The Wrestler

Blu-Ray Review: Fantastic, Beloved ‘The Wrestler’ With Mickey Rourke

BrianTT — Fri, 24 Apr 2009 12:06:11 -0600

Blu-Ray Rating: 4.0/5.0

CHICAGO – Mickey Rourke’s multi-award-winning performance in “The Wrestler” anchors one of the best films of 2008, now released on Blu-Ray and DVD. If you haven’t seen the film yet, you truly must do so as soon as possible, and if you love the movie like so many people do, you’ll be satisfied, if not overly impressed, by a decent HD release.

His speech would have been legendary, but Rourke not winning the Oscar for “The Wrestler” may have been the best thing that could have happened to the film. It keeps the actor, the movie, and the character as the beloved underdog everyone wants them to be. No one roots for the winner. The idea that the Academy got it wrong, not only in their choice of Sean Penn over Rourke for Best Actor but in ignoring the film in other major categories like Director and Picture will only add to the allure of the film over the years. It’s going to be a prime example of where the Academy went wrong in a lot of fan’s eyes. Randy “The Ram” got screwed again.

The Wrestler was released on Blu-Ray on April 21st, 2009.
Photo credit: Fox

If you’re unfamiliar, Rourke plays Randy “The Ram” Robinson, a former superstar wrestler who is now barely making ends meet in every arena of his life. He can’t pay rent on his lonely trailer. His health is deteriorating rapidly from nights spent in the ring. And as he sees his final rounds of life approaching he reaches out to a kind-hearted stripper (Marisa Tomei) in a similar life situation (she too has made a living using her body) and to his estranged daughter (Evan Rachel Wood).

The one thing about the response to “The Wrestler” that aggravated me a bit during awards season was the impression by some that this was a one-man show or even a three-actor showcase. That’s far from the truth. Darren Aronofsky’s expert direction, Clint Mansell’s touching score, Robert Siegel’s brilliantly non-melodramatic screenplay, even Bruce Springsteen’s fantastic theme song - “The Wrestler” features arguably the best performance of 2008 but it’s also a lot more than just that. It’s a great movie all around.

The Wrestler was released on Blu-Ray on April 21st, 2009.
Photo credit: Fox

I’ve seen “The Wrestler” four times now and it’s been just as rich and accomplished every time. Films that hold up that well are the kind of films you want to own. So, I would never try to dissuade someone from buying the Blu-Ray of “The Wrestler,” just because the movie itself is so fantastic, but I do feel like the home release could have been a bit better and suspect a special edition may be coming down the road.

The video and audio on “The Wrestler” are good-not-great. Sometimes Fox transfers can look a little flatter than they should and there are moments of that in “The Wrestler”. Similarly, the audio in 5.1 DTS-HD won’t distract anyone in either direction. It gets the job done, not detracting from the movie, but also not really enhancing it as it could.

I’m struck a little bit by the paucity of the special features on “The Wrestler”. I have a feeling that in ten years, hardcore fans of this movie are going to be quoting it verbatim. It is one of the most widely adored films of the last few years and a movie I get asked about nearly as much as any other from 2008. With that kind of rabid fan base, couldn’t Fox do better than two featurettes and a music video?

The Wrestler was released on Blu-Ray on April 21st, 2009.
Photo credit: Fox

Where’s the commentary track? The deleted scenes? How about some of the publicity from awards season? I’d have gone up an entire ratings point if they had just included Mickey’s amazing Independent Spirit Awards speech. Aronofsky thought outside the box when he made this raw drama, but the Blu-Ray feels like nearly the minimum the studio could have done in return.

To be fair, what is include is interesting. “Within the Ring” is a 43-minute behind-the-scenes documentary shot during production. It’s advertised on the case as “A No-Holds-Barred One-on-One with Wrestlers and Filmmakers”. Not quite. I was hoping for more insight into the production from actual wrestlers, the advisors on-set that made it feel so genuine. It’s pretty standard b-t-s material, interesting because the movie is so good, but not really a must-see.

Better is the “Wrestler Round Table,” a discussion with actual wrestlers that runs 25 minutes. Brutus “The Barber” Beefcake, Lex Luger, “Diamond” Dallas Page, “Rowdy” Roddy Piper, Greg “The Hammer” Valentine,” and moderator Damon Andrews provide a loud, spirited, lively conversation about wrestling that should be riveting for fans of the sport and gives a little insight into the truth behind the fiction of Randy “The Ram” Robinson.

The final extra is the music video for Bruce Springsteen’s excellent theme song to the film.

“The Wrestler” will stand the test of time. In fact, I expect its cult to grow significantly with each passing year. Darren Aronosfky proved with his drama that greater risks can often produce greater rewards. The Ram may have deserved a better Blu-Ray treatment (and I expect he’ll get it down the road), but you can’t complain about the film itself.

