The Matrix

‘Wanted’ With Angelina Jolie, James McAvoy Concocts Curving Bullet in Gluttonously Entertaining Blockbuster

HollywoodChicago.com — Thu, 26 Jun 2008 22:01:00 -0700

Rating: 4.5/5.0

CHICAGO – With curving, clinking and kissing bullets, “Wanted” indeed does Chicago proud. And Angelina Jolie sells it. And Morgan Freeman is ominous. And in his body of work, James McAvoy – the star of this orgasmic summer blockbuster – becomes a man.

Fox (Angelina Jolie) shoots from the driver’s side of her Dodge Viper in the action-thriller that tells the tale of one apathetic nobody’s transformation into an unparalleled enforcer of justice in “Wanted”.
Photo credit: Universal Pictures

Many Chicagoans have been keenly aware of the film’s local filming throughout downtown Chicago and Broadview, Ill.

Angelina Jolie as Fox in “Wanted”.
Photo credit: Jaap Buitendijk

After also focusing its filming lens throughout the Czech Republic and Hungary, Chicago’s prominence reigns surprisingly dominant and central to the film’s assassin-based plot of one “apathetic nobody’s transformation into an unparalleled enforcer of justice”.

James McAvoy is the man of the hour, and in a short 110 minutes, is handed a Hollywood renovation from an initially fear-laden, listless boy to a surgically precise killer who’d give Matt Damon’s character (Jason Bourne) in “The Bourne Ultimatum” a fight for his life.

“Wanted” features Chicago front and center not only in its aesthetics but also central to its high-adrenaline pacing and action sequences. The Universal Pictures film needed exactly this big-city, fast-action feel to haunt McAvoy with the necessary vibrations in his quest to decide who he really is.

While “Wanted” is chock full of innovation – especially in its fight sequences and “The Matrix”-inspired special effects on ludicrously entertaining Hollywood steroids – the film at times still falls victim to the traditional stereotypes of what you’d expect in an assassin action-thriller with an ever-increasing death count.

“Wanted,” which was pushed back to a June 27, 2008 release date from an initial March 28, 2008 plan, won’t accrue the high marks and huge numbers it deserves because of its story alone. This is an outright action fest of sensory enchantment, carnal killing and orgasmic delight.

James McAvoy as Wesley in the action-thriller that tells the tale of one apathetic nobody’s transformation into an unparalleled enforcer of justice in “Wanted”.
Photo credit: Jaap Buitendijk

While ultimately not blown away by the power of its story as a whole – yes, it can be said “Wanted” is just another assassin film with big names, fancy sequencing and the PR machine in full gear – James McAvoy’s character is an important one many people can relate to. As well, it actually conveys a valuable message.

On the flip side, the “Loom of Fate” is a god-awful plotline decision. A loom in a textile factory that spells out who you should kill and assassins blindly follow the decades-old machine to the bloody death of someone they’ve never met and know nothing about? Cut. Edit. Rewrite. Something else. Just not that.

But like McAvoy as Wesley Gibson, are you also in a dead-end, 9-to-5 desk job that you either just tolerate or actually despise because you have bills to pay even though your passion might be something else entirely that can’t pay your living?

A handcrafted bullet makes its way to an unfortunate target in the action-thriller that tells the tale of one apathetic nobody’s transformation into an unparalleled enforcer of justice in “Wanted”.
Photo credit: Universal Pictures

Not all of us have the bravado to utter the sure-to-get-fired “death mouth” to the boss. Certainly in the real world we don’t then transform into a crushing assassin and find our calling in offing people. But this is just a metaphor to inspire you to find and live your own calling.

While the plot’s somewhat tired – yeah, yeah: no one can trust anyone, everyone’s out to get someone and one man must learn to rise above them all – first-time U.S. film director Timur Bekmambetov sells the journey as one that’s genuinely inspirational.

The “Wanted” we’re seeing now, though, came from an entirely different origin: comic books.

Not only was the entire “supervillains take over the world” storyline dropped in this “Wanted” but originally in the comic book the story takes place in an alternate present day. Bekmambetov’s “Wanted” strays so significantly from its comic origins that you can hardly tell where it came from.

The premise was for these supervillains to “band together … and use their vast collective powers – including mad science, magic and mind control – to eliminate all the world’s superheroes and rewrite reality in their own dark image.”

Instead – and along with delivering a delicious and indisputably entertaining film – screenwriters Michael Brandt, Derek Haas and Chris Morgan manage to dig down deep and pose one of the more thought-provoking questions a blockbuster has taunted audiences with in some time:

“What have you done with your life lately?”

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It’s a critically important question. On one hand, intended “Wanted” moviegoers have already committed to purchasing their ticket because Hollywood allows us to peer into the darkest depths of our most primal instincts and unshackle the chastity belts of our most sensual fantasies.

