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 <title>Hal Holbrook</title>
 <link>http://www.hollywoodchicago.com/news/hal-holbrook</link>
 <description>The taxonomy view with a depth of 0.</description>
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 <title>HollywoodChicago.com Analyzes 10 Oscar Contenders For Best Supporting Actor, Actress</title>
 <link>http://www.hollywoodchicago.com/news/1166/hollywoodchicagocom-analyzes-10-oscar-contenders-for-best-supporting-actor-actress</link>
 <description>&lt;p&gt;&lt;span class=&quot;caps&quot;&gt;CHICAGO&lt;/span&gt; – HollywoodChicago.com film critic Adam Fendelman has analyzed the 10 nominated contenders for best supporting actor and best supporting actress (five in each category) and reveals his selections for the top prize. Hosted by Jon Stewart, the 80th Academy Awards ceremony will be presented on Feb. 24, 2008.&lt;!--break--&gt;&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;b&gt;Best Supporting Actor Nominees&lt;/b&gt;&lt;/font&gt;&lt;/center&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Casey Affleck, “The Assassination of Jesse James By the Coward Robert Ford”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; Everyone remembers who assassinated Jesse James, but no one recalls who mowed down Robert Ford shortly thereafter. While Casey’s delivery of the spineless character might indeed embody Ford with authenticity, he ultimately shoots himself in his own back with a laissez-faire performance.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/casey_affleck.jpg&quot; alt=&quot;Casey Affleck in The Assassination of Jesse James By the Coward Robert Ford&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Ben Affleck (left) and brother Casey Affleck on Oct. 10, 2007 at the&lt;br&gt;Chicago International Film Festival premiere of “Gone Baby Gone”.&lt;br&gt;&lt;i&gt;Photo credit: Adam Fendelman, HollywoodChicago.com&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Javier Bardem, “No Country For Old Men”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; No words necessary. The Oscar goes to Javier. &lt;i&gt;(Disclosure: More words in this space only waste your time. We instead decided for no-nonsense brevity and award the haunting and brilliantly chilling villain with no contest. If the academy deviates from this path, something’s seriously gone awry.)&lt;/i&gt;&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/javierbardem_nocountryforoldmen.jpg&quot; alt=&quot;Javier Bardem in No Country For Old Men&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Javier Bardem in “No Country For Old Men”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Philip Seymour Hoffman, “Charlie Wilson’s War”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; We empathize for him here. After devouring the best-actor cake for “Capote,” the reality is he’s always brilliant and doggedly steals the show whether or not he’s in a lead or supporting function. The only reason he falls short in this category for this year is because he’s ousted by Javier Bardem.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/philipseymourhoffman_charliewilsonswar.jpg&quot; alt=&quot;Philip Seymour Hoffman in Charlie Wilson&#039;s War&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Philip Seymour Hoffman in “Charlie Wilson’s War”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Hal Holbrook, “Into the Wild”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; As if he’s not actually acting, you absolutely feel his pain when denied a beautifully benevolent offer to father the family fearing Emile Hirsch. We wish two Oscars could be dished out here, and if the academy does side with him, it’ll be not only because of this performance but also his body of work.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/halholbrook.jpg&quot; alt=&quot;Hal Holbrook on Jan. 26, 2008&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Hal Holbrook on Jan. 26, 2008.&lt;br&gt;&lt;i&gt;Photo credit: WireImage.com&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Tom Wilkinson, “Michael Clayton”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; We take back the reverie for two Oscars in this category. There should actually be three equally shared between Javier, Hal and Tom. Wilkinson’s spot-on performance as an insanely intelligent but nonetheless insane maniac is one of the year’s most memorable and clearly defined supporting men.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/tomwilkinson_michaelclayton.jpg&quot; alt=&quot;Tom Wilkinson in Michael Clayton&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Tom Wilkinson in “Michael Clayton”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;b&gt;Best Supporting Actress Nominees&lt;/b&gt;&lt;/font&gt;&lt;/center&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Cate Blanchett, “I’m Not There”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; We know the rules. Of course an actress can score the winning nod both for best actress and best supporting actress. Because we so &lt;A HREF=&quot;http://www.hollywoodchicago.com/news/1111/hollywoodchicagocom-analyzes-10-oscar-contenders-for-best-actor-actress&quot; TARGET=&quot;BLANK&quot;&gt;resiliently have Cate winning the best-actress statue&lt;/A&gt; for “Elizabeth: The Golden Age,” our chips are all in on the academy being distracted for awarding her doubly.