Amy Poehler

Interview: British Comedian Steve Coogan Rocks Sexy Jesus Character in ‘Hamlet 2’

HollywoodChicago.com — Tue, 26 Aug 2008 22:10:50 -0700

CHICAGO – Steve Coogan is a British comedy icon. Forging a career from creating an array of characters, though, he’s not as well known in America (except to BBC cultists).

He brings this talent for characterization to the lead role of an American high school drama teacher in the new film “Hamlet 2”. Coogan adds some peculiar quirks to the depiction of the clueless soul who seemingly will do anything to project his dramatic “vision”.

“Hamlet 2” star Steve Coogan in Chicago on July 30, 2008.
Photo credit: Patrick McDonald, HollywoodChicago.com

Steve Coogan stars in Andy Fleming’s comedy “Hamlet 2”.
Photo credit: Cathy Kanavy

In a recent HollywoodChicago.com interview with Coogan, he philosophized about the nature of his comedy and how he hopes it can translate both in “Hamlet 2” and within the larger entertainment scope as his career progresses.

Describing the roots of his basis in developing characters, Coogan went back to his childhood in Manchester, England.

“As a kid before cable or VCRs, I used to use an audio cassette recorder to tape TV shows,” Coogan recalled.

He added: “[I did it] just to get the audio tracks. Also there was a lot of comedy on records. I would listen to Monty Python and older British comedy like Tony Hancock and The Goon Show.”

Steve Coogan (center) and Skylar Astin (right) star in Andy Fleming’s comedy “Hamlet 2”.
Photo credit: Cathy Kanavy

Rating: 2.5/5.0

“Often people would describe their favorite moments on the TV shows or records,” he continued. “I would say: ‘No. You’ve got it wrong.’ I would start to mimic what was accurate on those shows. I would enjoy the retelling of the stuff. I would enjoy people’s reaction to it once I did it.”

“Hamlet 2” is a bit of a departure from the British scene. It depicts Coogan as Dana Marschz: a down and out American actor forced to teach bad drama in a high school in Tucson, Ariz. His student body consists of two worshipful pupils who do stage recreations of movies like “Erin Brockovich”.

When Dana is forced to take some rougher students into his classes, it’s within the context that the school system is about to cut the drama department entirely. What is necessary is a big production. It must be something the bureaucracy can’t ignore.

Dana Marschz will come up with the sequel to one of Shakespeare’s best. He’ll call it “Hamlet 2”. Coogan added: “What attracted me to the character of Dana was that it’s a funny part.”

Steve Coogan (left), Elisabeth Shue (center) and Amy Poehler (right) star in Andy Fleming’s comedy “Hamlet 2”.
Photo credit: Focus Features

Melonie Diaz (left), Steve Coogan (center) and Phoebe Strole (right) star in Andy Fleming’s comedy “Hamlet 2”.
Photo credit: Cathy Kanavy

He continued: “He is vulnerable, which was a departure from characters I’ve played who are unlikable. I am attracted toward dysfunctional people because I find them more interesting. It’s a challenge to play someone odd or dysfunctional and still make the audience care about them.”

While Dana plots his masterpiece, his marriage dissolves around him. Still, the plucky and gullible dramatist forges on.

His play will revolve around a time machine (so the dead characters in the first “Hamlet” can be revived), musical numbers and the character of “Sexy Jesus” for the big finish.

“We talked about how to make Jesus sexy,” Coogan explained. “That’s why we settled on the jeans and T-shirt. The hair was always kind of cool.”

“It did make me a little nervous to play Jesus,” he admitted. “I did wonder whether (writer/director) Andy (Fleming) was just trying to be provocative to annoy Christians in a certain way or if it was just funny. I wasn’t quite sure, but in the end, I just did it.”

Coogan also talked about playing Dana as an American and the differences between that freedom and the more repressed British psychology.

RELATED IMAGE GALLERY
View our full, high-resolution “Hamlet 2” image gallery.

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More film reviews from critic Patrick McDonald.

“As a generalization, I think Americans are less repressed than British people,” he said. “Culturally, people from America come from somewhere else, so there’s the risk factor within the personality that makes them more free.”

“There is no subtext with Dana,” Coogan added. “The challenge was how to make it interesting when he’s so big and demonstrative – without making it over the top – especially in contrast with the other characters in the film who are more grounded.”

In his final thoughts, Coogan mentioned why he sometimes has trouble being pigeonholed in the way he’s cast in movies.

“I like variety. I don’t like to repeat myself,” he said. “In this marketplace, that is difficult because representatives sometimes don’t know how to sell me. I do so many different things. But it satisfies me creatively.”

“Hamlet 2,” which is written and directed by Andrew Fleming, features Steve Coogan, Catherine Keener, David Arquette, Elisabeth Shue, Amy Poehler, Melonie Diaz, Phoebe Strole and Skylar Astin. The film opened on Aug. 22, 2008.

By PATRICK McDONALD
Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com

Changes on Horizon For Chicago-Native Conan O’Brien Writer Kevin Dorff

HollywoodChicago.com — Mon, 19 Nov 2007 09:25:11 -0700

CHICAGO – Kevin Dorff spent his Sunday in Chicago kicking back and watching the Bears game.

