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Morgan Freeman

Meditative ‘Transcendence’ Also Artificially Intelligent

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

39-Minute IMAX Doc ‘Island of Lemurs: Madagascar’ With Morgan Freeman Feels Rushed, Incomplete

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It’s challenging to enjoy this film purely for what it is rather than fault it for what it could have been.

“Island of Lemurs: Madagascar,” which opened exclusively in IMAX 3D and 2D on April 4, 2014 and is narrated by Morgan Freeman, is only 39 minutes. The film too simply grazes the surface of a complicated problem.

Big Laughs Await in Sly, Fun ‘The LEGO Movie’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The funniest movie in a long while features no human beings, just animated bland faces among interlocking plastic bricks, the toys which inspired the film. “The LEGO Movie” never takes itself seriously, which means huge laughs for the audience.

Story of ‘Now You See Me’ a Bit Misdirected

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Boasting a big star ensemble cast, and themes of magical realism and misdirection, “Now You See Me” is an overdone, too-clever-for-its-own-good fantasy with some entertaining tricks. Jesse Eisenberg and Isla Fisher join veterans Woody Harrelson and Morgan Freeman in the magic mix.

Eyegasmic ‘Oblivion’ With Tom Cruise Wins Your Optics, But Loses Your Brain

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Oblivion” is a Pyrrhic victory that wins its battle, but loses the overall war. While this is the kind of visual production value you’d expect on a $120 million budget, an ostentatious steak dinner in the special effects department never makes up for a story that tastes more like cheap ramen noodles.

Gerard Butler Stars in Violent, Stupid ‘Olympus Has Fallen’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Antoine Fuqua’s “Olympus Has Fallen” (or “Die Hard in the White House”) is a stupid, exploitative movie that wants to be “Call of Duty: Black Ops” in film form but ends up more like one of its countless, ineffective rip-offs. There are moments of goofy, B-movie fun (certainly more of them than in the much-worse “A Good Day to Die Hard”) but not enough to get over the brutal nonsense that makes up most of this action flick.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

Brian Tallerico: ‘The Dark Knight Rises’ Gives Fans Epic Conclusion to Beloved Trilogy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With “The Dark Knight Rises”, Christopher Nolan epically follows through on most of the themes he set up in “Batman Begins” and “The Dark Knight” with amazing technical skill and an ambitious sense of scope. No one can deny the effort and intensity of this closing chapter of the most acclaimed superhero saga in the history of film.

Patrick McDonald: ‘The Dark Knight Rises’ is Glorious Epic of Heroic Proportions

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sound the gong for one of the best films of the summer, as “The Dark Knight Rises” delivers an awe-inspiring blockbuster on virtually every level of storytelling and performance. Christian Bale, Anne Hathaway, Gary Oldman, Joseph Gordon-Levitt and director Christopher Nolan create grand, metaphoric and visionary cinema.

Feel Goodness of ‘Dolphin Tale’ Overcomes Clichés

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In the tradition of live-action Disney films of another era, “Dolphin Tale” wears its heart on its sleeve, while at the same time using the characters as two-dimensional window dressing around a based-on-truth story of humans and an animal bonding together to inspire a nation.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

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