Gil Bellows

TV Review: ‘24’ Searches For ‘Redemption’ With Prequel to Season Seven

BrianTT — Mon, 17 Nov 2008 14:24:46 -0700

CHICAGO – After a delay that lasted well in excess of a year, “24” returns to FOX this Sunday, Nov. 23, 2008 from 7 to 9 p.m. with a two-hour “special event” (they used to just be called “TV movies”) called “24: Redemption”.

The prequel to season seven of “24” intends to bridge the gap between day six and seven for Jack Bauer and set the plot in motion for what promises to be an interesting reboot of a show that hasn’t been on the air in almost two years.

The 2008 writer’s strike delayed the seventh season of “24” by an entire year. The show, which has never aired under anything but the George Bush presidency, now faces a brave new world when Jack Bauer starts another ticking clock in early 2009.

The writers of this prequel “event” are keenly aware that not only has their show been off the air for a lifetime in the what-have-you-done-for-me-lately world of television but also that they need to appeal to an audience that’s preparing for the much-debated “change” that has been promised by new president elect Barack Obama.

Obama will be the man in the Oval Office for nearly all of season seven of “24”.

While it may or may not carry over to the upcoming season of the show, there’s an interesting new dynamic at play in “24: Redemption”. The trademark “torture first; ask questions later” attitude of “24” has been replaced (at least in this prequel) by a more idealistic world view with a hero who saves the day and a new president who promises change.

Thankfully, Kiefer Sutherland never looks into the camera and says: “Mr. president, yes we can.” It’s still a dark and brutal program, but there has clearly been a creative reassessment of the show. It’s the kind of self-awareness that could resurrect a series that looked like its popularity might be sliding away with Bush and Cheney’s ever-plummeting approval ratings.

Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
Photo credit: Kelsey McNeal, FOX Broadcasting

The sixth season of “24” ended with Jack Bauer once again alone and without support. The seventh season picks up four days later with Jack in front of a U.S. Senate subcommittee. He’s forced to answer for his controversial past conduct and “24: Redemption” is meant to bridge those two Jacks.

Robert Carlyle as Carl Benton in “24: Redemption”.
Photo credit: Kelsey McNeal, FOX Broadcasting

In the years since season six, Jack has been wandering the globe while finding himself in the fictional country of Sangala, Africa where he works with a special-ops pal named Benton (Robert Carlyle) in a boys’ school.

Of course, no one has worse timing than Jack Bauer. He just happens to be at the school on the same day that a sadistic warlord (Tony Todd) is planning a bloody coup and needs some “little soldiers” to help with the mass murder.

Jack is literally on the road out of town with a backpack over his shoulder when things get serious. He is once again drawn into an international crisis. One minute, he’s off to save the next African village and literally 10 minutes later he’s dodging a rocket launcher.

It’s the classic Bauer dilemma: help out and face the government official (Gil Bellows) trying to bring Jack back to the U.S. for justice or turn his back on innocent children. It’s no contest for our man Jack.

While “Redemption” may be a “24” with no counterterrorist unit (CTU), it hasn’t lost any of its distrust for government and its officials. Gil Bellows is definitely smarmy enough, but even he doesn’t touch just a few minutes with Jon Voight.

Voight is licking his lips at the scenery he plans to chew in season seven as an American businessman who may have ties to terrorism (and a certain bloodthirsty warlord in Sangala). All of this happens to be going down on the day that president elect Allison Taylor (the great Cherry Jones) is taking over residence in the Oval Office.

The scenes between Jones and Powers Boothe’s outgoing president Noah Daniels have a riveting parallel to reality with the two even comparing the new leader’s “idealism” and the old one’s “cynicism”. Daniels delivers the line that President Bush probably wishes he could say to Barack Obama: “Let’s talk after you’ve been sitting in my chair for a while.”

The concept of one government inheriting not only the problems but also possibly the underhanded dealings of the previous one could add a new creative energy to a show that was seriously lacking it in season six. The casting of Jones makes one wonder if the producers of “24” thought Hillary Clinton was the more likely winner on Election Day.

President elect Allison Taylor (Cherry Jones, right) meets with U.S. President Noah Daniels (Powers Boothe, left) before her inauguration in the special two-hour prequel event “24: Redemption”.
Photo credit: Greg Gayne, FOX Broadcasting

Jones and Boothe are spectacular, but “24” has and will always belong to Kiefer Sutherland who doesn’t miss a beat stepping back into Bauer’s well-worn shoes.

“24: Redemption” has an unusual supporting cast in that it introduces some new players for season seven, features several actors who will only be in “24: Redemption” and doesn’t include many of the regular faces (like Mary Lynn Rajskub or the returning Carlos Bernard).

That said, perhaps it’s appropriate that with the exception of Jones’ few scenes we’re reintroduced to “24” with a movie that features Sutherland front and center. If anyone is going to carry the show back from the worst season in its history, it’s going to be Jack Bauer. In the end, “24: Redemption” is really just prologue and back story for what’s to come in season seven.

