Batman

Three Months Early, First Review For ‘The Dark Knight’ Surfaces Online

HollywoodChicago.com — Wed, 09 Apr 2008 22:05:10 -0700

CHICAGO – With today being April 9, 2008 and with “The Dark Knight” scheduled to open on July 18, 2008, the difference between the two dates, of course, is more than three months. Even so, the first review for the monolithically anticipated film has just hit the Web in Portuguese.

Contributor Alexandre Winck for the respected Batman site Batman-on-Film.com reports that the review comes from a “well-known blog in Brazil” that’s part of the “largest media corporation” there, which is known as Globo. Winck says the author is a “respected journalist”. While the translation into English is a bit rough, you’ll get the gist. The following information may contain spoilers.

Director Chris Nolan on the set of “The Dark Knight”.
Photo credit: Released by the New York Times on March 9, 2008

My secret agent between the Armani suits saw a super private session for “The Dark Knight” and came out drooling. It will be a great success, he guarantees.

The gadgets – especially the [Batpod], [which is] responsible for an acclaimed action sequence – are crazy and Heath Ledger might receive a deserved [award?] for his Joker. [He is] a mixture of a fool/clown, schizophrenic, sadistic and crazy.

The guy delivered, got himself into the role and it’s unrecognizable. There will be no other Joker after him.

Many great scenes. Impeccable effects. Music and sounds pretty loud, but helping the story. They have a heartbeat they use in a sensational way [that helps to anticipate] the next scene [as] a psychological trigger [like in “Jaws”].

The cast is awesome. Michael Caine and Morgan Freeman [steal] scenes in which all are present. Maggie Gyllenhaal [is] fantastic replacing Katie Holmes and Aaron Eckhart [is] a great surprise as the politician with a heart of gold whose personality changes after a horrible accident.

Another surprise is Eric Roberts as the mobster he knows so well how to do. Christian Bale [is] solid as ever [and] cool since Bruce Wayne is a rich playboy and Batman is the opposite. The film plays a lot with this duality. All the characters are complex, [have] ambiguities [and are] very interesting and delicate.

The humor … is totally dark. The movie is very dark and, in this version, a little too long. [It] will blow [everyone] away.

Due to its sensitivity, part of the next sentence is whited out in case you don’t want to read it. If you do, select it with your mouse.

Another scene … with Ledger [as] the Joker playing dead inside a body bag caused adverse reactions in the audience for obvious reasons. It will possibly be cut.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

‘The Dark Knight’ Delivers Sensory Orgasm in IMAX Prologue Before ‘I Am Legend’

HollywoodChicago.com — Wed, 12 Dec 2007 22:23:29 -0700

I went to screen “I Am Legend” on Wednesday to experience “The Dark Knight”.

That statement doesn’t speak grimly about my feelings for Will Smith. I was looking forward to learning his legend and I’m glad I did. The night at Chicago’s Navy Pier IMAX, though, went to its first six minutes with the Joker as the star.

A production still from “The Dark Knight” prologue.
Photo credit: Warner Bros.
Before I skipped the capacity crowd awaiting entrance into the theater, I stopped to listen to people’s pre-conceived motivations for spending a chilly Wednesday evening at the movies.

People weren’t there because it was free. More important, many people weren’t talking about “I Am Legend”. The buzz king went to Nolan & Co. A few people even went so far as to say they’d consume “The Dark Knight” prologue and skip out immediately thereafter.

I spoke to the publicist running the screening moments before heading in. He was in a panic.

He just got off the phone from New York because “the prologue wasn’t going to show,” he said. At the mere quiet mention of the notion, the few critics who heard it threw their hands in the air in disgust.

I’m paraphrasing, but the publicist immediately retorted: “Don’t worry. It’ll be there now. I made sure of it.” Their nerves were calmed and I now felt vindicated after having to miss last week’s sneak peak of the prologue following yet another “The Dark Knight” viral game.

We were first treated to a trailer for “The Spiderwick Chronicles”.

The next trailer – for a film documenting a rock star – was relatively unimpressive and forgettable. Then a sweeping shot of downtown Gotham ushered in “The Dark Knight” prologue and the theater erupted in applause.

You immediately felt the difference between a typical trailer preceding the big event as this prologue is a short film in its own right. Its design is to introduce the Joker as the crazed fiend he is. He’s indeed feared, he’s indeed demented and he indeed delivers on the frenetic hype.

The story leading up to his unmasking deliberately makes his revelation deliciously climatic. You love to hate Heath and feel no remorse loving him all the while.

For this Chicagoan who has been covering the ins and outs of the film as it has taken over our Windy City, the prologue feels much like home. I’d be watching and instantly recall reporting on that courthouse and stepping foot on those very floors when I was beckoned there for jury duty.

A cameo by William Fichtner (“Go,” “Armageddon,” “Contact”) as a Gotham National Bank manager proves even in just a glimpse the power of this cast from roles as big as Heath Ledger as the Joker and Christian Bale as Batman all the way down to this small bank manager who dominates a memorable scene.

William Fichtner in “The Perfect Storm”.
Photo credit: Warner Bros.
Director Chris Nolan will be remembered as an innovator who made the premeditated choice to work with director of photography Wally Pfister and IMAX technicians to mark the first time in Hollywood history the larger and heavier IMAX cameras were used to film select sequences.

Rather than succumbing to the quality degradation inherent in converting traditional 35-millimeter film to the largesse of IMAX, Nolan filmed directly using the 60-millimeter, sensually orgasmic format. The wait was worth the remuneration and serves as yet another telltale sign that “The Dark Knight” will be the film of 2008.

Warner Bros. Releases New Batpod Photo For ‘The Dark Knight’

HollywoodChicago.com — Mon, 10 Dec 2007 14:51:38 -0700

Warner Bros. on Monday released a new “The Dark Knight” photo of Batman riding his Batpod.

Batman riding his Batpod in “The Dark Knight”.
Photo credit: Warner Bros.
Click here for a high-resolution version of this photo. This photo was also picked up by /Film.

Also, the following three “The Dark Knight” images recently surfaced. I first learned about these from here. While we have seen the head-on Joker image before, we now see it without cover-page text.

Still Image, New Details Surface on Straight-to-Video Batman Anime

HollywoodChicago.com — Fri, 07 Dec 2007 10:14:46 -0700

If there’s anything we’ve come to expect from “The Dark Knight” and the franchise lately, it’s these two words: always more.

On Nov. 30, I mentioned that Wizard’s 2008 movie spectacular magazine was hitting comic stores on Dec. 5 and newsstands on Dec. 18. On Wednesday, we learned more about a straight-to-video Batman anime story and saw a new still image to tease it.

“The Dark Knight” anime.
Image credit: Wizard
Credit for this post comes first from Paul. His fan site referenced a JustPressPlay article where we learn the following:

Far from just a cheap tie-in, this looks like it’s actually going to be an animated series with weight.

These shorts stand alone on their own [and] take place in (direct Chris) Nolan’s Batman universe … between the first (“Batman Begins”) and second (“The Dark Knight”) movie.

Let’s take a look at the amazing players involved.

All six shorts are directed by the great animation god Bruce Timm (“Batman: Mask of the Phantasm,” “Batman: TAS,” “Batman Beyond” and “Justice League”).

The writers along with more information can be found here.