‘The Wrestler’ is released by Twentieth Century Fox and stars Mickey Rourke, Marisa Tomei, and Evan Rachel Wood. It was written by Robert Siegel and directed by Darren Aronofsky. It was released on April 21st, 2009. It is rated R.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Mickey Rourke, Melissa Leo Win 2009 Film Independent Spirit Awards

BrianTT — Sat, 21 Feb 2009 18:31:45 -0700

CHICAGO – “The Wrestler” was the big winner at the Film Independent Spirit Awards in Los Angeles, as Darren Aronofsky’s film took home the prize for Best Picture and Mickey Rourke won for Best Actor. Other big winners included Melissa Leo for Best Actress for “Frozen River,” James Franco for Best Supporting Actor for “Milk,” and Penelope Cruz for “Vicky Cristina Barcelona”.

Mickey Rourke in The Wrestler
Photo credit: Fox Searchlight

Mickey Rourke gave the most entertaining speech of the day, taking time to note that friend Eric Roberts should get the same kind of career comeback that he has had with “The Wrestler” and becoming emotional when speaking about his recently deceased close friend, his dog Loki. Like a lot of people, he was clealry having a blast

Rourke gave one of the most heartfelt, fun, and generally entertaining speeches in years, a part of a ceremony that always feels more laid-back and enjoyable than nearly any other awards show. How many other awards shows feature f-bombs and giant bottles of Jameson on the table?

The Steve Coogan-hosted event included unusual musical numbers (sung by people like Christina Applegate, Teri Hatcher, and Rainn Wilson) for the five films nominated for Best Feature (“Ballast,” “Frozen River,” “Rachel Getting Married,” “Wendy and Lucy,” and “The Wrestler”)

“The Wrestler” may have been the big winner but the Independent Spirit Awards, hosted by Steve Coogan and broadcast live on IFC, really spread the wealth around with each acting award and the director award going to five different films.

Other major winners includes Thomas McCarthy for Best Director for “The Visitor,” Woody Allen for Best Screenplay for “Vicky Cristina Barcelona,” “The Class” for Foreign Film, Maryse Alberti for Best Cinematography for “The Wrestler,” and “Man on Wire” for Best Documentary.

Charlie Kaufman won Best First Feature for “Synecdoche, New York” and Dustin Lance Black won Best First Screenplay for “Milk”.

The Acura Someone to Watch Award went to Lynn Shelton for “My Effortless Brilliance”. The Plaget Producers Award went to Heather Rae for “Frozen River”. Margaret Brown won the Lacoste Truer Than Fiction Award for “The Order of Myths”. The team behind “Synecdoche, New York” was given a special prize, the Robert Altman Award, given to the film’s director, casting director and its ensemble cast.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

From ‘Slumdog Millionaire’ to ‘Milk’: HollywoodChicago.com Picks the 2009 Oscar Winners

BrianTT — Thu, 19 Feb 2009 21:28:15 -0700

CHICAGO – Content director Brian Tallerico and staff writers Dustin Levell and Patrick McDonald have merged their movie-loving minds and come up with the ultimate Oscar preview. Win your office pool, impress your friends and propose a toast to the nominees that should have been when the 81st-annual Academy Awards are broadcast on Feb. 22, 2009 at 7 p.m. CST.

BEST PICTURE

Slumdog Millionaire
Photo credit: Fox Searchlight

“The Curious Case of Benjamin Button”
-Paramount; 13 nominations; $123 million gross

“Frost/Nixon”
-Universal; 5 nominations; $17 million gross

“Milk”
-Focus; 8 nominations; $27 million gross; winner of New York Critics Award

“The Reader”
-The Weinstein Company; 5 nominations; $21 million gross

“Slumdog Millionaire”
-Fox Searchlight; 10 nominations; $89 million gross; winner of BAFTA, Boston Critics, National Board of Review, Producers Guild Award, SAG Ensemble Award, and Golden Globe

Nearly everyone on Earth is predicting a locked-in win for Danny Boyle’s “Slumdog Millionaire” and HollywoodChicago.com is no different. It would be an absolute, jaw-dropping shock to hear “Frost/Nixon” or “The Reader” announced on Oscar night and “Milk” doesn’t have the support needed to get the big win. That leaves the nomination leader - “Button” - and the little movie that could. It’s a Slumdog World, and we only live here.

Dustin thinks the Academy will get it right this year and award the film that deserves the big prize but Patrick and Brian wouldn’t mind seeing a win for “Milk”.

