Steven Spielberg

‘Transformers: Revenge of the Fallen’ DVD, Blu-Ray Release Date Announced

BrianTT — Thu, 20 Aug 2009 07:23:12 -0600

CHICAGO – Our wonderful DreamWorks contact just sent over the DVD and Blu-Ray details, along with the cover art, for the biggest movie of the year, “Transformers: Revenge of the Fallen”. The Michael Bay blockbuster with Shia LaBeouf, Megan Fox, Josh Duhamel, and Tyrese Gibson will land in exactly two months, on October 20th, 2009.

Filled with special features, “Transformers: Revenge of the Fallen” will be available on Blu-Ray and DVD in two-disc sets. Grossing over $820 million to date worldwide, the Michael Bay directed and Steven Spielberg produced film currently ranks in the top twenty of all time worldwide and the top ten domestically.

Special features on the film include a commentary and a multi-chapter documentary that chronicles the entire creation of the film and includes interviews with the cast and crew called “The Human Factor: Exacting Revenge of the Fallen”.

Transformers: Revenge of the Fallen will be released on DVD and Blu-Ray on October 20th, 2009.
Photo credit: DreamWorks Home Video

Here are the official details:

The TRANSFORMERS: Revenge of the Fallen two-disc Special Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround, French 5.1 Surround and Spanish 5.1 Surround with English, French and Spanish subtitles. The Blu-ray will be presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital with English, English SDH, French, Spanish and Brazilian Portuguese subtitles. The disc breakdown is as follows:

Disc 1:
Commentary by Michael Bay, Roberto Orci and Alex Kurtzman

Disc 2:
The Human Factor: Exacting Revenge of the Fallen—This multi-chapter documentary chronicles the entire creation of the film and includes interviews with the cast and crew:

o Seeds of Vengeance - Development and Design - After the overwhelming success of 2007’s Transformers, how do the filmmakers top themselves for the sequel?
o Domestic Destruction – Production: United States - Michael Bay believes in going big: Big action and big explosions. Cast and crew are pushed to the limit as they traverse the U.S. from New Mexico to Pennsylvania.
o Joint Operations – Production: Military - No other filmmaker in the world enjoys the kind of military access and cooperation Michael Bay has. Here we see just how efficient our armed forces are and the awe and respect shown by the cast.
o Wonders of the World – Production: Middle East - You can’t really reproduce Egypt anywhere but Egypt so off we go to Giza and Luxor.
o Start Making Sense - Editing - In order to turn over the massive amount of film as quickly as possible to VFX, four editors work tirelessly in a unique tag-team approach to shape the film.
o Under the Gun – Visual Effects – Revenge of the Fallen features the most complicated VFX in film history. So complicated in fact that the filmmakers were unsure they would make the deadline. The DEVASTATOR VFX alone required 83% of ILM’s total render farm capacity.
o Running the Gauntlet – Post-Production and Release - Working seven days a week, Michael Bay and company usher the film through sound design, Digital Intermediate color-timing and a globe-trotting whirlwind of premieres.

A Day with Bay: Tokyo—An intimate and fun all-access journey with Michael Bay as he travels to Tokyo, Japan tor the world premiere of the biggest film of the year.

25 Years of TRANSFORMERS—Access an all-new featurette celebrating a monumental milestone for one of Hasbro’s most successful and popular franchises.

NEST: Transformer Data-Hub—Explore conceptual artwork created by the production for 12 of the most popular AUTOBOTS and DECEPTICONS from the film.

Deconstructing Visual Bayhem with Commentary by Pre-Vis Supervisor Steve Yamamoto— A series of multi-angle pre-visualization sequences allowing viewers to learn how some of the film’s most spectacular scenes were created with an introduction by Michael Bay.

Extended Scenes

Music Video: Linkin Park’s “New Divide”

BLU-RAY EXCLUSIVE:
The ALLSPARK Experiment—Viewers get their chance to unleash the power of the recently recovered ALLSPARK shard on Earth vehicles. Begin by selecting and customizing a vehicle with a selection of parts and accessories. Then apply the ALLSPARK to this creation and watch what happens. Applying the ALLSPARK to certain custom combinations enables four new robot characters with special powers. If viewers discover all four, they unlock a fifth vehicle, which reveals a top secret message about the future of the TRANSFORMERS movie franchise.

