In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value

HollywoodChicago.com — Fri, 22 Aug 2008 12:56:45 -0700

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

Rating: 2.0/5.0

Though the “Death Race” story has a different book cover, Jason Statham’s character as Jensen Ames and then the masked Frankenstein can be directly correlated to (as just one example) Nicolas Cage’s character in 1997’s “Con Air”. We’ve certainly seen this before: a man who’s supposedly in the slammer innocently and has a monster axe to grind.

While films today can be rewarded for being quality remakes of compelling yesteryear memories, 2008’s “Death Race” not only disappoints in its unoriginal ripping from other films but ultimately loses face in its mission merely for unadulterated and gratuitous violence.

Read Adam Fendelman’s full review of “Death Race” in our reviews section.

View our full, high-resolution “Death Race” image gallery.

“Death Race” is yet another film along the lines of so many second-rate Hollywood products we see today feeling pressured to blow stuff up bigger and badder while servicing the human need to fantasize in the utterly ridiculous.

All the while, a weak story is slapped on top of what essentially just amounts to an anthology of big booms.

Sometimes films succeed in being pure entertainment and don’t attempt to have underlying meaning or instigate inspirational change. When they do, though, they’re most successful when their fundamental purpose at least has some redeeming value.

The unfortunately simple message of “Death Race” merely says we’re living in a time and place where financial corruption can allow us to prostitute ourselves to charge $250 to watch one guy violently off another for our viewing pleasure. In the film, 70 million morbid viewers take the plunge.

“Death Race,” which is written and directed by Paul W.S. Anderson, stars Jason Statham, Joan Allen, Tyrese Gibson, Natalie Martinez, Ian McShane, Max Ryan, Jason Clarke and Frederick Koehler. The film opened everywhere on Aug. 22, 2008.

Continuing reading for Adam Fendelman’s full “Death Race” review.

Navigator Case (Natalie Martinez) arrives from the women’s prison in an action-thriller set in the near future with the world’s most brutal sporting event as its backdrop in “Death Race”.
Photo credit: Takashi Seida

Jensen Ames (Jason Statham) drives Frankenstein’s Monster in an action-thriller set in the near future with the world’s most brutal sporting event as its backdrop in “Death Race”.
Photo credit: Takashi Seida

Continuing reading for Adam Fendelman’s full “Death Race” review.

Interview: Directors Mark Osborne, John Stevenson Create Balance Between Action, Zen in ‘Kung Fu Panda’

HollywoodChicago.com — Thu, 05 Jun 2008 22:01:00 -0700

CHICAGO – In this summer movie season of old men with whips, gals in stilettos and superheroes a go-go, you may ask: “Where’s the cartoon?” (“Speed Racer” doesn’t count.) Indeed, the most highly anticipated animation event of the summer is “Kung Fu Panda”.

Rating: 5.0/5.0

Filled with the voices of “A”-list Hollywood stars and featuring a classic combination of well-choreographed action, laugh-out-loud comedy and feel-good philosophy, “Panda” doesn’t pander and works on all levels.

HollywoodChicago.com recently interviewed “Kung Fu Panda” co-directors Mark Osborne and John Stevenson about putting together a major animated project for the first time and how their lead actor, Jack Black, helped shaped the destiny of the final product.

After having spent 20 years in the inescapable Chorh-Gom Prison, Tai Lung (Ian McShane) makes his daring escape in DreamWorks’ “Kung Fu Panda”.
Photo credit: Paramount Pictures

“There was a general desire to return to that classic, timeless sense of story that Mark and I remembered as we were growing up,” Stevenson said. “We just wanted to make a story and a world that would endure and would be its own, self-contained universe.”

Unexpectedly chosen to fulfill an ancient prophecy and train in the art of kung fu, giant panda Po (Jack Black, above) begins his study under Master Shifu (Dustin Hoffman, below) in DreamWorks’ “Kung Fu Panda”.
Photo credit: Paramount Pictures

“As for the films that inspired us most with animated action, there is no higher bar than ‘The Incredibles,’” Osborne said. “That was a film we looked at not necessarily as a template but for the level of quality and sophistication of the action.”

Jack Black is cast perfectly as the voice of Po: a lumpy panda bear working at his father’s noodle shop in China’s Valley of Peace. Po is an advocate of the fighting cult of kung fu and has kept up with the heroics of the “Furious Five” – Monkey, Mantis, Crane, Viper and Tigress – animals based on the fighting style.

They have been trained to protect the valley by Master Shifu (the voice of Dustin Hoffman) against the rages of evil, avenge-seeking tiger Tai Lung (Ian McShane). One of the five is about to be crowned the top warrior, which is also known as the “Dragon Master”.

Osborne praises the lead voice actor: “We rewrote and rebuilt the original story around Jack Black. That was one of the great things that happened in the genesis of the project. It is perfect casting.”

He added: “There was a lot of inspiration from Jack as a person, Jack’s movie characters and what we knew of Jack especially in association with Tenacious D. We took a lot of inspiration from all that in creating this ultimate fanboy character.”

Seth Rogen voices the fast and quick-tempered Mantis (one of the legendary Furious Five) in DreamWorks’ “Kung Fu Panda”.
Photo credit: Paramount Pictures

“Jack gave a huge gift really early on about bending the concept to make it work,” Stevenson said. “There were interesting choices to be made and it all came from Jack.”

He added: “When he started doing his first sessions as Po, we all imagined that it might be Tenacious D Jack or something more cocky and abrasive. But Jack himself started to do these more vulnerable and ‘self aware of your failings’ kind of readings.”

Through a series of misadventures, Po becomes the Dragon Master and must endure the rejection and jealously of the Furious Five along with Shifu’s reluctant training. When Tai Lung escapes from prison, it’s up to Po to put into practice the teachings of his master and trust what he has learned to defeat the foe.

The story evolved through several renderings before Osborne and Stevenson found the right tenor.

Stevenson explained: “While we knew Po would eventually have to go one on one with Tai Lung, we didn’t want him to cheat, use magic, turn into Bruce Lee all of a sudden or have him do things you hadn’t seen him do before.”

He continued: “In the Tao Te Ching, there was this stanza in there: ‘The sapling that bends in the breeze is greater than the mighty oak that is rigid.’ It ends with this couplet: ‘The hard and strong will fall. The soft and weak will overcome.’ When we read that, we said ‘hurrah’! We found our overall philosophy.”

“Also, the philosophical underpinning of the story is that Master Shifu and Po are a balance of opposites,” Osborne expressed. “Villain Tai Lung and Po are a balance of opposites. We thought to build everything on that and we started to discover things.”

RELATED IMAGE GALLERY
View our huge, high-resolution “Kung Fu Panda” image gallery.

RELATED READING
Read more film reviews from critic Patrick McDonald.

The fluid nature and the excitement of the action sequences – epic without being cartoony – are the centerpiece of the film’s legitimacy.

“One of the big conceits of the film was to use the five original animal fighting styles,” Stevenson said. “The Furious Five in the film actually personify them. It was kung fu in such a way that honored its source, but it also did it in a way you’ve never seen before because it was animals doing it instead of human beings.”

Bring the kids and line up for the popcorn as the result is a fundamental balance and a perfect summer animated classic. Osborne concluded: “It had to be authentic and still feel like kung fu, but at the same time, we knew we had to find our own path and our own way of doing things.”

In all, “Kung Fu Panda” features the voice talent of Jack Black, Dustin Hoffman, Angelina Jolie, Ian McShane, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, Dan Fogler and Michael Clarke Duncan.

“Kung Fu Panda” opened everywhere on June 6, 2008.

By PATRICK McDONALD
Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com