‘Speed Racer’ Condemns Franchise Dignity, Delivers Sensorial Explosion

HollywoodChicago.com — Thu, 08 May 2008 23:45:52 -0700

CHICAGO – While Hollywood slapped “PG” on the hotly anticipated “Speed Racer” to line its pocketbooks with the widest hodgepodge of people (ahem: kids) everywhere, those same kids will leave the theater with that lollipop nearly sucked to the stick but then yanked away with confusion.

Rather than the “go!” marketing hype, this is a stop-and-go proposition. Chicago brothers Larry Wachowski and Andy Wachowski are ultimately wrangling with a clear identity crisis of who this film is meant for.

Is it the 1967 crowd who adored the American anime version following the Japanese manga creation? Is it for today’s children who didn’t grow up with the franchise but will magically identify with it from scratch because it’s on the big screen? Perhaps it’s for “The Matrix” crowd who slobber over the Wachowski’s sensory orgy?

Read Adam Fendelman’s full review of “Speed Racer” in our reviews section.

View our full, high-resolution “Speed Racer” image gallery.

A slathering of all of the above will be influenced by the omnipresent advertising and power of the Wachowski name, which has been catapulted to stardom with the trail-blazing triumph of “The Matrix” films.

But with summer blockbuster season in full effect for 2008, moviegoers won’t spend in droves the way they recently did with “Iron Man,” which is so far the best-reviewed film of the year.

With a production budget of $140 million, “Iron Man” has already earned $220 million in worldwide box-office receipts in its first six days of release, according to Box Office Mojo. With a production budget of $100 million, “Speed Racer” won’t compare.

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Despite its bevy of blemishes, you can’t deny its color. There’s an intense vibrancy to the environment that – while unrealistic in the real world – is beautifully charming in Hollywood’s CGIville.

Knowing they had to hop beyond another planet in the solar system following 2003’s “The Matrix Revolutions,” the Wachowskis don’t disappoint in the “Speed Racer” special effects department.

The brothers continue to break new ground, and in doing so, they play an important role in inspiring other visionaries to forge new lines of thinking.

Just as “The Matrix” in 1999 had sequences that have been among the most emulated in Hollywood today over the past decade, the Wachowskis continue to up their own bar.

Emile Hirsch in “Speed Racer”.
Photo credit: Warner Bros.

Matthew Fox (middle) in “Speed Racer”.
Photo credit: Warner Bros.

Read Adam Fendelman’s full “Speed Racer” review…

Screenplay Surfaces Online For Oscar-Worthy ‘There Will Be Blood’ With Daniel Day-Lewis

HollywoodChicago.com — Thu, 27 Dec 2007 11:31:11 -0700

“There Will Be Blood” is among the best films of 2007. Period. An Oscar-worthy performance by Daniel Day-Lewis helps to make this picture Oscar worthy in its own right.

Daniel Day-Lewis in “There Will Be Blood”.
Photo credit: IMDb
A haunting supporting performance by Paul Dano (“Little Miss Sunshine,” “The Girl Next Door”) isn’t one you’ll soon forget, too.

Aside from his 2005 work in “The Ballad of Jack and Rose,” we last saw Day-Lewis in film all the way back in 2002 for his gritty “Gangs of New York” performance.

“There Will Be Blood”.
Photo credit: IMDb
“There Will Be Blood” is as worthy as any for him to bring the familiar character out of hibernation.

While you’d be remiss not to see this in theaters, you can read now why director Paul Thomas Anderson (who adapted the film’s screenplay from the Upton Sinclair novel “Oil!”) deserves your attention.

Paul Dano in “There Will Be Blood”.
Photo credit: IMDb
Anderson also directed “Punch-Drunk Love” and “Magnolia”. The full screenplay is below. Warning: This is a thorough spoiler alert.

Click for the full “There Will Be Blood” screenplay.
I downloaded this screenplay from this Paramount Vantage link.

Daniel Day-Lewis (left middle) in “There Will Be Blood”.
Photo credit: IMDb
Though the film only opened in limited New York City and Los Angeles theaters on Dec. 26, it will expand in Jan. 2008. Before that, 14 cities are being treated to a midnight sneak screening on Dec. 29.

Daniel Day-Lewis (left) and Dillon Freasier
on Dec. 10, 2007 for “There Will Be Blood”.
Photo credit: WireImage.com
These include Austin, Boston, Chicago, Dallas, Denver, Miami, Minneapolis, Philadelphia, Portland, Sacramento, San Diego, Seattle, Toronto and Washington, D.C. See our Dec. 23 post for more.

Daniel Day-Lewis (left) and director Paul Thomas Anderson
in “There Will Be Blood”.
Photo credit: IMDb
Other Paramount Vantage scripts are also online for “The Kite Runner,” “A Mighty Heart,” “Margot at the Wedding” and “Into the Wild”.