Christian Bale

Christian Bale, Sam Worthington in McG’s Disappointing ‘Terminator: Salvation’

BrianTT — Thu, 21 May 2009 10:02:21 -0600

Rating: 2.0/5.0

CHICAGO – McG’s loud-and-annoying “Terminator: Salvation” with Christian Bale and Sam Worthington continues the summer of non-Trek disappointments, delivering nothing but a bloated exercise in CGI overload. With awful dialogue, a ridiculous plot, and mostly uninspired performances, the interesting human element has been drained from the franchise. The machines have won.

Like “Aliens” without Sigourney Weaver or the first two “Terminator” movies without Linda Hamilton, “Terminator: Salvation” forgets a cardinal rule of action cinema - writing human characters that the audience is going to care about. The entire movie plays like a video game tie-in to the original franchise. Sure, it may be fun at times and it looks good, but it doesn’t have nearly the impact as its source.

(L-R) Christian Bale stars as John Connor and Sam Worthington stars as Marcus Wright.
Photo credit: WB/Richard Foreman

The script from the writers of “Catwoman” and “Primeval” (the lame crocodile movie, not the cool BBC show), which really should have been a sign that the entire project was on thin ice to start, opens with the execution of a murderer named Marcus Wright (Sam Worthington). Before he gets his final injection, Wright signs over his body to the research of a dying scientist (Helena Bonham Carter).

Many years later, the future has played out as expected and the war against the machines continues. If you’re not familiar with the mythology of the franchise, “Salvation” will not stand on its own in any way. You need to know the names Sarah Connor, John Connor, and Kyle Reese and the roles they play in this universe before you go in. Even “T3: Rise of the Machines” stays in the canonical fold with Bryce Dallas Howard taking the role once played by Claire Danes, Kate Connor.

Of course, the controversial star of “Salvation” is Christian Bale as the legendary John Connor. In the timeframe of the film, Connor is slowly taking his role as savior and leader of the human race, leading a small band of resistance fighters against increasingly deadly robots.

When John discovers that Skynet is trying to kill Kyle Reese (Anton Yelchin), he realizes that there’s a serious flaw in his past, present, and future. Kyle needs to go back in time and become John’s father in the first film. While John is trying to find his future/past father (it will make your head hurt of you think about it too long), a new figure comes on the scene - a reborn Marcus Wright, the first non-self-aware cyborg and a being who puts all preconceptions about man and machine in doubt.

“Terminator: Salvation” undeniably looks good. There are some powerful, well-done action sequences, including a great attack on a gas station and fight on a bridge. But even the action starts to feel derivative and repetitive. Even the climax of the film is surprisingly unexciting.

Sam Worthington stars as Marcus Wright.
Photo credit: WB/Richard Foreman

As for one more positive, Sam Worthington makes an effective major movie debut with easily the best performance in the film. He’s charismatic and interesting. It’s the kind of vibrant performance that Christian Bale usually delivers but fails to this time around.

Bale is dull, passion-less, and over-done. Christian makes the irrational decision to bring the growling whisper he used as Batman to John Connor. Even worse, this Connor just doesn’t feel like the kind of guy who would fire up anyone, much less the entirety of the remainder of the human population. I adore a lot of Bale’s work and generally think he’s an underrated actor, but it pains me to say that this is his worst performance.

But the blame doesn’t fall completely at Bale’s feet. It’s mostly the script and McG’s decision to hammer it into the audience’s head. The film trudges forward when it should zip by. Worst of all, it’s never once ‘fun’. There’s no sense that you should be having a good time at “Terminator: Salvation” as the special effects pound you into submission.

At least the first two “Terminator” films (and arguably the third) were a good time. People may be impressed by the special effects or Worthington’s performance, but what’s most disappointing about “Terminator: Salvation” is the simple lack of entertainment. How ironic that a “Terminator” film feels like it was made by a machine.