NEST: Transformer Data-Hub—A database of some of the TRANSFORMERS characters that appear in the new film, offering users access to each robot’s confidential file including:

o Innovative 3D spin galleries of each robot
o A timeline for each TRANSFORMERS character charting its origins, back story and design evolution from toys to animated series to comics and finally feature films

Giant Effing Movie – A very personal look at the making of the movie.

The Matrix of Marketing—An archive of the film’s promotional media including trailers, posters and television spots.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Blu-Ray Review: ‘South Park’ Rocks in HD With 12th Season Blu-Ray Box Set

BrianTT — Wed, 11 Mar 2009 15:53:24 -0600

Blu-Ray Rating: 3.0/5.0

CHICAGO – I honestly never though Trey Parker and Matt Stone would still be pumping out “South Park” episodes in the era of HD Blu-Ray. It’s not that I’m not a fan. I’ve seen the brilliant movie, “South Park: Bigger, Longer, & Uncut” a dozen or so times, but I thought that would be near the end of the phenomenon of Stan, Kyle, Kenny, & Cartman. Years later, it looks like it was just the beginning.

Watching the first episode of “South Park: The Complete Twelfth Season” on Blu-Ray, “Tonsil Trouble,” and laughing as hard as I have at anything on television in a long time, I became convinced that not only was I wrong but that “South Park” could still be pumping out brilliant episodes for another twelve seasons. It’s going to be around as long as Matt & Trey want to do it.

South Park: The Complete Twelfth Season was released on Blu-Ray on March 10th, 2009.
Photo credit: Paramount Home Video

And there’s no better way to watch it than on Blu-Ray. Animation always looks great in HD and, honestly, Fox is going to have to follow suit with upcoming seasons of “The Simpsons” and “Family Guy” if they hope to compete.

South Park: The Complete Twelfth Season was released on Blu-Ray on March 10th, 2009.
Photo credit: Paramount Home Video

The season/volume sets for those Fox shows are always among the best of the year because of their impressive collection of special features but they should really follow the model of “South Park” when it comes to picture and sound.

The fourteen uncensored episodes of “South Park“‘s twelfth season are now available in a three-disc set with 1080i High Definition picture and a Dolby TrueHD English 5.1 track. The episodes look beautiful and “uncensored” is not just a cheap label to sell DVDs with a show like “South Park”. This is the way “South Park” should be seen.

And what you’ll see is another strong season of the show. In the last few years, “South Park” has gotten a little more hit-and-miss but that’s because the writing team goes so far with their insane concepts. If it works, like when Cartman gives Kyle AIDS in the season premiere (don’t ask how), then it can still be laugh-out-loud hilarious.

Of course, the commitment to insanity creates some episodes that don’t work. The controversial mid-season premiere, “The China Problem,” in which George Lucas and Steven Spielberg rape Indiana Jones, was ballsy and creative but just didn’t work. Still, I’d much rather have a show that takes risks and sometimes fails than one that walks the line down the middle.

South Park: The Complete Twelfth Season was released on Blu-Ray on March 10th, 2009.
Photo credit: Paramount Home Video

Highlights of season twelve of “South Park” include “Tonsil Trouble,” “Major Boobage” (with a great “Heavy Metal” spoof) and “Elementary School Musical”.

The episodes of “South Park: The Complete Twelfth Season” are accompanied by Trey Parker and Matt Stone mini-commentaries and each disc includes a bonus feature - “Six Days to South Park: A Day-by-Day Making of South Park,” “Making Boobage: Behind the Scenes of “Major Boobage”,” and “Behind the Scenes: “About Last Night” HD”.

The one problem with TV on Blu-Ray is still the price point. I clearly think the twelfth season of “South Park” is worth owning, but unless Paramount and other studios start offering more features or Blu-Ray-only functionality, an MSRP of $69.99 is going to be a little steep for a lot of buyers. That’s $5 an episode. Yikes.

You’ll find it on sale for less most places, but the rating at the top of this review takes the cost into account. With only 308 minutes of show and three special features, seventy bucks is too much.

When the price comes down on Blu-Ray discs - and it will as the technology gets more popular - TV in HD Blu-Ray will take off. Once again, four foul-mouthed boys will have led the way.

‘South Park: The Complete Twelfth Season’ is released by Paramount Home Video and stars Trey Parker and Matt Stone. It was created by Parker & Stone. It was released on March 10th, 2009.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Slideshow: 20-Image Gallery From Back Stage at 81st Annual Academy Awards

BrianTT — Wed, 25 Feb 2009 15:12:59 -0700

CHICAGO – This 20-image slideshow contains a selection of the award-winners and presenters back backstage at “The 81st Annual Academy Awards,” which aired on ABC on Sunday, February 22nd, 2009.

