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David Strathairn

‘American Pastoral’ Should Have Been Put to Pasture

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Change can be a frightening part of life and the human experience. It is an unavoidable but often necessary transition for progress. If you fight change or innovation, the stagnation alone will weigh you down and hold you back. “American Pastoral” may deal with the themes of revolution, but that’s about all that is revolutionary or unique about this film.

Charming ‘The Second Best Exotic Marigold Hotel’ Bucks Botched Sequel Trend

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Motivated by financial necessity, sequels often mitigate business risk and satisfy studio executives by riding on the coattails of a previous fan base with brand equity. But business aside, to moviegoers the follow-up product so often feels like it “wasn’t nearly as good as the first” or didn’t need to return at all.

Hollywood’s ‘Godzilla’ Misses, Mocks Ishirô Honda’s Main Warning Message

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Except for the clear purpose of cashing in on yet another “Godzilla” remake, everything is happening for no reason. Worst of all, what is ensuing misses and even mocks the reason why Ishirô Honda originated 1954’s “Godzilla” in the first place.

‘Lincoln’ Magnificently Humanizes the Man, Our History

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – There is an argument that Steven Spielberg is the most “American” of directors, at least in his generation. He deftly and brilliantly teams up with playwright Tony Kushner and actor Daniel Day-Lewis to humanize and realize our 16th president in “Lincoln.”

Rachel Weisz Anchors Melodrama of ‘The Whistleblower’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rachel Weisz elevates the harrowing true story of “The Whistleblower,” a pull-no-punches drama about a disturbing international conspiracy to cover up a sex trafficking ring involving the men tasked with protecting the innocent who turned to exploiting them. This is a graphic, dark, violent piece of drama, as it should be given its subject matter, but it’s the work of one of our best working actresses that truly makes it worth venturing into the darkness.

Paul Giamatti Does More With Less in ‘Cold Souls’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – How is the best way to discover the elusiveness of the soul? For Paul Giamatti, playing himself, the key is to store the legendary organ into the deep freeze, in his new absurdist comedy, “Cold Souls.”

Blueberries Meet Luscious Taste Buds in ‘My Blueberry Nights’ With Jude Law, Rachel Weisz

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – We see sensual close-up shots of blueberry pie overflow with aqueducts of vanilla ice cream in Wong Kar-Wai’s opening sequence of “My Blueberry Nights”. This dreamy scene sets the tone of the latest film from the famous Chinese director as he confronts the West with his unique cinematic style.

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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