As for the already-notorious snubs of “Wall-E” and “The Dark Knight,” Dustin says, “Twenty years from now, though people will be still be talking about Dark Knight and WALL-E as the great cinematic achievements of 2008 and how they raised the bar for their respective genres.” With no explanation, Patrick throws an interesting film into the ring for what should have been nominated - Neil LaBute’s “Lakeview Terrace”. We love Mr. McDonald and the limb he’s out on with that one.

BEST ACTOR

Mickey Rourke in The Wrestler
Photo credit: Fox Searchlight

Richard Jenkins, “The Visitor”
-1st nomination

Frank Langella, “Frost/Nixon”
-1st nomination

Brad Pitt, “The Curious Case of Benjamin Button”
-2nd nomination (no wins)

Sean Penn, “Milk”
-5th nomination (one win); won Boston (tie) and LA Critics Awards and Screen Actors Guild Award

Mickey Rourke, “The Wrestler”
-1st nomination; won BAFTA, Boston (tie) and Chicago Critics Awards and Golden Globe

This may be one of the tightest races in the history of Best Actor. Eliminating the possibility of a shocking split vote letting a third candidate sneak in, it’s going to be one of two ’80s icons - Sean Penn as Harvey Milk or Mickey Rourke as Randy ‘The Ram’ Robinson. Langella, Pitt and Jenkins just got picked in the wrong year.

The SAG win for Penn and universal acclaim seems to give him the edge but Rourke has been nearly as lauded during precursor season and won the Golden Globe. It doesn’t hurt Mickey that Sean has won before. It’s a lot harder to get a second prize. But that doesn’t stop Brian from saying Sean’s going to be one of the few and that he deserves it. Dustin and Patrick are going with Mickey and all three think their choice to win is also the one that should.

There may be solid agreement that either Mickey Rourke or Sean Penn will and should win but there’s no consensus pick on the HollywoodChicago.com staff as to who should have been nominated.

Dustin points to the most financially successful film in Clint Eastwood’s history, “Gran Torino,” and what could be the legendary star’s final performance and finds it surprising that the Academy didn’t throw the old man a bone on his last go round as an actor.

Patrick goes back further in the year and picks the underrated Sam Rockwell and his excellent work in David Gordon Green’s “Snow Angels”.

Finally, Brian thinks no one worked as hard or embodied a character quite as completely as Benicio Del Toro in “Che”. Sadly, all three men have as much of a chance of winning an Oscar on Sunday night as you do.

Interviews With 2009 Oscar Nominees: Melissa Leo, Richard Jenkins, Taraji P. Henson

BrianTT — Fri, 23 Jan 2009 08:14:27 -0700

CHICAGO – In 2008, HollywoodChicago.com was lucky enough to speak to several of of this year’s lucky Oscar nominees, including Melissa Leo of “Frozen River,” Richard Jenkins of “The Visitor,” Taraji P. Henson of “The Curious Case of Benjamin Button,” and Darren Aronofsky of “The Wrestler,” who may have missed out Best Director but saw his two stars, Marisa Tomei and Mickey Rourke, land major nominations.

We thought we would recap and link to some of the best interviews from our team in 2008 by a few of the people that the Academy deemed worth of Oscar nominations for their work in 2008.

“If you’re an actor, you are enough. You have to believe that - that you are enough.” - Patrick McDonald speaks to Richard Jenkins about “The Visitor” (Nominee for Best Actor)

“We are here to grow into our best selves. That is my religion. Whatever can get you there and whatever the trials, that is what betters us. That is how the story of this film is played out.” - Patrick McDonald speaks to Melissa Leo about “Frozen River” (Nominee for Best Actress)

“Frozen River” star Melissa Leo in Chicago on July 16, 2008.
Photo credit: Patrick McDonald, HollywoodChicago.com

“It was very bold for Eric Roth to choose to make Queenie an African-American woman who was the surrogate mother to Benjamin Button – a white character – which would have been very unusual at the time with what was happening in the country with race.” - Adam Fendelman speaks to Taraji P. Henson about “The Curious Case of Benjamin Button” (Nominee for Best Supporting Actress)

(On Rourke) “Between action and cut, there was no one I’ve ever met who was as natural, and he was in complete control,” Aronofsky said. “He was aware of what was going on and was always fully there as the character.” - Patrick McDonald speaks to Darren Aronofsky about “The Wrestler” (Nominee for Best Actor and Best Supporting Actress)

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Kate Winslet, Heath Ledger, Mickey Rourke, Sally Hawkins, Colin Farrell Big Winners at 2009 Golden Globes

BrianTT — Sun, 11 Jan 2009 21:03:37 -0700

CHICAGO – The 66th Annual Golden Globe Awards were held Sunday night and “Slumdog Millionaire,” “Vicky Cristina Barcelona,” “Mad Men,” “John Adams,” and “30 Rock” were the big winners from the Hollywood Foreign Press Association (HFPA). The HFPA spread the wealth around to a variety of talented actors including Heath Ledger, Sally Hawkins, Anna Paquin, Laura Dern, Laura Linney, Alec Baldwin, Paul Giamatti, Tina Fey, Colin Farrell, Mickey Rourke, and Kate Winslet, twice.