Winners and presenters include Dustin Lance Black, Kate Winslet, Sean Penn, A.R. Rahman, Danny Boyle, Christian Colson, Steven Spielberg, Kate Winslet, Sean Penn, Penelope Cruz, Anjelica Huston, Tilda Swinton, Goldie Hawn, Eva Marie Saint, Whoopi Goldberg, Tina Fey, Steve Martin, Andrew Stanton, Sir Ben Kingsley, Robert DeNiro, Michael Douglas, Adrien Brody, and Sir Anthony Hopkins.

You can click “Next” and “Previous” to scan through this slideshow or jump directly to individual photos with the captioned links below. All photos are credited to Adam Larkey and courtesy of ABC. All Rights Reserved.

oscars2009_backstage_01: Dustin Lance Black
oscars2009_backstage_02: Kate Winslet
oscars2009_backstage_03: Kate Winslet
oscars2009_backstage_04: Sean Penn
oscars2009_backstage_05: Sean Penn
oscars2009_backstage_06: A.R. Rahman
oscars2009_backstage_07: Danny Boyle
oscars2009_backstage_08: Danny Boyle
oscars2009_backstage_09: Christian Colson and Steven Spielberg
oscars2009_backstage_10: Kate Winslet, Sean Penn, and Penelope Cruz
oscars2009_backstage_11: Kate Winslet, Sean Penn, and Penelope Cruz
oscars2009_backstage_12: Atmosphere
oscars2009_backstage_13: Anjelica Huston, Tilda Swinton, Goldie Hawn, Penelope Cruz, Eva Marie Saint, and Whoopi Goldberg
oscars2009_backstage_14: Tina Fey, Dustin Lance Black, and Steve Martin
oscars2009_backstage_15: Andrew Stanton
oscars2009_backstage_16: Sir Ben Kingsley, Sean Penn, Robert DeNiro, Michael Douglas, Adrien Brody, and Sir Anthony Hopkins
oscars2009_backstage_17: Penelope Cruz
oscars2009_backstage_18: Penelope Cruz
oscars2009_backstage_19: Penelope Cruz
oscars2009_backstage_20: Dustin Lance Black

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Toni Collette Shines on Intriguing ‘United States of Tara’

BrianTT — Tue, 13 Jan 2009 14:39:28 -0700

Television Rating: 3.5/5.0

CHICAGO – Writer Diablo Cody, the Oscar-winning scribe of “Juno,” Executive Producer Steven Spielberg, and the Oscar-nominated actress Toni Collette have joined forces for the impressive and intriguing “United States of Tara,” airing this Sunday, January 18th on Showtime.

“United States of Tara” displays the fingerprints of three primary creative forces - the snappy dialogue of Cody, the unbelievable range of Collette, and Showtime’s creative impetus to bring us people living outside the norm but hiding in plain sight. Nancy Botwin on “Weeds,” Dexter Morgan on “Dexter,” Hannah/Belle on “Secret Diary of a Call Girl,” and Tara Gregson on “United States of Tara” may look like you and me but they live distinctly abnormal lives.

Toni Collette as Tara in United States Of Tara.
Photo credit: Nigel Parry/Showtime

What makes Tara Gregson’s (Toni Collette) life so unique is that she isn’t alone inside her own body. As so many kids have said, “Mom’s just not herself today.” But in Tara’s life, it can be sadly true. Tara has dissociative identity disorder. There are three personalities that often come to the forefront and take over the lives of Tara and her family - “T,” a teenager fond of thongs and drugs, “Buck,” a beer-swilling Vietnam vet prone to violence, and “Alice,” a housewife straight out of a 1950s advertising campaign.

Toni Collette as Tara and John Corbett as Max in United States of Tara.
Photo credit: Nigel Parry/Showtime

Like a lot of people with DID, Tara’s personalities take over in time of great stress or crisis and most of her family have gotten used to the “other people” living in their house. In the premiere episode, when Tara finds morning after pills in her daughter’s bag, mom understandably freaks out a bit and “T” takes over. Later, when force is called for, “Buck” makes an appearance. I’m not sure that people with real DID use their personalities in such a functional or practical way, but it definitely makes for interesting drama.

