No Country For Old Men

Hit-or-Miss Mastermind Woody Allen Recaptures Genius With Eccentric ‘Vicky Cristina Barcelona’

HollywoodChicago.com — Thu, 14 Aug 2008 22:01:00 -0700

CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.

Rating: 4.0/5.0

The film, which stars Hollywood sensations Javier Bardem, Scarlett Johansson and Penélope Cruz, all throughout makes you feel like Allen’s script has something brilliant up its artistic sleeve. While at times you’ll easily predict when sex is on deck, Allen uses “No Country for Old Men” star Javier Bardem literally as his blunt instrument.

In the real world, of course, even a man of his charisma couldn’t walk up to a woman with Scarlett Johansson’s magnetism and lure her into a weekend of bliss and eroticism with these simple words: “We’re getting on my plane in an hour for a weekend of drinking fine wine and making love.”

Read Adam Fendelman’s full review of “Vicky Cristina Barcelona”.

View our full, high-resolution “Vicky Cristina Barcelona” image gallery.

While Bardem can this time because Allen’s script makes Johansson’s risqué character do it, his true treat is scoring a triple play by convincing Johansson’s rule-driven friend – played by the relatively unknown Rebecca Hall – to seek the same interesting slice of life.

Hall’s character is completely out of character in going along with this ride and is in the process of marrying a man who feels to her much like a sedative.

Amid all the wining and dining, Bardem displays his range as an actor. He puts out of our mind his powerfully villainous character in “No Country for Old Men” and completely transforms himself for Allen’s creation into an artistic, charismatic and confident Spanish lover.

The protagonists, of course, wouldn’t be complete without the antagonistic presence of Penélope Cruz. Despite training rigorously with a teacher and a paintbrush for her painting scenes, though, Cruz still admits to having “faked” these scenes.

“Vicky Cristina Barcelona,” which is written and directed by Woody Allen and stars Javier Bardem, Scarlett Johansson, Penélope Cruz, Rebecca Hall, Patricia Clarkson and Chris Messina, opens on Aug. 15, 2008.

Continuing reading for Adam Fendelman’s full “Vicky Cristina Barcelona” review.

Penélope Cruz stars as María Elena in “Vicky Cristina Barcelona” from director Woody Allen.
Photo credit: Victor Bello, The Weinstein Company

Javier Bardem (left center) and Scarlett Johansson (right center) star in Woody Allen’s “Vicky Cristina Barcelona”.
Photo credit: Victor Bello, The Weinstein Company

Continuing reading for Adam Fendelman’s full “Vicky Cristina Barcelona” review.

80th Academy Awards Headlined By ‘No Country For Old Men,’ ‘There Will Be Blood,’ ‘The Bourne Ultimatum’

HollywoodChicago.com — Mon, 25 Feb 2008 12:50:43 -0700

CHICAGO – “No Country For Old Men,” “Juno,” “Once,” “Atonement,” “The Bourne Ultimatum,” “There Will Be Blood,” “Ratatouille,” “The Golden Compass,” “Elizabeth: The Golden Age,” “La Vie en Rose,” “Michael Clayton” and more headlined the 80th Academy Awards on Feb. 24, 2008.

In total, “No Country For Old Men” led the pack with four Oscars followed by a surprising three for “The Bourne Ultimatum” and two for “There Will Be Blood”. A complete list of all 2008 Oscar winners at the 80th Academy Awards is found below. All image credits go to Oscar.com.

Best Picture:
Scott Rudin, Ethan Coen and Joel Coen for “No Country For Old Men”

Best Director:
Joel Coen and Ethan Coen for “No Country For Old Men”

Best Original Screenplay:
Diablo Cody for “Juno”
The HollywoodChicago.com interview with “Juno” writer Diablo Cody can be found here.

Best Adapted Screenplay:
Joel Coen and Ethan Coen for “No Country For Old Men”

Best Actor:
Daniel Day-Lewis for “There Will Be Blood”

Best Actress:
Marion Cotillard for “La Vie en Rose”

Best Supporting Actor:
Javier Bardem for “No Country For Old Men”

Best Supporting Actress:
Tilda Swinton for “Michael Clayton”
The HollywoodChicago.com interview with “Michael Clayton” director Tony Gilroy can be found here.

