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 <title>There Will Be Blood</title>
 <link>http://www.hollywoodchicago.com/news/there-will-be-blood</link>
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 <title>80th Academy Awards Headlined By ‘No Country For Old Men,’ ‘There Will Be Blood,’ ‘The Bourne Ultimatum’</title>
 <link>http://www.hollywoodchicago.com/news/1391/80th-academy-awards-headlined-by-no-country-for-old-men-juno-the-bourne-ultimatum-there-wi</link>
 <description>&lt;p&gt;&lt;span class=&quot;caps&quot;&gt;CHICAGO&lt;/span&gt; – “No Country For Old Men,” “Juno,” “Once,” “Atonement,” “The Bourne Ultimatum,” “There Will Be Blood,” “Ratatouille,” “The Golden Compass,” “Elizabeth: The Golden Age,” “La Vie en Rose,” “Michael Clayton” and more headlined the 80th Academy Awards on Feb. 24, 2008.&lt;/p&gt;
&lt;p&gt;In total, “No Country For Old Men” led the pack with four Oscars followed by a surprising three for “The Bourne Ultimatum” and two for “There Will Be Blood”.&lt;!--break--&gt; A complete list of all 2008 Oscar winners at the 80th Academy Awards is found below. All image credits go to Oscar.com.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Picture:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Scott Rudin, Ethan Coen and Joel Coen for &lt;b&gt;“No Country For Old Men”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_directingL.jpg&quot; alt=&quot;Scott Rudin, Ethan Coen and Joel Coen for No Country For Old Men&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Director:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Joel Coen and Ethan Coen for &lt;b&gt;“No Country For Old Men”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_directingL.jpg&quot; alt=&quot;Joel Coen and Ethan Coen for No Country For Old Men&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Original Screenplay:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Diablo Cody for &lt;b&gt;“Juno”&lt;/b&gt;&lt;br /&gt;
The HollywoodChicago.com interview with “Juno” writer Diablo Cody &lt;a href=&quot;http://www.hollywoodchicago.com/2007/11/interview-why-hollywoods-enraptured.html&quot; target=&quot;blank&quot;&gt;&lt;b&gt;can be found here&lt;/b&gt;&lt;/a&gt;.&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_originalscreenplayL.jpg&quot; alt=&quot;Diablo Cody for Juno&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10332&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Adapted Screenplay:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Joel Coen and Ethan Coen for &lt;b&gt;“No Country For Old Men”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_adaptedscreenplayL.jpg&quot; alt=&quot;Joel Coen and Ethan Coen for No Country For Old Men&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10270&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Actor:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Daniel Day-Lewis for &lt;b&gt;“There Will Be Blood”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_actorleadingroleL.jpg&quot; alt=&quot;Daniel Day-Lewis for There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10337&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Actress:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Marion Cotillard for &lt;b&gt;“La Vie en Rose”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_actressleadingroleL.jpg&quot; alt=&quot;Marion Cotillard for La Vie en Rose&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10292&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Supporting Actor:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Javier Bardem for &lt;b&gt;“No Country For Old Men”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_supportingactorL.jpg&quot; alt=&quot;Javier Bardem for No Country For Old Men&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10271&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Supporting Actress:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Tilda Swinton for &lt;b&gt;“Michael Clayton”&lt;/b&gt;&lt;br /&gt;
The HollywoodChicago.com interview with “Michael Clayton” director Tony Gilroy &lt;a href=&quot;http://www.hollywoodchicago.com/2007/11/audio-33-minute-interview-with-michael.html&quot; target=&quot;blank&quot;&gt;&lt;b&gt;can be found here&lt;/b&gt;&lt;/a&gt;.