Golden Globe Statuette
Photo credit: Chris Haston

“Slumdog Millionaire” and “Vicky Cristina Barcelona” won the two Best Picture awards, with the former taking away the most Golden Globes overall with four. The Hollywood Foreign Press Association chose “Mad Men” and “30 Rock” as the best television series on the air, giving the latter the most regular series awards with three. HBO’s “John Adams” tied “Slumdog Millionaire” for the most awards with four. Only “Adams,” “Slumdog,” “The Wrestler,” and “30 Rock” won more than a single award with the prizes being spread around to different films and shows.

One of the more emotional beats of the night came when director Chris Nolan accepted Best Supporting Actor for Heath Ledger for his amazing work in “The Dark Knight” and incredible speeches were given by Kate Winslet, Sally Hawkins, Tina Fey, Steven Spielberg, Danny Boyle, Colin Farrell, Mickey Rourke, and Tracy Morgan, accepting Best Comedy for “30 Rock”.

HBO destroyed on the TV side of the awards, winning all the major dramatic acting awards, as their “True Blood,” “In Treatment,” “John Adams,” and “Recount” were all given trophies before another network even took home their first prize. When the comedy awards came up, it was a clean sweep for “30 Rock,” winning best actor, actress, and comedy series. The dramatic awards were more spread out with “Mad Men” taking series, but “In Treatment” and “True Blood” winning the acting awards.

Winner Kate Winslet for Best Supporting Actress in “The Reader” on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009
Photo credit: Paul Drinkwater

On the film side, “Slumdog Millionaire,” “Vicky Cristina Barcelona,” “Revolutionary Road,” “The Dark Knight,” “The Reader,” “Happy-Go-Lucky,” “In Bruges,” and “The Wrestler” were all recipients of major awards, adding fuel to their various Oscar campaigns.

The night opened with Jennifer Lopez presenting the award for Best Supporting Actress in a Motion Picture to Kate Winslet in “The Reader,” who beat Amy Adams and Viola Davis in “Doubt,” Marisa Tomei in “The Wrestler”, and Penelope Cruz in “Vicky Cristina Barcelona”. With a stunning seven nominations in her Golden Globe history, including two this year, Winslet’s win was the first of her amazing career (but not the last of the night). She gave a humble speech and looked absolutely amazing. Winslet is clearly the frontrunner for the equivalent Oscar, another award she has never won.

Sting presented the Best Song award to Bruce Springsteen for his excellent contribution to Darren Aronofsky’s “The Wrestler”. He had one of the best lines of the night when he said, “This is the only time I’m gonna be in competition with Clint Eastwood. Felt pretty good, too.”

Simon Baker of “The Mentalist” and Eva Longoria of “Desperate Housewives” kicked off the awards for TV by giving Best Supporting Actor in a Series, Mini-Series, or TV Movie to Tom Wilkinson for playing Ben Franklin in HBO’s “John Adams,” beating Neil Patrick Harris for “How I Met Your Mother,” Denis Leary for “Recount,” Jeremy Piven for “Entourage,” and Blair Underwood for “In Treatment”. It was Wilkinson’s first win.

Winner Tom Wilkinson, Best Supporting Actor in Mini-Series or TV Movie “John Adams” on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009.
Photo credit: Paul Drinkwater

The same presenters gave HBO another prize when they handed Best Supporting Actress in a Series, Mini-Series or TV Movie to Laura Dern for “Recount,” beating Eileen Atkins for “Cranford,” Melissa George for “In Treatment,” Rachel Griffiths for “Brothers & Sisters,” and Dianne Wiest for “In Treatment”. Dern dedicated her award to the people who voted for “change in this country” in the last presidential election.

Hayden Panettiere and Zac Efron gave the TV award for Best Actor in a TV Series - Drama to Gabriel Byrne for his brilliant work on “In Treatment”. Byrne, who could not attend, beat Jon Hamm from “Mad Men,” Hugh Laurie from “House,” Jonathan Rhys Meyers for “The Tudors,” and Michael C. Hall for “Dexter”.

The equivalent actress award went to Anna Paquin in “True Blood”. The first-year series star beat Sally Field in “Brothers & Sisters,” January Jones in “Mad Men,” Kyra Sedgwick in “The Closer,” and Mariska Hargitay in “Law & Order: Special Victims Unit”. If you’re keeping track, all four acting awards for dramatic television went to HBO and for four different series or movies. It was an amazing night for the network that was just getting started.

