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Dev Patel

‘About Cherry’ is Little More Than a Pretty Face

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Stephen Elliott’s “About Cherry” takes what could have been an interesting journey into the porn industry and turns it into what is essentially a TV-Movie-of-the-Week without the rating restrictions of the Lifetime Channel. Newcomer Ashley Hinshaw makes an impression and the supporting cast of Elliott’s drama is strong but the film never finds its focus, refusing to get under the beautiful surface of its lead character and present her as anything more than a sexy plot device.

Judi Dench Checks Into ‘The Best Exotic Marigold Hotel’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Seven desperate souls are taking risks to save some part of their world, which describes both “The Best Exotic Marigold Hotel” and “The Avengers.” Which will win the box office war? The “heroes” of the Marigold residence include Judi Dench, Tom Wilkerson, Bill Nighy, Maggie Smith and Dev Patel.

Director M. Night Shyamalan Too Talky, Murky in ‘The Last Airbender’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The choices that M. Night Shyamalan makes in the progress of his filmography have become as perplexing as his early mysteries. “The Last Airbender,” featuring Dev Patel from “Slumdog Millionaire,” is an adaptation of a previous animated series, and although aimed at kids in the end seems tentative and…aimless.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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