Best Art Direction:
Dante Ferretti (art direction) and Francesca Lo Schiavo (set decoration) for “Sweeney Todd: The Demon Barber of Fleet Street”

Best Cinematography:
Robert Elswit for “There Will Be Blood”

Best Film Editing:
Christopher Rouse for “The Bourne Ultimatum”

Best Original Song:
“Falling Slowly” from “Once” (music and lyrics by Glen Hansard and Marketa Irglova)
The HollywoodChicago.com interview with “Once” director John Carney and stars Glen Hansard and Marketa Irglova can be found here.

Best Original Score:
Dario Marianelli for “Atonement”

Best Sound Mixing:
Scott Millan, David Parker and Kirk Francis for “The Bourne Ultimatum”

Best Sound Editing:
Karen Baker Landers and Per Hallberg for “The Bourne Ultimatum”

Best Visual Effects:
Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood for “The Golden Compass”

Best Costume Design:
Alexandra Byrne for “Elizabeth: The Golden Age”

Best Makeup:
Didier Lavergne and Jan Archibald for “La Vie en Rose”

Best Animated Feature:
Brad Bird for “Ratatouille”

Best Animated Short Film:
Suzie Templeton and Hugh Welchman for “Peter & the Wolf”

Best Documentary Feature:
Alex Gibney and Eva Orner for “Taxi to the Dark Side”

Best Documentary Short Subject:
Cynthia Wade and Vanessa Roth for “Freeheld”

Best Live-Action Short Film:
Philippe Pollet-Villard for “Le Mozart des Pickpockets” (“The Mozart of Pickpockets”)

Best Foreign Language Film:
Stefan Ruzowitzky for “The Counterfeiters” (Austria)

Host Jon Stewart marked one of this year’s surprise moments when he offered for “Once” co-star Marketa Irglova – initially cut off by music – to return to the stage and deliver her acceptance speech. That speech has made its way to YouTube and can be seen below.

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

Josh Brolin to Play George W. Bush in Oliver Stone-Directed ‘Bush’ Film

HollywoodChicago.com — Sun, 20 Jan 2008 21:56:58 -0700

CHICAGO – Announced during our politically charged primary elections and potentially for release around the 2008 presidential election or inauguration, the legendary Oliver Stone on Sunday revealed his next directing gig: a biopic about President George W. Bush aptly titled “Bush”.

Josh Brolin from the acclaimed “No Country For Old Men” has attached himself to play the embattled 43rd U.S. president while Stone has discreetly begun shopping the script to studios. The screenplay has already been penned by Stone’s “Wall Street” co-scribe Stanley Weiser.

Before simply deciding on “Bush” as its title, the film was aliased “POTUS” (president of the United States) and separately “Misunderestimated”. Filming could begin as soon as April.

From left to right: Oliver Stone, George W. Bush and Josh Brolin.
Photo credits (from left to right): IMDb; blog.apocalypse.org; WireImage.com on Nov. 27, 2007

Though Stone in his interview with Variety declined to offer his personal opinion of the president, he clearly outlined his objective intentions for the film.

I can’t give you [my opinions about Bush] because the filmmaker has to hide in the work. Here, I’m the referee. I want a fair, true portrait of the man.

How did Bush go from an alcoholic bum to the most powerful figure in the world? It’s like Frank Capra territory on one hand, but I’ll also cover the demons in his private life, his bouts with his dad and his conversion to Christianity, which explains a lot of where he is coming from.

It includes his belief that God personally chose him to be president of the United States and his coming into his own with the stunning, preemptive attack on Iraq. It will contain surprises for Bush supporters and his detractors.

Stone discussed with Variety his influences for the film:

It’s a behind-the-scenes approach similar to “Nixon” to give a sense of what it’s like to be in his skin. But if “Nixon” was a symphony, this is more like a chamber piece and not as dark in tone.

People have turned my political ideas into a cliché, but that is superficial. I’m a dramatist who is interested in people. I have empathy for Bush as a human being much the same as I did for (Fidel) Castro, (Richard) Nixon, Jim Morrison, Jim Garrison and Alexander the Great.

“Bush” producer Moritz Borman expressed to Variety his thoughts on the timing of the film’s release:

We’ve just gone out with it and April is just around the corner. If we can get it done as an independent or with a studio, we can do it quickly, but nobody really knows what is happening with the SAG (Screen Actors Guild) situation.