However, judged as a standalone “event” (as FOX likes to describe it), it comes up a little short. The action in Sangala is too predictable (Bellows, in particular, might as well be twirling a curly-cue mustache as he’s such a stereotypically slimy bad guy) and the pile of coincidences that can sometimes bring down the show hurts the believability of the action in the nation’s capital.

The president elect’s son (Eric Lively) gets involved with the drama surrounding what’s happening in Africa in a way that doesn’t feel plausible at all (which is saying a lot for this show). The real-time structure is stretched as far as it ever has been.

While “24” has always been a program that requires an intense suspension of disbelief, “24: Redemption” seems to need more than average. For a country that recently voted for change, “24: Redemption” seems to be going in the right direction but may not have gone far enough to not look like a Bush-era relic.

“24: Redemption,” which airs on FOX, stars Kiefer Sutherland, Robert Carlyle, Cherry Jones, Jon Voight, Tony Todd, Gil Bellows and Powers Boothe. The two-hour event airs on Nov. 23, 2008 at 7 p.m. CST.

Flip through our high-quality, 22-image slideshow for “24: Redemption”.

Read our interview with “24” star Mary Lynn Rajskub (Chloe O’Brian).

By BRIAN TALLERICO
Staff Writer
HollywoodChicago.com
brian@hollywoodchicago.com

Slideshow: 22-Image Gallery For ‘24: Redemption’ With Kiefer Sutherland

BrianTT — Sun, 16 Nov 2008 16:50:58 -0700

CHICAGO – This 22-image slideshow contains official press images for the new TV film “24: Redemption” (previously named “24: Exile”), which stars Kiefer Sutherland, Gil Bellows, Robert Carlyle, Cherry Jones, Powers Boothe and Jon Voight. The prequel to the seventh season of “24” airs on Nov. 23, 2008 at 8 p.m. EST or 7 p.m. CST on FOX.

“24” jump-starts its seventh season with a two-hour, real-time special movie that airs on Nov. 23, 2008. Set and shot entirely in Africa, “24: Redemption” stars Kiefer Sutherland as Jack Bauer who is forced to battle an international crisis with mentor Carl Benton (Robert Carlyle).

Meanwhile, the U.S. prepares to inaugurate new president Allison Taylor (Cherry Jones). Set a few months before day seven will officially begin for “24,” “24: Redemption” also introduces two characters who will be integral to that season’s plot: Frank Tramell (Gil Bellows) and Jonas Hodges (Jon Voight).

You can click “Next” and “Previous” to scan through this slideshow or jump directly to individual photos with the captioned links below. Unless otherwise noted on an individual photo, all photo credits for this slideshow belong to Kelsey McNeal and the FOX Broadcasting Company.

24redemption1: Captured in Africa exhibit: “24” producer Michael Klick captures Jack Bauer (Kiefer Sutherland) performing a stunt while filming “24: Redemption,” which airs on Nov. 23, 2008 on FOX. Photo credit: Michael Klick
24redemption2: Kiefer Sutherland as Jack Bauer in “24: Redemption,” which is the two-hour special “day-seven prequel” airing on Nov. 23, 2008 on FOX.
24redemption3: Gil Bellows as Frank Tramell in “24: Redemption”.
24redemption4: Robert Carlyle as Carl Benton in “24: Redemption”.
24redemption5: Captured in Africa exhibit: Unit photographer Kelsey McNeal captures a behind-the-scenes look at Kiefer Sutherland (right) and Siyabulela Ramba (left) while filming “24: Redemption”.
24redemption6: Jack Bauer (Kiefer Sutherland, center) battles an international crisis in the special two-hour prequel event “24: Redemption”. Robert Carlyle is also pictured on right.
24redemption7: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption8: U.S. State Department officer Frank Tramell (Gil Bellows, right) tries to convince Carl Benton (Robert Carlyle, left) that Jack must return to the U.S. in the special two-hour prequel event “24: Redemption”.
24redemption9: Robert Carlyle as Carl Benton in the special two-hour prequel event “24: Redemption”.
24redemption10: Jack Bauer (Kiefer Sutherland) forms a bond with the children at an orphanage in South Africa in the special two-hour prequel event “24: Redemption”. Siyabuela Ramba is also pictured on right.
24redemption11: Robert Carlyle as Carl Benton in the special two-hour prequel event “24: Redemption”.
24redemption12: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption13: An international crisis ensues in the special two-hour prequel event “24: Redemption”.
24redemption14: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption15: Jack Bauer (Kiefer Sutherland) battles an international crisis in the special two-hour prequel event “24: Redemption”.
24redemption16: U.S. State Department officer Frank Tramell (Gil Bellows, left) tries to convince Jack to return to the U.S. in the special two-hour prequel event “24: Redemption”. Also pictured is Robert Carlyle on right.
24redemption17: Jon Voight as Jonas Hodges in “24: Redemption”.
24redemption18: Jon Voight as Jonas Hodges in the special two-hour prequel event “24: Redemption”.
24redemption19: President-elect Allison Taylor (Cherry Jones, right) meets with U.S. president Noah Daniels (Powers Boothe, left) before her inauguration in the special two-hour prequel event “24: Redemption”. Photo credit: Greg Gayne/FOX
24redemption20: Jonas Hodges (Jon Voight) attends the presidential inauguration in the special two-hour prequel event “24: Redemption”.
24redemption21: President-elect Allison Taylor is sworn in as president of the U.S. in the special two-hour prequel event “24: Redemption”. Photo credit: Greg Gayne/FOX
24redemption22: Captured in Africa exhibit: “24” producer Michael Klick used his infrared camera to capture Jack Bauer (Kiefer Sutherland) on the run while filming “24: Redemption”.Photo credit: Michael Klick