The Jonas Brothers gave “WALL-E” the award for Best Animated Feature Film, beating “Bolt” and “Kung Fu Panda”. The winner for Best Motion Picture or Mini-Series Made for Television continued the run for HBO and created the first multiple award winner as “John Adams” beat “Raisin in the Sun,” “Bernard and Dorris,” “Cranford,” and “Recount”.

Anna Paquin, Winner of Best Actress: TV Series Drama for “True Blood” on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009.
Photo credit: Paul Drinkwater

Johnny Depp gave Best Actress in a Motion Picture, Musical or Comedy to Sally Hawkins for “Happy-Go-Lucky,” beating out Meryl Streep for “Mamma Mia!,” Emma Thompson for “Last Chance Harvey,” Rebecca Hall for “Vicky Cristina Barcelona,” and Frances McDormand for “Burn After Reading”. The delightful Hawkins was clearly surprised and stunned at her win and gave arguably the most charming speech of the night.

Supporting Actor in a Motion Picture went, as expected, to Heath Ledger in “The Dark Knight,” beating Tom Cruise and Robert Downey Jr. in “Tropic Thunder,” Ralph Fiennes in “The Duchess,” and Philip Seymour Hoffman in “Doubt”. Director Christopher Nolan accepted the award, which was greeted with an almost-immediate standing ovation.

Best Foreign Language Film went to Israel’s “Waltz With Bashir,” beating Germany’s “The Baader Meinhof Complex,” “Everlasting Moments” from Sweden/Denmark, Italy’s “Gomorra,” and France’s “I’ve Loved You So Long”.

Back to the TV award, Maggie Gyllenhaal and Aaron Eckhart gave Best Performance by an Actress in a Mini-series or Motion Picture Made for Television to Laura Linney to “John Adams,” making it three awards for the film. She beat Judi Dench in “Cranford,” Catherine Keener in “An American Crime,” Shirley MacLaine in “Coco Chanel,” and Susan Sarandon in “Bernard and Doris”. Six TV awards into the evening and HBO was the only network that had won a single prize.

Alec Baldwin, winner Best Actor in TV Series Musical or Comedy 30 Rock on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009.
Photo credit: Paul Drinkwater

Elizabeth Banks and Seth Rogen gave the first big award of the night to “Slumdog Millionaire,” giving Simon Beaufoy the award for Best Screenplay, beating “The Curious Case of Benjamin Button,” “Doubt,” “Frost/Nixon,” and “The Reader”.

Bouncing back and forth between film and television, the next award was Best Actor in a Musical or Comedy, which went to Alec Baldwin in “30 Rock”. Baldwin predictably beat Steve Carell from “The Office,” Kevin Connolly from “Entourage,” David Duchovny in “Californication,” and Tony Shalhoub from “Monk”.

Terence Howard and Megan Fox gave the award for Best Actor in a Mini-Series or Movie to, as widely expected by this point, Paul Giamatti in “John Adams,” making it a clean sweep for the mini-series, winning a stunning four awards. Giamatti beat Kiefer Sutherland in “24: Redemption,” Tom Wilkinson and Kevin Spacey in “Recount,” and Ralph Fiennes in “Bernard and Doris”. It was the great Giamatti’s first win at the Golden Globes.

“30 Rock” won the prize for Best TV Comedy again, beating “Californication,” “Entourage,” “The Office,” and “Weeds”.

“Slumdog Millionaire” would take home its second prize of the night when Kate Beckinsale and Sean Combs gave A.R. Rahman the trophy for Best Score. Rahman beat the much more widely known composers, Alexandre Desplat for “The Curious Case of Benjamin Button,” Clint Eastwood for “Changeling,” James Newton Howard for “Defiance,” and Hans Zimmer for “Frost/Nixon”.

Danny Boyle, winner Best Director of Motion Picture Slumdog Millionaire on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009.
Photo credit: Paul Drinkwater

David Duchovny and Kane Krakowski gave Best Actress in a TV Comedy to, predictably, Tina Fey in “30 Rock”. Fey beat Christina Applegate for “Samantha Who?,” America Ferrera for “Ugly Betty,” Debra Messing for “The Starter Wife,” and Mary Louise Parker for “Weeds”. “30 Rock” had swept the comedy awards, winning best actor, actress, and series, all choices hard to argue with although it might have been nice to spread the wealth a bit. Fey gave a great speech, taking jabs at the people who had criticized her online.

Steven Spielberg accepted the Cecil B. DeMille Award for lifetime achievement from Martin Scorsese, an old friend and, as Spielberg said, “inspiration”. As the clip reel of Spielberg’s work made crystal clear, if anyone deserves a lifetime achievement award it is Steven Spielberg.

