a telling testament to an illustrious – albeit too short – career of an actor who memorably broke free in transformative roles in films including “Brokeback Mountain”. Nolan – who for this film was significantly influenced by the 1995 film “Heat” – says he selected Ledger for the focal Joker role based on his “fearlessness”.

Ledger’s Joker is developed to the finest of details even down to his unruly tongue action and the sounds of his excess saliva. Moreover, Nolan and co-writing brother Jonathan Nolan (David S. Goyer was also integral in the film’s story) deliver to Ledger the best profundities of any talent in the star-studded film.

Christian Bale as Batman on his Batpod in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

These include: “I use a knife because guns are too quick. Otherwise, you can’t savor all the emotions. You know who people are in their last moments [of life].” “It’s not about money. It’s about sending a message.” “I’m a dog chasing cars. I don’t have plans. I just do things. I’m not a schemer.” “This is what happens when an unstoppable force meets an immovable object.”

Eckhart is handed a literary gem, too: “You either die a hero or you live long enough to see yourself become the villain.”

In his beautifully deranged state of chaos and anarchy, the Joker even utters the cheesy “Jerry Maguire” line “you complete me” to Batman and follows with: “You’re just a freak – like me. You’ve been cast out like a leper.”

Michael Caine at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008. In the film, Caine plays Alfred Pennyworth.
Original photography for HollywoodChicago.com by Kris Kasperek of iKLiKphoto

We are not to forget that “The Dark Knight” won’t be the last time we see Ledger at work. Despite a threat to shut down the 2009 Terry Gilliam film “The Imaginarium of Doctor Parnassus” following Ledger’s death on Jan. 22, 2008 at the young age of 28, Johnny Depp, Jude Law and Colin Farrell are completing with the assistance of some shrewd script rewrites.

But along with the glory of Ledger’s Joker – a performance that will remain throughout history as having trumped any iteration before him including interpretations by Jack Nicholson and Cesar Romero – the power of “The Dark Knight” is in its totality. The film didn’t even need “Batman” in its title and is in fact the first Batman film not to use the iconic name.

Gary Oldman at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008. In the film, Oldman plays Lt. James Gordon.
Original photography for HollywoodChicago.com by Kris Kasperek of iKLiKphoto

Along with the incessantly marketed roles for Bale and Ledger, Nolan in this deeply developed and brilliantly complex film redefines the concept of a supporting cast. He not only uses them in integral roles but draws high impact out of them in ways you typically only achieve from lead roles.

In addition to furnishing an Oscar-worthy role for Ledger’s interpretation of the Joker (the academy can conceivably nominate the film for six or so categories also including best picture, screenplay and art direction), Aaron Eckhart as district attorney Harvey Dent (known in the Chicago-filmed Gotham as the “white knight” in contrast to Batman as the “dark knight”) and then the villain Two-Face along with Gary Oldman as Lt. James Gordon also deliver personal bests with performances unmatched in their own careers.

Chin Han at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008. In the film, Han plays Lau.
Original photography for HollywoodChicago.com by Kris Kasperek of iKLiKphoto

Moreover, Michael Caine as Bruce Wayne’s faithful confidant Alfred Pennyworth is as fundamental to this film as Bale’s Batsuit is to Batman. Maggie Gyllenhaal – who thankfully replaced Katie Holmes for the part of Rachel Dawes (tension exists with her dual love between Harvey Dent and Bruce Wayne) and neither Rachel McAdams nor Emily Blunt (who were rumored for the part) would have fit the bill – indeed cashed a fitting check.

Director Christopher Nolan at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008.
Original photography for HollywoodChicago.com by Kris Kasperek

Nolan honored his son, Rory, with the working title “Rory’s First Kiss” while filming extensively in Chicago. Chicagoans embraced the city with open arms during filming and become regularly involved with “The Dark Knight” viral marketing, which has been the most elaborate in the history of film.

After capturing the first set photo of the Batsuit from Chicago filming and publishing more than a year of comprehensive local coverage, those who participated in the countless viral campaigns recall sophisticated events including Harvey Dent campaigning in downtown Chicago (many thought someone was actually running for a political seat) to cell phones embedded in cakes.

Countless viral Web sites for the film popped up with aggressive regularity while printed newspapers were distributed, the bat signal beamed atop Chicago’s Sears Tower, Anthony Michael Hall’s character was revealed here and there was even the real-life explosion of Chicago’s defunct Brach Candy factory, which was purchased by the film for transformation into a Gotham hospital. The Joker hysterically does his deadly deed in a nurse’s uniform, too.

In retrospect, seeing the film is a huge payoff for viral marketing followers because a climax is revealed to everything the campaigns teased.

“Why so serious?” How’d the Joker get his scars? Why a “world without rules”? Who likes to just “watch the world burn”? Does Harvey Dent’s double-headed coin make it into the film from the comics? How does the new Batpod spawn from Batman’s Tumbler (which hilariously changes from a ruinous “loiter” mode to devastating “intimidation” mode)? Why is the Joker indeed a “man of his word”? All answers are revealed.

Christian Bale (left) stars as Batman and Heath Ledger (right) stars as the Joker in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

While you can enjoy “The Dark Knight” in regular theaters, its epic nature is tailor made not only for the big screen but actually for the biggest screen on IMAX. Nolan made use of custom IMAX cameras to shoot several scenes, and while you won’t notice the difference at the traditional ciné, you’ll see the screen transition from widescreen to full screen for IMAX and then back to widescreen.

Some, though, may merely dismiss this film with a fleeting “Batman isn’t for me”.

From experiencing the coming together of the film over the course of a year and being moved by all the fruits of its labor in high-impact IMAX, though, you clearly needn’t be a diehard “Batman fan” or even a Batman fan at all to enjoy “The Dark Knight”.

You even needn’t be a Chicagoan who appreciates the way “The Dark Knight” majestically shines a spotlight on the Windy City. You need only be a person who enjoys seeing a historic film so complete that it’s nothing short of a once-in-a-lifetime opportunity.

But perhaps Kevin Smith sums it up best in his early review of “The Dark Knight”: “It’s ‘The Godfather: Part II’ of comic-book films and three times more earnest than ‘Batman Begins’ (and [bleep] was that an earnest film).”

As for the lingering question beyond “The Dark Knight” about whether there will be a third film, we won’t discuss whether all loose ends are indeed tied up. Instead, we’ll leave you with this simple gem: Batman’s not just a vigilante superhero. He’s becoming something more.

“The Dark Knight,” which is directed by Christopher Nolan and features Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine, Maggie Gyllenhaal, Gary Oldman, Morgan Freeman, Cillian Murphy, Eric Roberts, Anthony Michael Hall, Colin McFarlane, Joshua Harto, Michael Jai White and William Fichtner, will open everywhere on July 18, 2008 in traditional theaters and in IMAX. The film will show in IMAX for a continuous 72 hours for its opening Chicago weekend.

View our exclusive, 35-image red-carpet coverage of “The Dark Knight” in Chicago on July 16, 2008.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com