The family forced to deal with the “United States of Tara” include Max (John Corbett), her loving and supportive husband, Kate (Brie Larson), her rebellious daughter, and Marshall (Keir Gilchrist), her kind-hearted and intellectual son. Tara’s insecure sister Charmaine (Rosemarie Dewitt, recently seen in “Rachel Getting Married”) struggles to understand her sibling’s illness and great comedic actors like Tony Hale and Patton Oswalt guest-star.

At times, “United States of Tara” can feel too self-conscious and too in love with its own concept. The subtext of the show, a modern woman dealing with the stresses of modern life with multiple personalities, can be a little too clever for its own good as is Cody’s controversial ear for dialogue. Marshall, in particular, with his references to Thelonious Monk and George Cukor in just the first episode, feels almost like Cody’s reaction to criticisms that the teenage characters in “Juno” sounded more like twenty or thirtysomethings. “You thought that was adult dialogue coming out of a kid’s mouth?!? Check this out.”

Most importantly, Cody and her team of writers need to find something interesting underneath the personalities of its heroine to emphasize equally. “Weeds” works because it is about a lot more than just a pot-dealing mom in the ‘burbs. “United States of Tara” needs to find characters as interesting as the ones inside Tara Gregson, not just responses to them. The supporting cast is very good, particularly Dewitt and Corbett, but they are as yet underdeveloped and I worry they will always take a back seat to the chaos in the front.

Rosemarie DeWitt as Charmaine, Toni Collette as Tara, and Brie Larson as Kate in United States of Tara (Episode 5).
Photo credit: Jordin Althaus/Showtime

As for that front, it’s something to behold. Collette has always had an underrated range, giving great performances in “Muriel’s Wedding,” “The Sixth Sense,” “About a Boy,” “Japanese Story,” “In Her Shoes,” “Little Miss Sunshine,” and HBO’s “Tsunami: The Aftermath”. She’s simply a fantastic actress and she does work here worthy of Emmy consideration.

On paper, Tara may sound like a gimmicky role, something anyone could knock out of the park, and that may be true, but what’s difficult about the over-the-top character is making her unusual situation feel genuine and Collette does that from scene one. She’s perfect and, easily, the main reason to watch the show. It’s a performance good enough to make every flaw of the show easier to overlook.

At least through its first four episodes, “United States of Tara” works and, while it may not be there quite yet, it is easy to see this show becoming one of the best on television with just a little tinkering. With an actress as talented as Toni Collette in your lead, greatness is always possible.

‘United States of Tara,’ which airs on SHOWTIME, stars Toni Collette, John Corbett, Rosemarie Dewitt, Brie Larson, and Keir Gilchrist. The premiere airs on January 18th, 2009 at 9PM CST.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Exhumes Venerated Roots

HollywoodChicago.com — Wed, 21 May 2008 23:00:20 -0600

CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.

Ultimately, though, I had faith in director Steven Spielberg not to royally torpedo the monolithically anticipated “Indiana Jones and the Kingdom of the Crystal Skull,” which resurrects the Chicago-born, 65-year-old Harrison Ford as one of my favorite film characters of all time.

Spielberg delivers. Thank the heavens.

In grappling with Ford’s real-life age, David Koepp’s screenplay comically writes in subtle jabs to wrangle with the reality. Just like Stallone didn’t try to hide it in “Rocky Balboa” and he instead decided to honestly portray it, so did Ford’s character grow older.

Read Adam Fendelman’s full review of “Indiana Jones and the Kingdom of the Crystal Skull” in our reviews section.

View our full “Indiana Jones and the Kingdom of the Crystal Skull” image gallery.

Of course, “Indiana Jones and the Kingdom of the Crystal Skull” is still a major Hollywood product and Indiana Jones is still Indiana Jones. He still flings through the air with bird-like grace, whips all obstacles in his way with laser-like precision and is imbued with the film’s classic and campy “kapow!” sound effects. I love ‘em to pieces.

While the character Indiana Jones has had an unfortunate television run by way of Sean Patrick Flanery in his young form from 1992 all the way through 2007, Harrison Ford as the real Indiana Jones we’ve all been enamored with last roughed it up in a major Spielberg production in “Indiana Jones and the Last Crusade” in 1989.

Before that, it was five years earlier in “Indiana Jones and the Temple of Doom” in 1984 and three years earlier in “Raiders of the Lost Ark” in 1981. Yes, that’s three years between the first and second, five years between the second and third and 19 years between the third and the fourth.