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/cateblanchett.jpg&quot; alt=&quot;Cate Blanchett on Jan. 26, 2008&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Cate Blanchett on Jan. 26, 2008.&lt;br&gt;&lt;i&gt;Photo credit: WireImage.com&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Ruby Dee, “American Gangster”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; We have no shame confessing that we looked her up to see who the heck she was. Yes, she played Denzel Washington’s tough-loving mama, and we do grant props for her crack at slapping straight his gansta’ ways. You can’t take the chow outta the dog, of course, and this film’s entirely overshadowed by him.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/rubydee_americangangster.jpg&quot; alt=&quot;Ruby Dee in American Gangster&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Ruby Dee in “American Gangster”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Saoirse Ronan, “Atonement”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; With two award wins and eight nominations, being recently born in 1994 is only a testament to Saorse’s burgeoning talent. She has a piercing way about her, and while her Oscar run will only go as far as a supporting-actress nomination, keep a vigilant eye on this one to take the big trophy in the future.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/saoirseronan_atonement.jpg&quot; alt=&quot;Saoirse Ronan in Atonement&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Saoirse Ronan in “Atonement”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Amy Ryan, “Gone Baby Gone”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; Oh. My. God. We can only assume Wikipedia’s not in a joking mood in its entry for Amy Ryan, which is a third justifiably comprised of lines actualizing the fact that she is nominated for this award by eight societies and actually &lt;i&gt;won&lt;/i&gt; – we repeat loudly: &lt;b&gt;&lt;span class=&quot;caps&quot;&gt;WON&lt;/span&gt;&lt;/b&gt; – from 19. We can’t argue here with the masses.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/amyryan.jpg&quot; alt=&quot;Amy Ryan on Feb. 3, 2008&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Amy Ryan on Feb. 3, 2008.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Tilda Swinton, “Michael Clayton”&lt;/b&gt;&lt;br /&gt;
&lt;I&gt;Adam Fendelman says:&lt;/I&gt; While she has cutthroat competition in this year’s category from Amy Ryan, her delightfully shady character and bona fide ways as a high-powered, high-paid corporate snake earn Tilda Swinton a well-deserved first Oscar nomination. She’s just one penny short, though, for the big ticket.&lt;/p&gt;
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&lt;td&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/sites/default/files/tildaswinton_michaelclayton.jpg&quot; alt=&quot;Tilda Swinton in Michael Clayton&quot;&gt;&lt;br&gt;&lt;center&gt;&lt;span style=&quot;font-size:80%;&quot;&gt;Tilda Swinton in “Michael Clayton”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;a href=&quot;http://www.hollywoodchicago.com/forums/1112/hollywoodchicagocom-analyzes-10-oscar-contenders-for-best-actor-actress&quot;&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;Discuss this on our discussion boards here!&lt;/font&gt;&lt;/a&gt;&lt;/center&gt;&lt;/p&gt;
&lt;p&gt;&lt;TABLE border=0&gt;&lt;TR&gt;&lt;TD&gt;&lt;A HREF=&quot;mailto:adam@hollywoodchicago.com&quot;&gt;&lt;IMG SRC=&quot;http://www.hollywoodchicago.com/uploaded_images/adamfendelman_headshot2.jpg&quot; ALT=&quot;HollywoodChicago.com editor-in-chief Adam Fendelman&quot; border=0&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD width=*&gt;&lt;P&gt;&lt;FONT style=&#039;font-size:11px&#039;&gt;By &lt;A HREF=&quot;http://www.hollywoodchicago.com/about#adam&quot; TARGET=&quot;BLANK&quot;&gt;&lt;span class=&quot;caps&quot;&gt;ADAM&lt;/span&gt; &lt;span class=&quot;caps&quot;&gt;FENDELMAN&lt;/span&gt;&lt;/A&gt;&lt;BR&gt;Editor-in-Chief&lt;BR&gt;HollywoodChicago.com&lt;BR&gt;&lt;A HREF=&quot;mailto:adam@hollywoodchicago.com&quot;&gt;adam@hollywoodchicago.com&lt;/a&gt;&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TABLE&gt;&lt;/p&gt;
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 <comments>http://www.hollywoodchicago.com/news/1166/hollywoodchicagocom-analyzes-10-oscar-contenders-for-best-supporting-actor-actress#comments</comments>
 <category domain="http://www.hollywoodchicago.com/news/adam-fendelman">Adam Fendelman</category>
 <category domain="http://www.hollywoodchicago.com/news/amy-ryan">Amy Ryan</category>
 <category domain="http://www.hollywoodchicago.com/news/casey-affleck">Casey Affleck</category>
 <category domain="http://www.hollywoodchicago.com/news/cate-blanchett">Cate Blanchett</category>
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 <category domain="http://www.hollywoodchicago.com/news/hollywoodchicagodotcom-content">HollywoodChicago.com Content</category>
 <category domain="http://www.hollywoodchicago.com/news/javier-bardem">Javier Bardem</category>
 <category domain="http://www.hollywoodchicago.com/news/oscar">Oscar</category>
 <category domain="http://www.hollywoodchicago.com/news/philip-seymour-hoffman">Philip Seymour Hoffman</category>
 <category domain="http://www.hollywoodchicago.com/news/ruby-dee">Ruby Dee</category>
 <category domain="http://www.hollywoodchicago.com/news/saoirse-ronan">Saoirse Ronan</category>
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 <pubDate>Fri, 08 Feb 2008 00:37:32 -0700</pubDate>
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