‘Terminator: Salvation’ stars Christian Bale, Sam Worthington, Bryce Dallas Howard, Moon Bloodgood, Anton Yelchin, Common, Jadagrace, and Helena Bonham Carter. It was written by John D. Brancato & Michael Ferris and directed by McG. It opens on May 21st, 2009. It is rated PG-13.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

‘The Dark Knight’ Bestows Role of a Lifetime For Heath Ledger, Epic Proportions For Itself

HollywoodChicago.com — Wed, 16 Jul 2008 23:01:00 -0600

Rating: 5.0/5.0
(rarely perfect)

CHICAGO – With only three short words comprising the film’s enigmatic title, “The Dark Knight” also boasts three epic claims to fame: the role of a lifetime for the late Heath Ledger as the hauntingly deranged Joker, one of the best films of 2008 and one of the greatest superhero films of all time.

In a year when Hollywood has the superhero woody comparable to when westerns were the greatest thing since sliced bread, “The Dark Knight” not only fares well against blockbuster competition with films like “Iron Man” and “The Incredible Hulk” but also manages to rise above chartbuster status into a whole new league of undisputed justice.

Heath Ledger stars as the Joker in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

Though a decidedly dark and outcast Batman is the heart behind the marketing machine for “The Dark Knight” from writer and director Christopher Nolan (who also directed the film’s first iteration in 2005 entitled “Batman Begins”), Christian Bale in the seminal role as one of history’s most beloved characters has his show stolen by Ledger’s villain.

Christian Bale as Batman in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

While to some it may be surprising to classify Bale’s performance as “B” list and Ledger’s as “A+” list, you almost feel modesty in Bale’s screen time to honor the true man of this film’s 142 minutes.

While “The Dark Knight” completed principal photography prior to Ledger’s death, Bale delivers an intricately muted role as compared to Ledger. While entwined with the power inherent in his superhero marauding, Bale’s also humbled from working with another man who was delivering the culmination of his life’s work.

Health Ledger disappears so convincingly and completely into the Joker that you struggle to remember him in anything else.

This is a telling testament to an illustrious – albeit too short – career of an actor who memorably broke free in transformative roles in films including “Brokeback Mountain”. Nolan – who for this film was significantly influenced by the 1995 film “Heat” – says he selected Ledger for the focal Joker role based on his “fearlessness”.

Ledger’s Joker is developed to the finest of details even down to his unruly tongue action and the sounds of his excess saliva. Moreover, Nolan and co-writing brother Jonathan Nolan (David S. Goyer was also integral in the film’s story) deliver to Ledger the best profundities of any talent in the star-studded film.

Christian Bale as Batman on his Batpod in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

These include: “I use a knife because guns are too quick. Otherwise, you can’t savor all the emotions. You know who people are in their last moments [of life].” “It’s not about money. It’s about sending a message.” “I’m a dog chasing cars. I don’t have plans. I just do things. I’m not a schemer.” “This is what happens when an unstoppable force meets an immovable object.”

Eckhart is handed a literary gem, too: “You either die a hero or you live long enough to see yourself become the villain.”

In his beautifully deranged state of chaos and anarchy, the Joker even utters the cheesy “Jerry Maguire” line “you complete me” to Batman and follows with: “You’re just a freak – like me. You’ve been cast out like a leper.”

Michael Caine at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008. In the film, Caine plays Alfred Pennyworth.
Original photography for HollywoodChicago.com by Kris Kasperek of iKLiKphoto

We are not to forget that “The Dark Knight” won’t be the last time we see Ledger at work. Despite a threat to shut down the 2009 Terry Gilliam film “The Imaginarium of Doctor Parnassus” following Ledger’s death on Jan. 22, 2008 at the young age of 28, Johnny Depp, Jude Law and Colin Farrell are completing with the assistance of some shrewd script rewrites.

