Charlotte Rampling

CHICAGO – Everything has ‘potential’ and in examining that you reveal a little bit about yourself. Seeing the ‘potential’ in something is inherently an exercise in optimism because you take what you see and understand that it could do or be better. Criticism is also a key component when it comes to discussing ‘potential’ because without a critical eye you can’t see beyond what is to see what could be.

CHICAGO – It is movie star time for JLaw (Jennifer Lawrence) in ‘Red Sparrow,’ because her performance transcends the muddy plot, and her charisma – even with the lowest of low key characters – creates an interest in her thought process, even as she muddles through the story.

CHICAGO – “The Sense of an Ending” is a highfalutin title, automatically putting most folks into book club mode. It is adapted from a novel, and the narrative has the same page turning-type rhythm. An old man, portrayed by Jim Broadbent, is encountering his past, while his current situation remains untenable.

CHICAGO – I’m not a gamer, but of course I’ve heard about “Assassin’s Creed.” The film based on the video game is a wild and undisciplined attempt to expand that particular universe, but does succeed in creating an oddball science fiction that has implications in geo-religious power and control.

CHICAGO – There is something incredibly special when two old pros – in this case actors Charlotte Rampling and Tom Courtenay – interpret an amazing exploration of a long relationship with a preciseness that creates life affirmation, despite the sorrows. There is truth in this film.

CHICAGO – “Young & Beautiful” may have people rethinking the phrase, “Oh, to be young and beautiful again.” Well, maybe the “young” part, since we seldom don’t hear lamentations of the loss of beauty. Here’s a film that reminds us that wisdom not only comes with age, but also with mistakes.

CHICAGO – The start of the eighth and final season of “Dexter” feels like a comeback album from a band that you used to love. There’s a blend of true happiness that this show looks, after four episodes, that it will end on a strong note, but also a bit of anger at the weak storytelling and stupid decisions that led us here.

CHICAGO – Lars Von Trier’s incredible “Melancholia” gets better both in memory and on repeat viewing, especially with a pristine, jaw-dropping transfer like the one granted it by Magnolia on their recently-released Blu-ray. It may have been left out of all Academy Award categories but this was easily one of the best movies of last year. And the few before that as well. Most people missed it in theaters. Catch up on Blu-ray.

CHICAGO – As an aesthetically exquisite experiment, Lech Majewski’s “The Mill & the Cross” is a nearly unparalleled achievement. Though other pictures, such as Peter Greenaway’s highly entertaining “Rembrandt’s J’Accuse,” have deconstructed paintings through cinematic essays built primarily on re-enactments, none have had the hypnotic tone and majesty of this picture.

CHICAGO – Lars Von Trier’s “Melancholia” is a mesmerizing, haunting portrayal of the world-shattering force of depression from a filmmaker who has first-hand knowledge of the debilitating disease. With career-best work by Kirsten Dunst and some of the most confident filmmaking from its controversial director, this is one of the best films of 2011, a stunningly original examination of that which is completely out of our control.