Shia LaBeouf (left) and Harrison Ford in “Indiana Jones and the Kingdom of the Crystal Skull”.
Photo credit: Paramount Pictures

Harrison Ford in “Indiana Jones and the Kingdom of the Crystal Skull”.
Photo credit: Paramount Pictures

Read Adam Fendelman’s full “Indiana Jones and the Kingdom of the Crystal Skull” review.

Interview: Chiwetel Ejiofor on American Samurai Journey ‘Redbelt’ From Mind of David Mamet

HollywoodChicago.com — Tue, 13 May 2008 17:04:22 -0600

CHICAGO – Chiwetel Ejiofor (pronounced choo-ih-tell edge-o-for) has been a stalwart film actor ever since his dramatic debut in Steven Spielberg’s “Amistad”. Since then, he has been a go-to character actor for directors as diverse as Spike Lee, Woody Allen and Stephen Frears.

His latest film is “Redbelt,” which is written and directed by the great Chicago playwright David Mamet. Ejiofor plays Mike Terry: a jujitsu master caught between his passion for the martial art discipline and the outside forces that want to exploit his talent for commercial means.

Chiwetel Ejiofor (left) and John Machado in “Redbelt”.
Photo by Lorey Sebastian | © The Redbelt Company | Courtesy of Sony Pictures Classics

Mamet weaves a compelling tale that’s set in modern Hollywood. It mixes the movies, an emerging new spectator sport and the men who desire the power associated with ownership in both media.

Cyril Takayama in “Redbelt”.
Photo by Lorey Sebastian | © The Redbelt Company | Courtesy of Sony Pictures Classics

HollywoodChicago.com recently conducted a one-on-one interview with Ejiofor to tackle all aspects of the unique film including working with Mamet and his new respect for art of jujitsu.

“The first part of the pre-production area was dominated psychologically by my growing appreciation for the martial art form that is Brazilian jujitsu, which is so complex and brilliant,” Ejiofor said. “It’s one of those things that – once you have a plethora of moves you understand – you start to apply them. Then you realize truly how complex it is.”

Ejiofor plays Mike Terry. He’s a noble character, but with a sense of real-world propriety, he accepts that the world is sometimes a bitter place. The people around him don’t share his morality.

Chiwetel Ejiofor in Chicago on March 31, 2008 for “Redbelt”.
Photo credit: Patrick McDonald, HollywoodChicago.com

His wife frets about bills, his connected brother-in-law doesn’t understand him and even a new student (played with jittery effectiveness by Emily Mortimer) seems determined to unbalance his world.

Ejiofor added: “He has an unerring belief in his own moral code. Nothing that happens in the film ever comes close to breaking that.”

He continued: “Mike Terry is a man who has found a way to live in the present. Not to project into the future or reflect on what has happened, he lives in the now moment, which is part of the philosophy of being in martial arts. What I was communicating is the sense that he is still and always will be himself.”

David Mamet combines his famous rat-a-tat dialogue rhythms with a story that he describes as “American samurai”. While he populates the film with stock players like Joe Mantegna, he surprises with casting like comedic actor Tim Allen (here playing an action-film star whose sad cynicism reveals a finer acting depth).

RELATED IMAGE GALLERY
View our high-resolution “Redbelt” image gallery.

RELATED READING
Read more film reviews from critic Patrick McDonald.

“I think Tim was great. He really seemed to be right into the role,” Ejiofor said. “He certainly disappeared into it. You felt that he was there and you weren’t working with someone who was trying to find something.”

Regarding the Mamet dialogue style, Ejiofor said: “I was well versed in it just by growing up with Mamet. I studied him in school. I was very familiar with his plays and screenplays. I did have a great love for his dialogue. I knew a bit about rhythms and enough about Mamet himself. I was happy to try and find a way in making that my own.”

Though the mixture of martial arts and modern American commerce make strange bedfellows in this unusual tale, Mamet makes it sing. He even adds Rocky-like fight sequences that work essentially.

Buy Posters at AllPosters.com

“If anything, the film is commenting on the way of how people through their own volition favor a simple way of living within their own moral framework, but find themselves at times vulnerable to the bigger machines at work,” Ejiofor concluded. “The lesson within the film is that if you maintain your own position, you’ll find ways of engaging if not defeating anything that comes your way.”