But along with the glory of Ledger’s Joker – a performance that will remain throughout history as having trumped any iteration before him including interpretations by Jack Nicholson and Cesar Romero – the power of “The Dark Knight” is in its totality. The film didn’t even need “Batman” in its title and is in fact the first Batman film not to use the iconic name.

Gary Oldman at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008. In the film, Oldman plays Lt. James Gordon.
Original photography for HollywoodChicago.com by Kris Kasperek of iKLiKphoto

Along with the incessantly marketed roles for Bale and Ledger, Nolan in this deeply developed and brilliantly complex film redefines the concept of a supporting cast. He not only uses them in integral roles but draws high impact out of them in ways you typically only achieve from lead roles.

In addition to furnishing an Oscar-worthy role for Ledger’s interpretation of the Joker (the academy can conceivably nominate the film for six or so categories also including best picture, screenplay and art direction), Aaron Eckhart as district attorney Harvey Dent (known in the Chicago-filmed Gotham as the “white knight” in contrast to Batman as the “dark knight”) and then the villain Two-Face along with Gary Oldman as Lt. James Gordon also deliver personal bests with performances unmatched in their own careers.

Chin Han at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008. In the film, Han plays Lau.
Original photography for HollywoodChicago.com by Kris Kasperek of iKLiKphoto

Moreover, Michael Caine as Bruce Wayne’s faithful confidant Alfred Pennyworth is as fundamental to this film as Bale’s Batsuit is to Batman. Maggie Gyllenhaal – who thankfully replaced Katie Holmes for the part of Rachel Dawes (tension exists with her dual love between Harvey Dent and Bruce Wayne) and neither Rachel McAdams nor Emily Blunt (who were rumored for the part) would have fit the bill – indeed cashed a fitting check.

Director Christopher Nolan at Chicago’s Navy Pier for the red-carpet premiere of “The Dark Knight” on July 16, 2008.
Original photography for HollywoodChicago.com by Kris Kasperek

Nolan honored his son, Rory, with the working title “Rory’s First Kiss” while filming extensively in Chicago. Chicagoans embraced the city with open arms during filming and become regularly involved with “The Dark Knight” viral marketing, which has been the most elaborate in the history of film.

After capturing the first set photo of the Batsuit from Chicago filming and publishing more than a year of comprehensive local coverage, those who participated in the countless viral campaigns recall sophisticated events including Harvey Dent campaigning in downtown Chicago (many thought someone was actually running for a political seat) to cell phones embedded in cakes.

Countless viral Web sites for the film popped up with aggressive regularity while printed newspapers were distributed, the bat signal beamed atop Chicago’s Sears Tower, Anthony Michael Hall’s character was revealed here and there was even the real-life explosion of Chicago’s defunct Brach Candy factory, which was purchased by the film for transformation into a Gotham hospital. The Joker hysterically does his deadly deed in a nurse’s uniform, too.

In retrospect, seeing the film is a huge payoff for viral marketing followers because a climax is revealed to everything the campaigns teased.

“Why so serious?” How’d the Joker get his scars? Why a “world without rules”? Who likes to just “watch the world burn”? Does Harvey Dent’s double-headed coin make it into the film from the comics? How does the new Batpod spawn from Batman’s Tumbler (which hilariously changes from a ruinous “loiter” mode to devastating “intimidation” mode)? Why is the Joker indeed a “man of his word”? All answers are revealed.

Christian Bale (left) stars as Batman and Heath Ledger (right) stars as the Joker in “The Dark Knight”.
Photo credit: Warner Bros., copyright DC Comics

While you can enjoy “The Dark Knight” in regular theaters, its epic nature is tailor made not only for the big screen but actually for the biggest screen on IMAX. Nolan made use of custom IMAX cameras to shoot several scenes, and while you won’t notice the difference at the traditional ciné, you’ll see the screen transition from widescreen to full screen for IMAX and then back to widescreen.

Some, though, may merely dismiss this film with a fleeting “Batman isn’t for me”.