Dustin Hoffman and Emma Thompson presented best director to Danny Boyle for “Slumdog Millionaire,” beating Stephen Daldry for “The Reader,” David Fincher for “The Curious Case of Benjamin Button,” Ron Howard for “Frost/Nixon,” and Sam Mendes for “Revolutionary Road”.

The most surprising win of the night, by far, came when Sandra Bullock gave Best Actor in a Comedy to Colin Farrell for “In Bruges”. The very gracious and surprised Farrell beat his co-star in the film, Brendan Gleeson, Dustin Hoffman for “Last Chance Harvey,” James Franco for “Pineapple Express,” and Javier Bardem in “Vicky Cristina Barcelona”.

Sacha Baron Cohen cracked about the end of Madonna’s marriage before giving Best Motion Picture, Musical or Comedy to Woody Allen’s “Vicky Cristina Barcelona,” beating “Burn After Reading,” “In Bruges,” “Mamma Mia!,” and “Happy-Go-Lucky”. Sadly, Woody didn’t appear to accept the award himself.

Mickey Rourke, winner Best Actor in a Motion Picture Drama The Wrestler on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009.
Photo credit: Paul Drinkwater

Mark Wahlberg and Cameron Diaz presented Kate Winslet with her second award of the night for “Revolutionary Road,” beating Anne Hathaway for “Rachel Getting Married,” Angelina Jolie for “Changeling,” Kristin Scott Thomas for “I’ve Loved You So Long,” and Meryl Streep for “Doubt”. The clearly stunned Winslet was speechless, repeating “thank you so much” and crying. It took seven nominations for Kate Winslet to win two awards in one night.

After what was clearly now just a technical error in favor of Anne Hathaway earlier this week, most expected her to win, making the Winslet announcement that much more surprising.

Blake Lively and Rainn Wilson presented the award for Best Television Series - Drama to “Mad Men,” beating “Dexter,” “House,” “In Treatment,” and “True Blood”. A predictable but deserving win.

Susan Sarandon appeared to present Best Actor in a Drama, which went to Mickey Rourke for “The Wrestler”. Rourke beat out Sean Penn in “Milk,” Leonardo DiCaprio in “Revolutionary Road,” Frank Langella in “Frost/Nixon,” and Brad Pitt in “The Curious Case of Benjamin Button”. Rourke was humbled and happy to win. He thanked, among others, Axl Rose, Bruce Springsteen, and his dogs. Someone give this man an Oscar.

Not surprisingly, “Slumdog Millionaire” closed the night with a win for Best Drama, presented by Tom Cruise. The excellent film beat “The Curious Case of Benjamin Button,” “Frost/Nixon,” “The Reader,” and “Revolutionary Road”.

See the full list of 2009 Golden Globe winners in list form.
Read about Anne Hathaway’s early, accidental Golden Globe snafu.
Read more Golden Globes articles on HollywoodChicago.com.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Interview: ‘The Wrestler’ Director Darren Aronofsky on Mickey Rourke’s Comeback

PatrickMcD — Tue, 23 Dec 2008 14:53:48 -0700

CHICAGO – In his excellent new film “The Wrestler,” director Darren Aronofsky brings back the heyday and underbelly of the 1980s professional wrestling world in the character of Randy “The Ram” Robinson.

Rating: 4.0/5.0

Portraying The Ram is another 1980s refugee, Mickey Rourke, who seems to showcase his own trials through the aging showman character, parallel to the ups and downs of his film career.

In an interview with HollywoodChicago.com, Aronofsky (“Requiem for a Dream,” “The Fountain” and “Pi”) spoke about the fascinating elements in the film’s subject matter and what he wants the audience to see, the gritty and intuitive performance of Mickey Rourke.

“The Wrestler” director Darren Aronofsky in Chicago on Oct. 17, 2008.
Photo credit: Patrick McDonald, HollywoodChicago.com

“That became a big reason why I wanted to make the film, the forgotten talent of Mickey Rourke,” the director said. “No one had gotten to see him be sympathetic and lovable in a role for a number of years.”

Marisa Tomei as Cassidy in “The Wrestler”
Photo credit: Protozoa Pictures

The Ram is a pro wrestler in the present day, outside his glory years of the 1980s, forced to keep plying his trade in the back alley end of the sport. Through a haze of steroids and cheap theatrics in “Mad Max” style exhibition halls, The Ram still gives it his all, so much so that he suffers a heart attack.

Forced to find a new career, The Ram cannot connect to the real world. He tries to make up with a long-lost daughter (Evan Rachel Wood) and even attempts a romance with a friendly stripper (Marisa Tomei, in a revealing performance).

“To Marisa’s credit,” Aronofsky said, “she was brave and bold. She went for it.”