Read our full “24: Redemption” review by critic Brian Tallerico.

Read our interview with “24” star Mary Lynn Rajskub (Chloe O’Brian).

By BRIAN TALLERICO
Staff Writer
HollywoodChicago.com
brian@hollywoodchicago.com

Interview: Director Steve Conrad Elevates Chicago Setting, Sean William Scott in New Comedy ‘The Promotion’

HollywoodChicago.com — Fri, 06 Jun 2008 18:41:34 -0700

CHICAGO – Barring extreme wealth or hermetics, everyone uses the grocery store. It is the great equalizer – the marketplace where all socioeconomic groups can co-exist side by side – in pursuit of daily bread. Inspired by this reality, writer and director Steve Conrad turned it into his feature directorial debut.

Rating: 4.5/5.0

It’s a notable comedy that was shot in Chicago with the definitive title of “The Promotion”. HollywoodChicago.com recently interviewed Conrad to glean his take on the dynamics of this unusual movie subject and to offer the lowdown on shooting the film in the city where he also lives.

“Well, it’s home,” Conrad said. “To me, doing a movie in Chicago means putting Chicago natives in a part of town where they live.”

“The Promotion” writer and director Steve Conrad in Chicago on April 22, 2008.
Photo credit: Patrick McDonald, HollywoodChicago.com

Conrad added: “Buildings convey stories, settings convey stories and in order to tell the story right I want to pick the right place. This is easier for me here because these are the places where I walk around. I want to do it better.”

Seann William Scott (left) and John C. Reilly star in Steve Conrad’s “The Promotion”.
Photo credit: Chuck Hodes, The Weinstein Company

“The Promotion” is a story about two assistant grocery-store managers – Doug (played by Seann William Scott, who was Stifler in “American Pie”) and Richard (John C. Reilly) – who are vying for a coveted manager post at the new branch of their Chicago-based grocery chain.

“It was based on a real-life event that happened at a grocery,” Conrad said, “and it seemed the most logical place to set it.”

Conrad described seeing a store employee at a Chicago chain armed only with a yellow courtesy vest break up some unruly loiterers in the parking lot.

“They hurt him so badly just from taunts,” Conrad recalled, “and they absolutely refused to recognize any of his authority. He was completely diminished by it all. He turned around and walked away and I noticed it said on the back of his vest: ‘Have a nice day.’”

“The Promotion” co-star Seann William Scott (left) in Chicago on April 22, 2008.
Photo credit: Patrick McDonald, HollywoodChicago.com

Conrad continued: “So he’s walking back to work instead of quitting, which is what I might do or someone of lesser mettle might do. I thought it was heroic of him to go back. I’m not making too much of this. There’s so much to be admired in that person’s strength.”

Through the awkwardness of the store’s corporate office to the daily grind of customer problems, Conrad and his talented supporting crew – including Fred Armisen, Jenna Fischer, Lili Taylor and Gil Bellows – interpret this real-life scenario with poignant and hilarious observations.

Conrad describes the process with the talented cast: “I started out hiring people who I thought were actors before they were movie stars.”

He added: “I have better luck with actors because they treat the film like a craft. They want it to go well and they will do the work it takes to give the movie a good shot.”

Conrad coaxes great performances out of his two leads.

Williams deftly creates the mask of the everyman who tried to do the right thing while at the same time desiring the prestige and money of the new position. Reilly creates an intricate comic character and imbues him with a Canadian accent and a sad-sack soul.

RELATED IMAGE GALLERY
View our full, high-resolution “The Promotion” image gallery.

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Read more film reviews from critic Patrick McDonald.

Conrad reflected: “Some people can tell a joke and some people can make you laugh. I was really confident that John and Sean were in that second category. If you asked them, you can count on them to do any number of things.”

“I would always try to measure the comedy through real human behavior,” Conrad said in summary. “Among others things, it’s about carving out the space in America to become your better self, how that challenges you and what it costs. It amounts to the fight of all of our lives. It deserves to be treated with some force and some respect.”

There’s a running gag in the film culminating into a moment of pure joy that’s rarely seen in movies today. Steve Conrad has created a story of everyday people also honoring the small victories that define the meaning of life.

“The Promotion” opened on June 6, 2008. In Chicago, the film is showing at AMC River East and Landmark’s Century Centre Cinema.

By PATRICK McDONALD
Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com