From experiencing the coming together of the film over the course of a year and being moved by all the fruits of its labor in high-impact IMAX, though, you clearly needn’t be a diehard “Batman fan” or even a Batman fan at all to enjoy “The Dark Knight”.

You even needn’t be a Chicagoan who appreciates the way “The Dark Knight” majestically shines a spotlight on the Windy City. You need only be a person who enjoys seeing a historic film so complete that it’s nothing short of a once-in-a-lifetime opportunity.

But perhaps Kevin Smith sums it up best in his early review of “The Dark Knight”: “It’s ‘The Godfather: Part II’ of comic-book films and three times more earnest than ‘Batman Begins’ (and [bleep] was that an earnest film).”

As for the lingering question beyond “The Dark Knight” about whether there will be a third film, we won’t discuss whether all loose ends are indeed tied up. Instead, we’ll leave you with this simple gem: Batman’s not just a vigilante superhero. He’s becoming something more.

“The Dark Knight,” which is directed by Christopher Nolan and features Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine, Maggie Gyllenhaal, Gary Oldman, Morgan Freeman, Cillian Murphy, Eric Roberts, Anthony Michael Hall, Colin McFarlane, Joshua Harto, Michael Jai White and William Fichtner, will open everywhere on July 18, 2008 in traditional theaters and in IMAX. The film will show in IMAX for a continuous 72 hours for its opening Chicago weekend.

View our exclusive, 35-image red-carpet coverage of “The Dark Knight” in Chicago on July 16, 2008.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Despite Daring Genre, ‘3:10 to Yuma’ Packs Powerhouse Acting With Fragmentary Story

HollywoodChicago.com — Tue, 11 Sep 2007 14:20:48 -0600

CHICAGO – Had you asked me to tag “3:10 to Yuma” before I screened it, you’d think me a bumbling idiot because I had absolutely no clue what to expect.

I was scratching my head not because of lice but because I knew shooting a western in this day and age was either brilliant because it hasn’t been done in so long or Hollywood suicide. It turned out to be bit of both.

Russell Crowe (left) in “3:10 to Yuma”.
Photo courtesy of IMDb
Shot in New Mexico at ranches laden with dirt, guns, spurs and tumbleweed, “3:10 to Yuma” (which references the time of a train en route to a prison) is the Russell Crowe show that’s complemented by Christian Bale and Ben Foster (from “Six Feet Under” and “The Dead Zone”).

Crowe plays the deadly-quick desperado Ben Wade who has no remorse for the men, women and children he kills, all the money he pilfers and all the families he destroys. Or does he?

Bale’s family man character, Dan Evans, grows on Wade and forces him to have a conscience.

Christian Bale (center) in “3:10 to Yuma”.
Photo courtesy of IMDb
While Bale has been in Chicago shooting “The Dark Knight” to play a dominant Batman character for that 2008 film, in “3:10 to Yuma” I initially cursed director James Mangold for making him into such a seemingly weak leading man.

Give the film its full 117 minutes, though, as you’ll see Bale indeed has stirring qualities of sound character up his sleeve.

Crowe, by the way, was Mangold’s first selection for the Wade role. After Tom Cruise considered the project but then declined, casting Crowe gave the production new life. Early on, there was talk of Eric Bana starring opposite Cruise.

Russell Crowe in “3:10 to Yuma”.
Photo courtesy of IMDb
Crowe, Mangold and producer Cathy Konrad all wanted Bale as the film’s co-lead. In the 1957 version of “3:10 to Yuma,” Glenn Ford played Wade and Van Heflin played Evans.

This day and age, the film packs the music, sights and sound you’d expect in a classic western with quality acting and a story that’s just comme çi, comme ça (ahem: so-so).

Actors are prisoners to their scripts. While jailing Crowe turns out to be anything but a picnic in the park, this simple feature-length film story leaves me unsatiated and wanting much more plot oomph.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com