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Danny Glover

‘Beyond the Lights’ Has a Respect for Storytelling

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Writer/Director Gina Prince-Bythewood, the creator of the cult favorite “Love & Basketball,” is back with another original story that she created, an intimate and romantic perspective on a singer on the path to nowhere, despite superstar-level fame. Gugu Mbatha-Raw stars as that singer in “Beyond the Lights.”

Common Delivers Best Work to Date in Problematic ‘LUV’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Assigned the role of World’s Worst Father Figure, Common delivers a performance so compelling that it nearly makes Sheldon Candis’ blood-soaked odyssey worth the trip. Nearly, however, is the key word. For all of it merits, this picture derails into a ditch of heavy-handed implausibility at the precise moment when it should be soaring.

Chris Rock, Martin Lawrence Are Stiff in Tepid ‘Death at a Funeral’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When some of the funniest comedians in the business – Chris Rock, Martin Lawrence, Tracy Morgan – can’t deliver a absurdist comedy about family secrets, then there truly is “Death at a Funeral.”

Gondry’s Cinematic Breakthrough ‘Be Kind Rewind’ Proves Again He’s an Artistic Goliath

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – Michel Gondry’s latest cinematic breakthrough “Be Kind Rewind” grants passage into his magical imagination and proves yet again he’s one of today’s artistic giants.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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