This collaboration of Mamet, Ejiofor and the purity of martial arts join forces for a captivating and one-of-a-kind film experience.

David Mamet’s “Redbelt” – a Sony Pictures Classics release – opened on May 9, 2008 at Landmark’s Century Centre Cinema in Chicago along with other U.S. theaters.

By PATRICK McDONALD
Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com

New Behind-the-Scenes Photos, Comic Book Cover Surface For ‘Indiana Jones and the Kingdom of the Crystal Skull’

HollywoodChicago.com — Wed, 02 Jan 2008 00:32:53 -0700

Three new behind-the-scenes photos turned up on Wednesday for “Indiana Jones and the Kingdom of the Crystal Skull” in a comprehensive Vanity Fair article. In the third photo below, we see the first photo of Cate Blanchett as a Russian agent.

The article and photos have been picked up by /Film, Hollywood Elsewhere and other film sites across the Web. Some Vanity Fair quotes from director Steven Spielberg follow:

I’m in my second cut, which means I’ve put the movie together and I’ve seen it. I usually do about five cuts as a director.

The best news is that – when I saw the movie myself the first time – there was nothing I wanted to go back and shoot, nothing I wanted to reshoot and nothing I wanted to add.

I go for geography. I want the audience to know not only which side the good guy’s on and the bad guy’s on but which side of the screen they’re in.

I want the audience to be able to edit as quickly as they want in a shot. [That has] been my style with all four of these “Indiana Jones” pictures.

Quick-cutting is very effective in some movies – like the “Bourne” pictures – but you sacrifice geography when you go for quick-cutting.

[That] is fine because audiences get a huge adrenaline rush from a cut every second and a half [in] “The Bourne Ultimatum”.

There’s just enough geography for the audience never to be lost especially in the last “Bourne” film, which I thought was the best of the three.

By the same token, Indy is a little more old-fashioned than the modern-day action adventure.

You can read the full Vanity Fair piece here.

It doesn’t stop there with “Indiana Jones and the Kingdom of the Crystal Skull” unveilings. New comic book cover art for the film (warning: minor spoilers) just surfaced as well.

Also picked up by TheRaider.net and /Film, this comic cover premiered at Diamond Comics with this announcement:

The most anticipated movie event of the summer comes to comics in this adaptation of the fourth “Indiana Jones” film.

The intrepid doctor Henry Jones Jr. is back in his biggest adventure yet. This time, the world-renowned archaeologist finds himself caught in a series of events that all point to a discovery unlike any other.

But will his rivals in pursuit of this priceless treasure seize his quarry from right under his nose? Not if he – and a few unexpected companions – have anything to say about it.

The thrill and the humor, the action and the romance, the hat and the whip: everything you love about Indy is here. This is a tale sure to please longtime fans [and[ foster a whole generation of new ones.

Report: ‘Transformers 2’ Moves From June 26, 2009 Open Date to ‘Unslotted’

HollywoodChicago.com — Tue, 01 Jan 2008 13:36:18 -0700

CHICAGO – The Hollywood Reporter published a year-end film report on Dec. 28, 2007 with a bevy of standard box-office numbers. Buried on page two of the article, though, is the real news: the lack of a number for “Transformers 2”. The sequel is again directed by Michael Bay.

Megan Fox in “Transformers” in 2007.
Photo credit: IMDb
Specifically, the article downplays the first mention of the film moving from a confirmed release date of June 26, 2009 to no opening slot at all. The Hollywood Reporter article says:

Some will suggest that DreamWorks’ production operations will be upended if Steven Spielberg and David Geffen bolt [Paramount] when their personal contracts expire in November.

The pair remain actively engaged in several ongoing projects including the as-yet-unslotted “Transformers 2”.

“Transformers” in 2007.
Photo credit: IMDb
Superhero! Hype on Dec. 31, 2007 also picked up on the subtle mention and is speculating that the ongoing WGA strike could be a culprit. IMDb still lists the opening date for “Transformers 2” as June 26, 2009.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Interview, Part Two: Why Hollywood’s Addicted to ‘Juno’ Scribe Diablo Cody, Star Ellen Page

HollywoodChicago.com — Thu, 06 Dec 2007 23:05:39 -0700

Editor’s note: This interview contains explicit language.
This is part two of this interview. Part one is here.
CHICAGO – The sale of Diablo Cody’s “Juno” script has become the opening of her career can of worms.