“The more you think about about it, the more connections between wrestling and stripping there are,” he further observed. “They both go through a curtain to the stage, they both create a fantasy for the audience, they have stage names, they dress up in costumes and they both use their bodies for commerce.”

Mickey Rourke in “The Wrestler”.
Photo credit: Niko Tavernise

Aronofsky’s interest in the nature of professional wrestling came from an idea he had in film school.

“It came out of the observation that there are so many boxing movies made it’s almost its own genre, but few have done wrestling pictures,” he said. “I realized it was an actual sport, but more based in performance. I found that line between real and fake very intriguing.”

He added: “When we first started thinking about the movie, its started with a single image, which I knew would be the ending, of the wrestler jumping from the top rope. The producer and I developed the story from there and then we hired screenwriter Rob Siegel, who worked three years on it and breathed all the life into the script.”

When The Ram is asked to fight an old nemesis, “The Ayatollah,” it could be the match-up that makes him again or breaks him permanently. Rourke the actor approaches the challenge within the role with his unique gifts.

“Between action and cut, there was no one I’ve ever met who was as natural, and he was in complete control,” Aronofsky said. “He was aware of what was going on and was always fully there as the character.”

Aronofsky commented additionally on Rourke’s comeback within the context of the actor’s big initial splash and leaner years later – which mirrors The Ram.

“He talks a lot about his career elsewhere,” he said, “but I think fame happened to him when he was young and he didn’t have the tools to deal with it.”

RELATED READING
Read more film reviews from critic Patrick McDonald.

“It was undiscussed but understood. But until we were done he never admitted the connections he felt between himself and the character.” he added. “There is a hard time between where he ends and the character begins but I think that is his method.”

Seeming again to speak of his leading man’s journey, Darren Aronofsky concluded with a description of Rourke’s triumphant performance.

“The Ram is a very complex individual. Mickey plays him as a very tragic character with a good heart and a good soul. He loves what he does, but he can’t distinguish between what is real and what is fake. His life in the ring is as real for him as his life out of the ring. That’s his tragedy.”

“The Wrestler” opens December 25, 2008, in Chicago at AMC River East 21 and Evanston at CineArts 6, and features Mickey Rourke, Marisa Tomei, Evan Rachel Wood and is directed by Darren Aronofsky.

By PATRICK McDONALD
Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com

‘WALL-E,’ ‘Slumdog Millionaire,’ ‘The Dark Knight’ Win Awards From Chicago Film Critics Association

BrianTT — Thu, 18 Dec 2008 08:21:57 -0700

CHICAGO – The Chicago Film Critics Association announced their winners for the best of 2008 and an animated robot, superhero movie villain, wrestling star, and former teen actress walked away with big prizes. “Wall-E” was the big winner of the day, taking home an amazing four prizes, the most presented to any one movie this year.

Pixar’s “Wall-E”, an animated masterpiece about the last robot on planet Earth, won the big prize for Best Picture and also took home Best Original Screenplay, Best Original Score, and Best Animated Film.

The Chicago Film Critics Association, which includes HollywoodChicago.com’s Publisher Adam Fendelman and Content Director Brian Tallerico, gave their Best Director prize to Danny Boyle for “Slumdog Millionaire”. The sleeper hit about a young man trying to prove that he didn’t cheat on the Indian version of “Who Wants to Be a Millionaire?” also claimed prizes for Best Adapted Screenplay and Dev Patel for Most Promising Newcomer.

The Best Actor trophy for 2008 went to Mickey Rourke in “The Wrestler”, beating out Sean Penn in “Milk”, Clint Eastwood in “Gran Torino”, Richard Jenkins in “The Visitor”, and Frank Langella in “Frost/Nixon”.

For Best Actress, Sally Hawkins in “Happy-Go-Lucky”, Angelina Jolie in “Changeling”, Melissa Leo in “Frozen River”, and Meryl Streep in “Doubt” all lost out to Anne Hathaway in “Rachel Getting Married”.

Heath Ledger took home another prize for Best Supporting Actor for his portrayal of The Joker in “The Dark Knight”, stealing the prize from Robert Downey Jr. in “Tropic Thunder”, Philip Seymour Hoffman in “Doubt”, Bill Irwin in “Rachel Getting Married”, and Michael Shannon in “Revolutionary Road”. “The Dark Knight” also won Best Cinematograpy.

Perhaps the most surprising win of the day was Kate Winslet’s for Best Supporting Actress for “The Reader”. Also nominated in that category was the most-common winner of the season, Penelope Cruz in “Vicky Cristina Barcelona”, Amy Adams in “Doubt”, Rosemarie DeWitt in “Rachel Getting Married”, and Viola Davis in “Doubt”.

The excellent Swedish horror sensation “Let the Right One In” won the prizes for Best Foreign-Language Film and Most Promising Director for Tomas Alfredson and “Man on Wire” took the trophy for Best Documentary.