Jim Zulevic and Kevin Dorff (on right) at Second City.
Photo credit: Second City
A Chicago native and Emmy Award-winning writer for “Late Night with Conan O’Brien” for seven years, the current WGA strike has shut down production and provided him something of a forced vacation.

For nearly a week, he has been back in the city that started his career when he first began taking classes in the early 1990s at what was then called Improv Olympic (now iO).

Within a few years, he was performing on Second City’s main stage.

On Tuesday night, Dorff will be performing alongside Horatio Sanz, Matt Walsh, Ed Furman and others at the Lakeshore Theater for “Horatio Sanz and the Kings of Improv,” which is presented by the Upright Citizens Brigade.

“These guys just love to play,” Dorff said – speaking of the ensemble – in an interview with HollywoodChicago.com.

He has performed with them all many times in New York, Los Angeles and Chicago over the last decade. Dorff added: “Matt and Horatio would just upend some milk cartons and perform on them. That might be a new show we’re working on. I don’t know.”

All of the performers have a connection to Chicago and originally were seen on the stages of Second City, iO, the Annoyance and other comedy clubs around town. In New York, the players can be seen regularly at the UCB Theatre as part of Sunday night’s ASSSSCAT Improv show.

Horatio Sanz.
Photo credit: iO West
Tuesday’s show will closely follow the Armando Diaz Experience format for improvisation made popular at iO.

Originally created by Adam McKay, David Koechner, Dorff and the namesake Armando Diaz, the “experience” is an improvised long-form show based on a performer’s personal monologues. Who will be doing the monologues on Tuesday has yet to be decided.

“It’s not very structured,” Dorff said. “We’re really good at working together. We’ll rely on what we’re feeling at the time. We might do a shared monologue experience and bring a lot of order out of that.”

He bases everything on what he learned training with iO founders Charna Halpern and Del Close. Dorff finds himself working with a lot of the same people again and again.

When Tina Fey was casting the pilot episode for the hit show “30 Rock,” she called on Dorff for a role in the cold opening. Robert Smigel knew Dorff from working together on Conan O’Brien’s show and cast him in an episode of “TV Funhouse”.

Even some of the other writers on “Late Night” were on Dorff’s first improv team in Chicago. Other work comes the old-fashioned way: auditioning. Last summer, Dorff called in to meet with famed comedy casting director Allison Jones for this season of “The Office”.

The result was a role as an ex-client of Dunder Mifflin who was unimpressed with character Michael Scott’s gift basket. Writing for “Late Night,” however, takes up 50 to 60 hours a week and the majority of Dorff’s time. He’s not complaining.

Frank Caeti (MADtv, on left), Armando Diaz and Kevin Dorff (on right).
Photo credit: ImprovMatchGame.com
“We love what we do. We’re happy to go in early and stay late. We’re happy to sleep on couches in our offices,” explains Dorff of his life before the writer’s strike, which began on Nov. 5.

He admits to only having an anthill view of the complex currently between the WGA and the major studios.

Dorff added: “What some people forget is that nothing going on. Nothing is being made and it’s affecting everyone down to the PAs and interns who are trying to learn about what it’s like to work in this business.”

Of the more than 10,000 members of both branches of the writer’s guild, only a few hundred are comedy writers.

“It’s weird how serious these [comedy writers] are taking this,” Dorff said as he became more dynamic on the subject. He says the frustration comes from not being able to do what you love.

“It has been a long time since the contract has been updated,” Dorff said. “It’s based on a VHS-rental model. They need to bring it in line with the current generation of media. I can’t even find a Blockbuster [any more]. Can you? I hope [the strike is] as short as however it can be.”

WGA negotiations are set to resume on Nov. 26. Beyond that, there are changes on the horizon for Dorff’s career at “Late Night”.

Matt Besser and Amy Poehler.
Photo credit: iO West
Ever since it was announced that Conan O’Brien would be taking the reigns of the “Tonight Show with Jay Leno” when Leno steps down in 2009, it has spawned questions about changes in everything from the content and location.

“You’d have to ask [NBC Universal President] Jeff Zucker about that,” Dorff said while explaining that all the decisions are to be worked out with the producers of the show. The writers are only more concerned with the day to day.

Dorff added: “We do shows five nights a week. When we go in on Monday, we have no idea what’s happening on Thursday much less in 2009.”

Dorff instead puts his faith in Conan O’Brien. He added: “Conan’s instincts are great,” Dorff said as he described his admiration of the host and executive producer as a comedy writer. “His work ethic is infectious. He makes people motivated.”

Right now, though, he is more concerned with being back in his hometown and performing with old friends. Last week, Dorff, Rachel Dratch and Tim Meadows sat in on an improv set at Second City after doing a panel at the Chicago History Museum.

When the rest of the kings of improv are in town and they meet up for dinner, they might decide to make an impromptu appearance at iO. After all, these are people who just love to play.

“That’s the best thing about being in Chicago,” Dorff said. “People just pull up their sleeves and get to work.”

Kevin Dorff will be performing with “Horatio Sanz and the Kings of Improv” on Tuesday, Nov. 20 at the Lakeshore Theater in Chicago. Tickets are available here or by calling 773-472-3492.
By Dustin Levell
Senior Staff Writer
HollywoodChicago.com