Terence Stamp

Bryan Singer’s ‘Valkyrie’ With Tom Cruise Mistakes Morose For Intense

BrianTT — Thu, 25 Dec 2008 09:05:00 -0700

Rating: 2.0/5.0

CHICAGO – Tom Cruise can be a powerfully vibrant actor in the right material but he’s horrendously miscast in Bryan Singer’s “Valkyrie,” a decision amplified by poor direction that drains this true story of an assassination attempt on the life of Adolf Hitler of its inherent power.

When he’s in the right material, like his great work in “Magnolia,” “Minority Report,” “Born on the Fourth of July,” and “Rainman,” Cruise can be impossible to take your eyes off. He’s a generally underrated actor who has watched his off-screen antics steal the thunder from his actual talent.

Having said that, he’s quite simply bad in “Valkyrie”. It’s arguably his worst performance. Cruise and Singer have mistaken being morose for being serious and have made a film that, consequently, ends up dull instead of intense. Cruise’s character needs to be the passionate lynchpin for one of the most infamous assassination attempts in world history, but the actor’s lack of on-screen resonance and Singer’s general weaknesses as a storyteller punch a hole in the potential of their story.

As World War II drew to a close, even officials close to Hitler knew that he was leading Germany and all of Europe down a very dangerous path. There were several attempts on his life. The most widespread and nearly effective attempt came in the summer of 1944 and was spearheaded by a recently-wounded soldier named Colonel Claus von Stauffenberg (Cruise).

Assassinating someone as protected as Hitler would take a complex scheme, one that required that von Stauffenberg rewrite an official order known as ‘Valkyrie’, the document that determined the use of the reserve army in the case of a coup. With the help of Major-General Henning von Tresckow (Kenneth Branagh), General Friedrick Olbricht (Bill Nighy), Ludwig Beck (Terence Stamp), and General Erich Fellgiebel (Eddie Izzard), von Stauffenberg put in a motion a plan that could have changed the world. In fact, if not for a last-minute location change, it probably would have.

The plot to kill Hitler involves over a dozen characters, explosives, and even a shoot-out. On paper, it should make for both a history lesson and an intense action ride for audiences around the world. On paper.

What’s most shocking about “Valkyrie” is how slow and dull the film ended up. The supporting cast alone, including the great Tom Wilkinson, Nighy, Branagh, Izzard, Stamp, and the stunning-but-wasted Carice van Houten should have been enough alone to give the movie a spark, but Singer lets them all down. The interesting supporting cast is the only reason to see “Valkyrie” and all that saves it from complete disaster.

Most damagingly, Singer and his cinematographer, Newton Thomas Sigel, shoot nearly everything in extreme, claustrophobic close-up, never giving the audience the sensation that we know exactly what’s going on and what’s at stake.

And writers Christopher McQuarrie & Nathan Alexander don’t provide nearly enough of a back story for any of their characters, as if filming a scene where von Stauffenberg writes an angry letter about Hitler and another where he’s injured in combat would be enough for us to get behind him as a lead. History makes it easy to support a lead trying to kill one of the most evil men in history, but imagine how much more effective “Valkyrie” would be if he was a fully, three-dimensional character of his very own.

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If “Valkyrie” was just an action movie, the lack of back stories wouldn’t be a problem, but it’s not effective as a thrill ride either. Cruise and Singer take themselves way too seriously for that. Singer can’t just make a historical drama or an action adventure movie, he has to make the best of both that anyone has ever seen. It’s that dull self-seriousness that sinks “Valkyrie”. It’s ironic that a film about an attempt that had some pretty serious flaws feels like its creators made a few mistakes of their own.

‘Valkyrie’ stars Tom Cruise, Tom Wilkinson, Bill Nighy, Eddie Izzard, Kenneth Branagh, Terence Stamp, and Carice van Houten. ‘Valkyrie,’ which was written by Christopher McQuarrie & Nathan Alexander and directed by Bryan Singer, opened in Chicago on December 25, 2008.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

‘Wanted’ With Angelina Jolie, James McAvoy Concocts Curving Bullet in Gluttonously Entertaining Blockbuster

HollywoodChicago.com — Thu, 26 Jun 2008 23:01:00 -0600

Rating: 4.5/5.0

CHICAGO – With curving, clinking and kissing bullets, “Wanted” indeed does Chicago proud. And Angelina Jolie sells it. And Morgan Freeman is ominous. And in his body of work, James McAvoy – the star of this orgasmic summer blockbuster – becomes a man.

Fox (Angelina Jolie) shoots from the driver’s side of her Dodge Viper in the action-thriller that tells the tale of one apathetic nobody’s transformation into an unparalleled enforcer of justice in “Wanted”.
Photo credit: Universal Pictures

Many Chicagoans have been keenly aware of the film’s local filming throughout downtown Chicago and Broadview, Ill.