The Chicago Film Critics Association

2008 CFCA AWARD WINNERS

BEST PICTURE: WALL-E

BEST DIRECTOR: Danny Boyle - Slumdog Millionaire

BEST ACTOR: Mickey Rourke - The Wrestler

BEST ACTRESS: Anne Hathaway - Rachel Getting Married

BEST SUPPORTING ACTOR: Heath Ledger - The Dark Knight

BEST SUPPORTING ACTRESS: Kate Winslet - The Reader

BEST ORIGINAL SCREENPLAY: WALL-E (Andrew Stanton & Jim Reardon)

BEST ADAPTED SCREENPLAY: Slumdog Millionaire (Simon Beaufoy)

BEST FOREIGN LANGUAGE FILM: Let the Right One In

BEST DOCUMENTARY: Man On Wire

BEST ANIMATED FEATURE: WALL-E

BEST CINEMATOGRAPHY: The Dark Knight (Wally Pfister)

BEST ORIGINAL SCORE: WALL-E (Thomas Newman)

MOST PROMISING PERFORMER: Dev Patel - Slumdog Millionaire

MOST PROMISING DIRECTOR: Tomas Alfredson - Let the Right One In

If you’d like to go back in time a few days and see the 2008 nominees from the Chicago Film Critics Association, read our coverage here from Dec. 15, 2008.

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

News You Need: Aronofsky and Rourke to ‘Wrestle,’ ‘Star Trek’ Explained, Verhoeven to Direct Remake Sequel

HollywoodChicago.com — Mon, 12 Nov 2007 00:13:04 -0700

Harley Davidson in a Wrestling Picture: Mickey Rourke is set to play Randy “The Ram” Robinson in Darren Aronofsky’s “The Wrestler,” Variety reports.

Mickey Rourke
Photo credit: Steve Granitz, WireImage.com
The role was previously reported as being played by Nicolas Cage. It had been previously unclear as to whether Aronofsky would direct. The film is set to shoot beginning in Jan. 2008.

Aronofsky has been denying association with numerous projects since the release of “The Fountain” this time in 2006.

These include a fast-tracked thriller set in the world ballet (“Black Swan”), a biopic on boxer Mickey Ward (“The Fighter”) and a Noah’s Ark epic (which Aronofsky himself is writing). The shoot date fits with recent comments Aronofsky made on his blog.

“[N]othing you’ve seen online or anywhere is accurate,” Aronofsky wrote on Oct. 1. He added that the real and then-unannounced project would shoot in Jan. 2008.

“The Fighter” seemed most likely next as it was set to star Mark Wahlberg and Brad Pitt. The film was originally to reunite Wahlberg with his “Departed” co-star Matt Damon until Pitt replaced Damon.

This was viewed odd at the time of the announcement since Pitt dropping out of “The Fountain” in 2002 led to a production delay of three years.

Rourke, whose career has been recently revived since “Sin City,” spent the early 1990s returning to his teenage career of boxing. Did you know, according to Wikipedia, he was originally offered Bruce Willis’ role in “Pulp Fiction” and was edited out of “The Thin Red Line”?

Space… A Confusing Frontier: Just when we asked for more clarification on J.J. Abrams’ “Star Trek” reboot, IESB has published a lengthy, spoiler-filled rumor to answer the question.

While the report emphasizes spoilers, it’s relatively tame information that will probably be featured in a first full-length trailer. (I don’t mean the other rumored teaser, which will allegedly show the Enterprise being built.)

The rumors do sound interesting. Read on to see how and if the 11th “Star Trek” connects to the greats of the series, from the best movie (“The Wrath of Khan”) to the best Original Series episode (“The City on the Edge of Forever”).

Update: AICN has an angry email response from “City’s” teleplay author, Harlan Ellison.

‘Thomas Crown 2’ Now to Feature Boobs, Jesus Imagery: Paul Verhoeven told a Dutch radio program he will direct a sequel to John McTiernan’s “The Thomas Crown Affair,” which itself is a remake of Norman Jewison’s 1968 version.

Paul Verhoeven
Photo credit: Columbia Pictures
According to this translation, “The Topkapi Affair” will combine elements of Eric Ambler’s novel (“The Light of Day”) and its earlier film adaptation. The almost confirmed casting has Angelina Jolie co-starring.

While the original remake was fine, this is sad considering Verhoeven’s recent pledge to get out of Hollywood filmmaking.

He was supposed to shoot another Dutch film (“Kneeling on a Bed of Violets”) in 2007. His last film (“Black Book”) is still in my top five of films released in 2007. It’d be nice if McTiernan himself would direct this if he weren’t so tied up going to jail.

By Shane Hazen
Staff Writer HollywoodChicago.com