&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_supportingactressL.jpg&quot; alt=&quot;Tilda Swinton for Michael Clayton&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10255&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Art Direction:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Dante Ferretti (art direction) and Francesca Lo Schiavo (set decoration) for &lt;b&gt;“Sweeney Todd: The Demon Barber of Fleet Street”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_artdirectionL.jpg&quot; alt=&quot;Dante Ferretti and Francesca Lo Schiavo for Sweeney Todd: The Demon Barber of Fleet Street&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10252&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Cinematography:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Robert Elswit for &lt;b&gt;“There Will Be Blood”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_cinematographyL.jpg&quot; alt=&quot;Robert Elswit for There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10307&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Film Editing:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Christopher Rouse for &lt;b&gt;“The Bourne Ultimatum”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_filmeditingL.jpg&quot; alt=&quot;Christopher Rouse for The Bourne Ultimatum&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10295&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Original Song:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
“Falling Slowly” from &lt;b&gt;“Once”&lt;/b&gt; (music and lyrics by Glen Hansard and Marketa Irglova)&lt;br /&gt;
The HollywoodChicago.com interview with “Once” director John Carney and stars Glen Hansard and Marketa Irglova &lt;a href=&quot;http://www.hollywoodchicago.com/2007/05/for-once-carney-casts-musicians-not.html&quot; target=&quot;blank&quot;&gt;&lt;b&gt;can be found here&lt;/b&gt;&lt;/a&gt;.&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_originalsongL.jpg&quot; alt=&quot;Falling Slowly from Once, music and lyrics by Glen Hansard and Marketa Irglova&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Original Score:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Dario Marianelli for &lt;b&gt;“Atonement”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_originalscoreL.jpg&quot; alt=&quot;Dario Marianelli for Atonement&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10313&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Sound Mixing:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Scott Millan, David Parker and Kirk Francis for &lt;b&gt;“The Bourne Ultimatum”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_soundmixingL.jpg&quot; alt=&quot;Scott Millan, David Parker and Kirk Francis for The Bourne Ultimatum&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10293&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Sound Editing:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Karen Baker Landers and Per Hallberg for &lt;b&gt;“The Bourne Ultimatum”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_soundeditingL.jpg&quot; alt=&quot;Karen Baker Landers and Per Hallberg for The Bourne Ultimatum&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10275&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Visual Effects:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood for &lt;b&gt;“The Golden Compass”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_visualeffectsL.jpg&quot; alt=&quot;Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood for The Golden Compass&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10247&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Costume Design:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Alexandra Byrne for &lt;b&gt;“Elizabeth: The Golden Age”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_costumedesignL.jpg&quot; alt=&quot;Alexandra Byrne for Elizabeth: The Golden Age&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Makeup:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Didier Lavergne and Jan Archibald for &lt;b&gt;“La Vie en Rose”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_makeupL.jpg&quot; alt=&quot;Didier Lavergne and Jan Archibald for La Vie en Rose&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10246&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Animated Feature:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Brad Bird for &lt;b&gt;“Ratatouille”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_animatedfeatureL.jpg&quot; alt=&quot;Brad Bird for Ratatouille&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10237&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Animated Short Film:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Suzie Templeton and Hugh Welchman for &lt;b&gt;“Peter &lt;span class=&quot;amp&quot;&gt;&amp;amp;&lt;/span&gt; the Wolf”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_animatedshortL.jpg&quot; alt=&quot;Suzie Templeton and Hugh Welchman for Peter and the Wolf&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10256&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Documentary Feature:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Alex Gibney and Eva Orner for &lt;b&gt;“Taxi to the Dark