80th Academy Awards Headlined By ‘No Country For Old Men,’ ‘There Will Be Blood,’ ‘The Bourne Ultimatum’

HollywoodChicago.com — Mon, 25 Feb 2008 12:50:43 -0700

CHICAGO – “No Country For Old Men,” “Juno,” “Once,” “Atonement,” “The Bourne Ultimatum,” “There Will Be Blood,” “Ratatouille,” “The Golden Compass,” “Elizabeth: The Golden Age,” “La Vie en Rose,” “Michael Clayton” and more headlined the 80th Academy Awards on Feb. 24, 2008.

In total, “No Country For Old Men” led the pack with four Oscars followed by a surprising three for “The Bourne Ultimatum” and two for “There Will Be Blood”. A complete list of all 2008 Oscar winners at the 80th Academy Awards is found below. All image credits go to Oscar.com.

Best Picture:
Scott Rudin, Ethan Coen and Joel Coen for “No Country For Old Men”

Best Director:
Joel Coen and Ethan Coen for “No Country For Old Men”

Best Original Screenplay:
Diablo Cody for “Juno”
The HollywoodChicago.com interview with “Juno” writer Diablo Cody can be found here.

Best Adapted Screenplay:
Joel Coen and Ethan Coen for “No Country For Old Men”

Best Actor:
Daniel Day-Lewis for “There Will Be Blood”

Best Actress:
Marion Cotillard for “La Vie en Rose”

Best Supporting Actor:
Javier Bardem for “No Country For Old Men”

Best Supporting Actress:
Tilda Swinton for “Michael Clayton”
The HollywoodChicago.com interview with “Michael Clayton” director Tony Gilroy can be found here.

Best Art Direction:
Dante Ferretti (art direction) and Francesca Lo Schiavo (set decoration) for “Sweeney Todd: The Demon Barber of Fleet Street”

Best Cinematography:
Robert Elswit for “There Will Be Blood”

Best Film Editing:
Christopher Rouse for “The Bourne Ultimatum”

Best Original Song:
“Falling Slowly” from “Once” (music and lyrics by Glen Hansard and Marketa Irglova)
The HollywoodChicago.com interview with “Once” director John Carney and stars Glen Hansard and Marketa Irglova can be found here.

Best Original Score:
Dario Marianelli for “Atonement”

Best Sound Mixing:
Scott Millan, David Parker and Kirk Francis for “The Bourne Ultimatum”

Best Sound Editing:
Karen Baker Landers and Per Hallberg for “The Bourne Ultimatum”

Best Visual Effects:
Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood for “The Golden Compass”

Best Costume Design:
Alexandra Byrne for “Elizabeth: The Golden Age”

Best Makeup:
Didier Lavergne and Jan Archibald for “La Vie en Rose”

Best Animated Feature:
Brad Bird for “Ratatouille”

Best Animated Short Film:
Suzie Templeton and Hugh Welchman for “Peter & the Wolf”

Best Documentary Feature:
Alex Gibney and Eva Orner for “Taxi to the Dark Side”

Best Documentary Short Subject:
Cynthia Wade and Vanessa Roth for “Freeheld”

Best Live-Action Short Film:
Philippe Pollet-Villard for “Le Mozart des Pickpockets” (“The Mozart of Pickpockets”)

Best Foreign Language Film:
Stefan Ruzowitzky for “The Counterfeiters” (Austria)

Host Jon Stewart marked one of this year’s surprise moments when he offered for “Once” co-star Marketa Irglova – initially cut off by music – to return to the stage and deliver her acceptance speech. That speech has made its way to YouTube and can be seen below.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

New Behind-the-Scenes Photos, Comic Book Cover Surface For ‘Indiana Jones and the Kingdom of the Crystal Skull’

HollywoodChicago.com — Wed, 02 Jan 2008 00:32:53 -0700

Three new behind-the-scenes photos turned up on Wednesday for “Indiana Jones and the Kingdom of the Crystal Skull” in a comprehensive Vanity Fair article. In the third photo below, we see the first photo of Cate Blanchett as a Russian agent.

The article and photos have been picked up by /Film, Hollywood Elsewhere and other film sites across the Web. Some Vanity Fair quotes from director Steven Spielberg follow:

I’m in my second cut, which means I’ve put the movie together and I’ve seen it. I usually do about five cuts as a director.

The best news is that – when I saw the movie myself the first time – there was nothing I wanted to go back and shoot, nothing I wanted to reshoot and nothing I wanted to add.

I go for geography. I want the audience to know not only which side the good guy’s on and the bad guy’s on but which side of the screen they’re in.

I want the audience to be able to edit as quickly as they want in a shot. [That has] been my style with all four of these “Indiana Jones” pictures.

Quick-cutting is very effective in some movies – like the “Bourne” pictures – but you sacrifice geography when you go for quick-cutting.

[That] is fine because audiences get a huge adrenaline rush from a cut every second and a half [in] “The Bourne Ultimatum”.

There’s just enough geography for the audience never to be lost especially in the last “Bourne” film, which I thought was the best of the three.

By the same token, Indy is a little more old-fashioned than the modern-day action adventure.

You can read the full Vanity Fair piece here.

It doesn’t stop there with “Indiana Jones and the Kingdom of the Crystal Skull” unveilings. New comic book cover art for the film (warning: minor spoilers) just surfaced as well.

Also picked up by TheRaider.net and /Film, this comic cover premiered at Diamond Comics with this announcement:

The most anticipated movie event of the summer comes to comics in this adaptation of the fourth “Indiana Jones” film.

The intrepid doctor Henry Jones Jr. is back in his biggest adventure yet. This time, the world-renowned archaeologist finds himself caught in a series of events that all point to a discovery unlike any other.

But will his rivals in pursuit of this priceless treasure seize his quarry from right under his nose? Not if he – and a few unexpected companions – have anything to say about it.

The thrill and the humor, the action and the romance, the hat and the whip: everything you love about Indy is here. This is a tale sure to please longtime fans [and[ foster a whole generation of new ones.