“Juno” screenwriter Diablo Cody.
Photo credit: ViewImages
In Oct. 2007, it was announced that Fox Atomic purchased Cody’s script for the comedic supernatural thriller “Jennifer’s Body”. Mason Novick and Jason Reitman are both on board as producers. Cody added: “I think [Reitman is] done with high school movies.”

While Cody has been painted with “the new Tarantino,” Page has been flattered by being likened to Meryl Streep and Audrey Hepburn.

“That seems outlandish. I don’t feel special,” Page said as if she’s not a flourishing Hollywood star. “I’m just doing what I love to do. That’s a crazy thing to think about. Having an opportunity to do this is an enormous gift. Getting all this attention just weirds me out.”

Cody laughed – and we won’t know why – except to say it was a “private joke” on the topic of Page’s modesty.

Page returned to her diffident direction: “It’s nice when people give you compliments, but it’s not always easy to take compliments. I have really awesome friends who are 10 times cooler than me doing really [amazing] things they don’t get attention for.”

Cody said maternally: “You should learn to take compliments, girlie, because you’re gonna be getting some.” Page pressed on: “I just run around for 30 days talking. Thanks, but what am I?”

Cody interrupted: “I’m sorry about this bloody rag. It’s out of control.” Cody was referencing her ever-bleeding finger in our interview.

“Juno” star Ellen Page as Kitty Pride in “X-Men: The Last Stand”.
Photo credit: EllenPage.net
Back to Page’s retiring persona, she said: “Insults are fine. I don’t care what people think of me. Criticism [usually] feels honest.” Returning to maternal mode, Cody became protective when asked for criticism on Page’s performance of her adolescent, pregnant character.

“I would criticize nothing about her,” Cody retorted. “Ellen’s one of my heroes. She’s one of my favorite actors.”

Speaking of her motherly instincts, we shifted gears and discussed that vital topic in her personal and work life. Cody is a stepmom.

“That’s very important to me,” she said. “I honestly don’t think there’s any character more vilified in folklore or film than the stepmother. The reason I have a problem with it is not just because I am one but because a very, very large percentage of American children have one.”

As for the disapproving perception often associated with a stepmom in society today, Cody said: “I don’t see how that’s sending an uplifting or healthy message to anybody to tell them they have a villain in their family or to tell them they’re abnormal or tainted.

“If I could create a positive portrayal of a relationship between a stepmother and a stepdaughter – particularly at this fraught adolescent time [in the film] – maybe that will impact somebody. I always say evil stepmothers aren’t born. They’re made. There are bitchy stepmoms out there just like there are bitchy moms.”

She continued: “As a stepmother, you feel like ‘if society’s going to treat me like a villain, I’m going to fucking act like one’. And then the cycle continues. So let’s break the cycle!”

Speaking of breaking cycles, the timing of our interview was smack dab in the middle of the current writer’s strike by the Writers Guild of America (WGA).

Diablo Cody on strike on Nov. 7, 2007 in Los Angeles.
Photo source: Diablo Cody’s “The Pussy Ranch” blog
Cody is a card-carrying member of the WGA. She supports its national exclamation aimed at awarding the same residuals to writers for online sales as others already receiving such benefits. Cody’s support of the strike, though, isn’t at all for benefits she wants personally.

“I’m very pampered as a writer. I get recognition. I’m well paid,” Cody said. “The strike benefits all of us. I’m not really supposed to be talking about it, but the new-media issue and residuals issue affect everybody. I do feel like a lot of writers get the short end of the stick in general, but not me.

“I wish every writer can have the treatment I’ve had so far in my career. I have no complaints [personally], but I have complaints on behalf of my peers.”

Beyond “Jennifer’s Body,” Cody is also in bed with Toni Collette (“The Sixth Sense”), Steven Spielberg and Showtime. She says Spielberg conceived the concept of a mom with multiple personalities and Cody pitched a story to him based on that plotline. Showtime bit and Cody says she’s looking forward to meeting with Collette.

“Slutty,” Page offered. Confused, this critic said: “Collette’s slutty?” Page purified: “No!” Cody’s media training stepped in: “That’s why you can’t just randomly say that in interviews. That’s just her all-purpose adjective. It just means ‘cool’.”

Cody has also penned a female “Superbad” screenplay she coins “Girlie Style”. As it’s a college sex comedy with female protagonists, by now the pattern has clearly emerged about her topical fixations on sex and women.