But on the other – a side you wouldn’t foresee in a film with the mission to dish out a decidedly raucous ass kickin’ – McAvoy’s pursuit to buck the normalcy of his paper-pushing life and his verbally abusive cubicle boss in favor of something that makes him feel alive shouldn’t inspire us to unleash our literal killer within.

In the subtle subtext of this entertainment behemoth, we are urged to find our own path that transforms our life into one that’s worth living. We are to choose one where waking up and falling asleep every day isn’t all for nothing. Rather than just floating by, it’s time to wake up and be alive.

“Wanted,” which opened everywhere on June 27, 2008, stars James McAvoy, Angelina Jolie, Morgan Freeman, Terence Stamp, Common and David O’Hara.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

‘Speed Racer’ Condemns Franchise Dignity, But Delivers Sensorial Explosion

HollywoodChicago.com — Thu, 08 May 2008 23:12:08 -0700

CHICAGO – While Hollywood slapped “PG” on the hotly anticipated “Speed Racer” to line its pocketbooks with the widest hodgepodge of people (ahem: kids) everywhere, those same kids will leave the theater with that lollipop nearly sucked to the stick but then yanked away with confusion.

Rather than the “go!” marketing hype, this is a stop-and-go proposition. Chicago brothers Larry Wachowski and Andy Wachowski are ultimately wrangling with a clear identity crisis of who this film is meant for.

Emile Hirsch in “Speed Racer”.
Photo credit: Warner Bros.

Is it the 1967 crowd who adored the American anime version following the Japanese manga creation?

Emile Hirsch (top) and Christina Ricci in “Speed Racer”.
Photo credit: Warner Bros.

Is it for today’s children who didn’t grow up with the franchise but will magically identify with it from scratch because it’s on the big screen? Perhaps it’s for “The Matrix” crowd who slobber over the Wachowski’s sensory orgy?

A slathering of all of the above will be influenced by the omnipresent advertising and power of the Wachowski name, which has been catapulted to stardom with the trail-blazing triumph of “The Matrix” films.

But with summer blockbuster season in full effect for 2008, moviegoers won’t spend in droves the way they recently did with “Iron Man,” which is so far the best-reviewed film of the year.

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With a production budget of $140 million, “Iron Man” has already earned $220 million in worldwide box-office receipts in its first six days of release, according to Box Office Mojo. With a production budget of $100 million, “Speed Racer” won’t see those kind of box-office numbers.

Despite its bevy of blemishes, you can’t deny its color. There’s an intense vibrancy to the environment that – while unrealistic in the real world – is beautifully charming in Hollywood’s CGIville.

Knowing they had to hop beyond another planet in the solar system following 2003’s “The Matrix Revolutions,” the Wachowskis don’t disappoint in the “Speed Racer” special effects department.

The brothers continue to break new ground, and in doing so, they play an important role in inspiring other visionaries to forge new lines of thinking.

Matthew Fox (middle) in “Speed Racer”.
Photo credit: Warner Bros.

Just as “The Matrix” in 1999 had sequences that have been among the most emulated in Hollywood today over the past decade, the Wachowskis continue to up their own bar.

As for Emile Hirsch as the namesake Speed Racer character, his meek and chill demeanor off the racetrack and then world-champion talent on it displays light years of transformation. This is only one year after playing a wilderness hitchhiker in the Oscar-nominated 2007 film “Into the Wild”.

That, too, came a long way from the boy Hirsch played in “The Girl Next Door”.

RELATED IMAGE GALLERY
View our full, high-resolution “Speed Racer” image gallery.

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As Hirsch returns to boyhood in “Speed Racer” under the inspiration of John Goodman as his “Pops” and Susan Sarandon as his mom, you’re left with the sense that he works in the playful role but hasn’t quite figured out his destiny in the bird’s eye view of his acting career.

Christina Ricci – who bested Rose McGowan (the Wachowskis felt she was too old) for the part of Trixie in “Speed Racer” – has also come full circle since memorably playing Wednesday Addams in “The Addams Family” in 1991. Due to the campy nature of “Speed Racer,” she has on one hand grown up and on another regressed back to that same child.

Larry Wachowski, by the way, is not actually Lana Wachowski. Because the Wachowski brothers decline interviews with the press, rumors surfaced in 2003 that Larry was undergoing a sex change. In 2007, Wachowski producer Joel Silver debunked the rumor. He said: “They just don’t do interviews, so people make things up.”

In April 2008, news surfaced that the reclusive Wachowski brothers will be opening a post-production studio on Chicago’s north side.

“Speed Racer” opened on May 9, 2008.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com