Angelina Jolie as Fox in “Wanted”.
Photo credit: Jaap Buitendijk

After also focusing its filming lens throughout the Czech Republic and Hungary, Chicago’s prominence reigns surprisingly dominant and central to the film’s assassin-based plot of one “apathetic nobody’s transformation into an unparalleled enforcer of justice”.

James McAvoy is the man of the hour, and in a short 110 minutes, is handed a Hollywood renovation from an initially fear-laden, listless boy to a surgically precise killer who’d give Matt Damon’s character (Jason Bourne) in “The Bourne Ultimatum” a fight for his life.

“Wanted” features Chicago front and center not only in its aesthetics but also central to its high-adrenaline pacing and action sequences. The Universal Pictures film needed exactly this big-city, fast-action feel to haunt McAvoy with the necessary vibrations in his quest to decide who he really is.

While “Wanted” is chock full of innovation – especially in its fight sequences and “The Matrix”-inspired special effects on ludicrously entertaining Hollywood steroids – the film at times still falls victim to the traditional stereotypes of what you’d expect in an assassin action-thriller with an ever-increasing death count.

“Wanted,” which was pushed back to a June 27, 2008 release date from an initial March 28, 2008 plan, won’t accrue the high marks and huge numbers it deserves because of its story alone. This is an outright action fest of sensory enchantment, carnal killing and orgasmic delight.

James McAvoy as Wesley in the action-thriller that tells the tale of one apathetic nobody’s transformation into an unparalleled enforcer of justice in “Wanted”.
Photo credit: Jaap Buitendijk

While ultimately not blown away by the power of its story as a whole – yes, it can be said “Wanted” is just another assassin film with big names, fancy sequencing and the PR machine in full gear – James McAvoy’s character is an important one many people can relate to. As well, it actually conveys a valuable message.

On the flip side, the “Loom of Fate” is a god-awful plotline decision. A loom in a textile factory that spells out who you should kill and assassins blindly follow the decades-old machine to the bloody death of someone they’ve never met and know nothing about? Cut. Edit. Rewrite. Something else. Just not that.

But like McAvoy as Wesley Gibson, are you also in a dead-end, 9-to-5 desk job that you either just tolerate or actually despise because you have bills to pay even though your passion might be something else entirely that can’t pay your living?

A handcrafted bullet makes its way to an unfortunate target in the action-thriller that tells the tale of one apathetic nobody’s transformation into an unparalleled enforcer of justice in “Wanted”.
Photo credit: Universal Pictures

Not all of us have the bravado to utter the sure-to-get-fired “death mouth” to the boss. Certainly in the real world we don’t then transform into a crushing assassin and find our calling in offing people. But this is just a metaphor to inspire you to find and live your own calling.

While the plot’s somewhat tired – yeah, yeah: no one can trust anyone, everyone’s out to get someone and one man must learn to rise above them all – first-time U.S. film director Timur Bekmambetov sells the journey as one that’s genuinely inspirational.

The “Wanted” we’re seeing now, though, came from an entirely different origin: comic books.

Not only was the entire “supervillains take over the world” storyline dropped in this “Wanted” but originally in the comic book the story takes place in an alternate present day. Bekmambetov’s “Wanted” strays so significantly from its comic origins that you can hardly tell where it came from.

The premise was for these supervillains to “band together … and use their vast collective powers – including mad science, magic and mind control – to eliminate all the world’s superheroes and rewrite reality in their own dark image.”

Instead – and along with delivering a delicious and indisputably entertaining film – screenwriters Michael Brandt, Derek Haas and Chris Morgan manage to dig down deep and pose one of the more thought-provoking questions a blockbuster has taunted audiences with in some time:

“What have you done with your life lately?”

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More film reviews from critic Adam Fendelman.

It’s a critically important question. On one hand, intended “Wanted” moviegoers have already committed to purchasing their ticket because Hollywood allows us to peer into the darkest depths of our most primal instincts and unshackle the chastity belts of our most sensual fantasies.

But on the other – a side you wouldn’t foresee in a film with the mission to dish out a decidedly raucous ass kickin’ – McAvoy’s pursuit to buck the normalcy of his paper-pushing life and his verbally abusive cubicle boss in favor of something that makes him feel alive shouldn’t inspire us to unleash our literal killer within.

In the subtle subtext of this entertainment behemoth, we are urged to find our own path that transforms our life into one that’s worth living. We are to choose one where waking up and falling asleep every day isn’t all for nothing. Rather than just floating by, it’s time to wake up and be alive.

“Wanted,” which opened everywhere on June 27, 2008, stars James McAvoy, Angelina Jolie, Morgan Freeman, Terence Stamp, Common and David O’Hara.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com