“Juno” screenwriter Diablo Cody.
Photo credit: Scott Walker
“I’m a feminist,” Cody declared. “I wish I didn’t have to be. Initially I was insulted when people would ask me about writing great roles for women. I just wanted to write great roles. I felt like I was [bowing] to the patriarchy if I just wrote ‘women’s pictures’. But now being slightly more seasoned – lightly salted…”

In reaction to being “lightly salted,” Page popped back in with a titter: “Nice. A touch of thyme! A pinch of dill!”

Cody again sported her grave hat: “I do feel like I have a responsibility to write strong roles for women because I’m seeing so many amazing actresses – or as I like to call them ‘actors’ – who are being squandered. I don’t like the term ‘actress’.”

Page concurred: “When people ask me what I’m doing and I say I’m an ‘actor,’ the old bald white man will say: ‘Oh ho ho ho. Don’t you mean actress?’”

Cody pursued: “The term ‘actress’ sounds like it’s from the silent film era. Like: ‘Actress Clara Beau!’ It’s cheesy. I say actor. In interviews like this, I find myself having to default to ‘actress’ because when I say ‘there are no good roles for actors,’ it gets misconstrued that I’m talking about men.”

Beyond talking about men, what about writing about them? Though time will be the ultimate judge, Cody asserted: “I’ll write about boys. I’m certainly not averse to it. I myself am kind of a dude, so the fact that I’m able to tap into any woman’s psyche is shocking.”

Ellen Page.
Photo credit: George Pimentel, WireImage
To conclude our interview, we returned to where it all began for Cody – blogging – and the burdens and blessings inherent in it.

“You can’t just drop your blog because something [bad happens with it],” Cody stated. “Do you have any idea what kind of shit I’ve been through in cyberspace?”

She added: “How do I deal with that? I make a lot of money and laugh. Sorry. That’s a douche bag answer. I’ve been through a lot with it, but I don’t care because it’s four people in Minnesota who are bitter and ugly. They can eat a dick. They can collectively eat a dick.”

Page related: “It’s the same with what I do. I don’t even write anything personal about myself. I just act. Hardly many people even know who I am yet, but a few do. I just get automatically judged. People are just judgmental in general.”

“The Internet gives everybody a voice. I think that’s gross. Only the most articulate members of society should be allowed to voice their opinion,” Cody said sarcastically. But she concluded seriously: “There are a lot of illiterate trolls on the Internet who can just eat a dick.”

Part one of this interview can be found here.
By Adam Fendelman
Publisher
HollywoodChicago.com

Teaser Trailers Coming For ‘The Dark Knight,’ New ‘Indiana Jones,’ New ‘Star Trek’

HollywoodChicago.com — Sun, 02 Dec 2007 18:12:59 -0700

ComingSoon.net on Sunday published new details about when we should expect teaser trailers from “The Dark Knight,” “Indiana Jones and the Kingdom of the Crystal Skull” and the new “Star Trek” film.

ComingSoon.net has learned new details about the upcoming teaser trailers for three of [2008’s] highly anticipated movies.

Keep in mind … the online debuts for these trailers will probably be earlier in the week of release for the movie it is attached to and … the trailer may not be shown with every print of the film.

First up, the first trailer for Steven Spielberg’s “Indiana Jones and the Kingdom of the Crystal Skull” is now planned for a debut in [Feb. 2008].

Harrison Ford (left) and Shia LaBeouf in “Indiana Jones
and the Kingdom of the Crystal Skull”.
Photo credit: IMDb
While we don’t know for sure with which movie it will show, Paramount’s biggest film that month is “The Spiderwick Chronicles”. Keep your eye on that one.

Of course, it’s possible Paramount will decide to debut footage earlier during the Super Bowl, but we’re not sure.

In just two weeks on Dec. 14, Warner Bros. will release the teaser trailer for … “The Dark Knight” in standard theaters with “I Am Legend”.

Christian Bale as Batman in “The Dark Knight”.
Photo credit: IMDb
As was previously announced, the studio will be showing the seven-minute opening scene of “The Dark Knight” before the screenings of “I Am Legend” in IMAX.

“Star Trek” fans won’t have to wait long for the first teaser for the J.J. Abrams-directed film.

Paramount is planning a debut with the Abrams-produced monster movie “Cloverfield,” [which is opening] on Jan. 18, 2008.

I am screening “I Am Legend” in IMAX two days earler – on Dec. 12 – so stay tuned for information on “The Dark Knight” teaser trailer.