Side”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_documentaryfeatureL.jpg&quot; alt=&quot;Alex Gibney and Eva Orner for Taxi to the Dark Side&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Documentary Short Subject:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Cynthia Wade and Vanessa Roth for &lt;b&gt;“Freeheld”&lt;/b&gt;&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_documentaryshortsubjectL.jpg&quot; alt=&quot;Cynthia Wade and Vanessa Roth for Freeheld&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10314&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Live-Action Short Film:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Philippe Pollet-Villard for &lt;b&gt;“Le Mozart des Pickpockets”&lt;/b&gt; (“The Mozart of Pickpockets”)&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_liveactionshortL.jpg&quot; alt=&quot;Philippe Pollet-Villard for The Mozart of Pickpockets&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10254&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;FONT style=&#039;font-size:15px&#039;&gt;&lt;i&gt;Best Foreign Language Film:&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;
Stefan Ruzowitzky for &lt;b&gt;“The Counterfeiters”&lt;/b&gt; (Austria)&lt;br /&gt;
&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/winners/win_foreignlanguagefilmL.jpg&quot; alt=&quot;Stefan Ruzowitzky for The Counterfeiters&quot;&gt;&lt;br /&gt;
&lt;a href=&quot;http://oscar.com/video/index?channel=6856&amp;amp;clip=10299&quot; target=&quot;blank&quot;&gt;&lt;img src=&quot;http://a.oscar.abc.com/media/2008/images/oscarnight/thankyoucam.gif&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;/center&gt;&lt;/p&gt;
&lt;p&gt;Host Jon Stewart marked one of this year’s surprise moments when he offered for “Once” co-star Marketa Irglova – initially cut off by music – to return to the stage and deliver her acceptance speech. That speech has made its way to YouTube and can be seen below.&lt;/p&gt;
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 <pubDate>Mon, 25 Feb 2008 12:50:43 -0700</pubDate>
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 <title>Screenplay Surfaces Online For Oscar-Worthy ‘There Will Be Blood’ With Daniel Day-Lewis</title>
 <link>http://www.hollywoodchicago.com/2007/12/screenplay-surfaces-online-for-oscar.html</link>
 <description>&lt;p&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/chevrons.png&quot; border=&quot;0&quot; /&gt; “There Will Be Blood” is among the best films of 2007. Period. An Oscar-worthy performance by Daniel Day-Lewis helps to make this picture Oscar worthy in its own right.&lt;!--break--&gt;&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood2.jpg&quot; alt=&quot;Daniel Day-Lewis in There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-size:80%;&quot;&gt;Daniel Day-Lewis in “There Will Be Blood”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
A haunting supporting performance by Paul Dano (“Little Miss Sunshine,” “The Girl Next Door”) isn’t one you’ll soon forget, too.&lt;/p&gt;
&lt;p&gt;Aside from his 2005 work in “The Ballad of Jack and Rose,” we last saw Day-Lewis in film all the way back in 2002 for his gritty “Gangs of New York” performance.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood1.jpg&quot; alt=&quot;There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-size:80%;&quot;&gt;“There Will Be Blood”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
“There Will Be Blood” is as worthy as any for him to bring the familiar character out of hibernation.&lt;/p&gt;
&lt;p&gt;While you’d be remiss not to see this in theaters, you can read now why director Paul Thomas Anderson (who adapted the film’s screenplay from the Upton Sinclair novel “Oil!”) deserves your attention.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood3.jpg&quot; alt=&quot;Paul Dano in There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-size:80%;&quot;&gt;Paul Dano in “There Will Be Blood”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
Anderson also directed “Punch-Drunk Love” and “Magnolia”. The full screenplay is below. &lt;i&gt;Warning: This is a thorough spoiler alert.&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;strong&gt;&lt;span style=&quot;font-size:130%;&quot;&gt;&lt;a href=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood_script.pdf&quot;&gt;Click for the full “There Will Be Blood” screenplay.&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/center&gt;&lt;br /&gt;
I downloaded this screenplay from &lt;A HREF=&quot;http://www.vantageguilds.com/twbb/FinalScript_TWBB.pdf&quot; TARGET=&quot;BLANK&quot;&gt;this Paramount Vantage link&lt;/A&gt;.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood4.jpg&quot; alt=&quot;Daniel Day-Lewis (left middle) in There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-size:80%;&quot;&gt;Daniel Day-Lewis (left middle) in “There Will Be Blood”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
Though the film only opened in limited New York City and Los Angeles theaters on Dec. 26, it will expand in Jan. 2008. Before that, 14 cities are being treated to a midnight sneak screening on Dec. 29.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood6.jpg&quot; alt=&quot;Daniel Day-Lewis (left) and Dillon Freasier on Dec. 10, 2007 for There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-size:80%;&quot;&gt;Daniel Day-Lewis (left) and Dillon Freasier&lt;br&gt;on Dec. 10, 2007 for “There Will Be Blood”.&lt;br&gt;&lt;i&gt;Photo credit: WireImage.com&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
These include Austin, Boston, Chicago, Dallas, Denver, Miami, Minneapolis, Philadelphia, Portland, Sacramento, San Diego, Seattle, Toronto and Washington, &lt;span class=&quot;caps&quot;&gt;D.C.&lt;/span&gt; See our &lt;A HREF=&quot;http://www.hollywoodchicago.com/2007/12/there-will-be-blood-to-sneak-into-14.html&quot; TARGET=&quot;BLANK&quot;&gt;&lt;B&gt;Dec. 23 post&lt;/B&gt;&lt;/A&gt; for more.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/therewillbeblood5.jpg&quot; alt=&quot;Daniel Day-Lewis (left) and director Paul Thomas Anderson in There Will Be Blood&quot;&gt;&lt;br /&gt;
&lt;span style=&quot;font-size:80%;&quot;&gt;Daniel Day-Lewis (left) and director Paul Thomas Anderson&lt;br&gt;in “There Will Be Blood”.&lt;br&gt;&lt;i&gt;Photo credit: IMDb&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
Other Paramount Vantage scripts are also online for “&lt;A HREF=&quot;http://www.vantageguilds.com/tkr/FinalScript_TKR.pdf&quot; TARGET=&quot;BLANK&quot;&gt;The Kite Runner&lt;/A&gt;,” “&lt;A HREF=&quot;http://www.vantageguilds.com/amh/FinalScript_AMH.pdf&quot; TARGET=&quot;BLANK&quot;&gt;A Mighty Heart&lt;/A&gt;,” “&lt;A HREF=&quot;http://www.vantageguilds.com/matw/FinalScript_MATW.pdf&quot; TARGET=&quot;BLANK&quot;&gt;Margot at the Wedding&lt;/A&gt;” and “&lt;A HREF=&quot;http://www.vantageguilds.com/itw/FinalScript_ITW.pdf&quot; TARGET=&quot;BLANK&quot;&gt;Into the Wild&lt;/A&gt;”.&lt;/p&gt;
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 <pubDate>Thu, 27 Dec 2007 11:31:11 -0700</pubDate>
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 <title>‘There Will Be Blood’ to Sneak Into 14 Cities on Dec. 29 at Midnight</title>
 <link>http://www.hollywoodchicago.com/2007/12/there-will-be-blood-to-sneak-into-14.html</link>
 <description>&lt;p&gt;&lt;img src=&quot;http://www.hollywoodchicago.com/uploaded_images/chevrons.png&quot; border=&quot;0&quot; /&gt; Paul Thomas Anderson’s “There Will Be Blood” is hand’s down one of the best films of 2007. The film stars an Oscar-worthy performance by a “Gangs of New York”-reminiscent Daniel Day-Lewis.&lt;/p&gt;
&lt;p&gt;Unfortunately, the film will only open in limited New York City and Los Angeles theaters on Dec. 26 and will expand in Jan. 2008. Fortunately, 14 cities are being treated to a &lt;A HREF=&quot;http://www.slashfilm.com/2007/12/22/there-will-be-sneak-preview-screenings/&quot; TARGET=&quot;BLANK&quot;&gt;midnight sneak screening&lt;/A&gt; on Dec. 29.&lt;/p&gt;
&lt;p&gt;The lucky ones are Austin, Boston (&lt;A HREF=&quot;http://www.fandango.com/therewillbeblood_102908/movietimes?location=boston%2c+ma&amp;amp;date=12/29/2007&quot; TARGET=&quot;BLANK&quot;&gt;&lt;span class=&quot;caps&quot;&gt;AMC&lt;/span&gt; Loews Boston Common 19&lt;/A&gt;), Chicago (&lt;A HREF=&quot;http://www.fandango.com/therewillbeblood_102908/movietimes?location=Chicago,%20il&amp;amp;date=12%2f29%2f2007&quot; TARGET=&quot;BLANK&quot;&gt;&lt;span class=&quot;caps&quot;&gt;AMC&lt;/span&gt; River East 21&lt;/A&gt;), Dallas, Denver, Miami, Minneapolis (Lagoon Cinema), Philadelphia, Portland, Sacramento, San Diego, Seattle, Toronto and Washington, &lt;span class=&quot;caps&quot;&gt;D.C.&lt;br /&gt;
&lt;/span&gt;Tickets are already on sale for some of these cities. The director cut the following special video to announce the screenings, which I’ve uploaded to YouTube.&lt;/p&gt;
&lt;p&gt;&lt;center&gt;&lt;object width=&quot;425&quot; height=&quot;355&quot;&gt;&lt;br /&gt;
&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/fRAWXi2uTf4&amp;amp;rel=1&quot;&gt;&lt;/param&gt;
&lt;param name=&quot;wmode&quot; value=&quot;transparent&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/fRAWXi2uTf4&amp;amp;rel=1&quot; type=&quot;application/x-shockwave-flash&quot; wmode=&quot;transparent&quot; width=&quot;425&quot; height=&quot;355&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;&lt;/p&gt;
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 <pubDate>Sun, 23 Dec 2007 09:53:39 -0700</pubDate>
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