We’ve found locations in Louisiana, but we will have to build sets (especially the White House). We could do it later because it’s not a film that has to be timed with the election. It’s a character study of a man.

As would be expected, the casting decision for who to play Bush was meticulous. While “Brolin won’t make a formal deal until financing is sealed, he can be ready for an April start,” according to Variety. Stone added:

Josh is actually better looking than Bush but has the same drive and charisma that Americans identify with Bush. [Bush] has some of that old-time, movie-star swagger.

Discuss this film on our discussion boards here!

By ADAM FENDELMAN
Editor-in-Chief
HollywoodChicago.com
adam@hollywoodchicago.com

News You Need: ‘Enemies’ in Chicago, NBR Awards ‘Old Men,’ Filming ‘Freakonomics’

HollywoodChicago.com — Thu, 06 Dec 2007 10:35:30 -0700

Mann to Ambush Depp Outside the Biograph: Michael Mann and Johnny Depp have agreed to film “Public Enemies”. It’ll be a Chicago-based film about Depression-era gangsters set in 1933 to 1934.

Depp will play John Dillinger, according to Variety. The film is slated to start shooting in Chicago on March 10, 2008.

Michael Mann.
Photo credit: IMDb
Mann wrote the script based on the book by Bryan Burroughs. Depp recently backed out of Mira Nair’s “Shantaram” due to WGA strike-related script problems.

Since 2006’s “Miami Vice,” Mann has been jumping on and off abandoned projects. “Public Enemies” sounds close in tone and period to an untitled Hollywood noir written by John Logan that stars Leonardo DiCaprio. That project fell through due to a budget climbing in excess of $100 million.

Mann also was attached to “Empire” – a media-mogul drama again written by Logan (which its proposed star, Will Smith, recently compared to “Richard III”) – along with a former Martin Scorsese project entitled “Frankie Machine”. “Frankie Machine” was due to star Robert De Niro and be rewritten by Alex Tse (“Watchmen”).

Mann was possibly to step in and direct “Edwin A. Salt,” which is a CIA thriller to star Tom Cruise.

Its original director, Terry George (“Reservation Road,” “Hotel Rwanda”), recently dropped out due to script problems. Despite the strike, Mann also wouldn’t commit without a rewrite to the screenplay by Kurt Wimmer (“Equilibrium,” “Ultraviolet”).

Depp and Mann previously almost collaborated on an adaptation of “Death of a Dissident” about the assassinated former Russian intelligence officer Alexander Litvinenko.

Mann, who was born in Chicago, previously filmed “Thief” and “Manhunter” in the Windy City.

Then the NBR Woke Up: The National Board of Review (NBR) – annually the first film awards organization announcing its prizes – has named its best film of 2007: the Coen brothers’ “No Country For Old Men”. Other awards follow.

Javier Bardem in “No Country For Old Men”.
Photo credit: IMDb
Top 10 films (in alphabetical order): “The Assassination of Jesse James By the Coward Robert Ford,” “Atonement,” “The Bourne Ultumatum,” “Into the Wild,” “Juno,” “The Kite Runner,” “Lars and the Real Girl,” “Michael Clayton” and “Sweeney Todd”

Best actor: George Clooney, “Michael Clayton”

Best actress: Julie Christie, “Away From Her”

Best supporting actor: Casey Affleck, “The Assassination of Jesse James By the Coward Robert Ford”

Best supporting actress: Amy Ryan, “Gone Baby Gone”

Best adapted screenplay: Joel and Ethan Coen, “No Country For Old Men”

Best original screenplay: Diablo Cody, “Juno,” and Nancy Oliver, “Lars and the Real Girl”

Best director: Tim Burton, “Sweeney Todd”

In recent days, the NBR was rumored to have ousted influential member Annette Insdorf. She’s the head of the Columbia University film department and an acclaimed scholar on Francois Truffaut and Krzystof Kieslowski.

Documentarists to Get Their ‘Freak’ On: A who’s who of documentary filmmakers will each take on the non-fiction best-seller “Freakonomics,” according to Variety.

The film has enlisted Morgan Spurlock (“Super Size Me”), Rachel Grady and Heidi Ewing (“Jesus Camp”), Alex Gibney (“Enron: The Smartest Guys in the Room”), Laura Poitras (“My Country My Country”), Eugene Jarecki (“Why We Fight”) and Jehane Noujaim (“Control Room”) to each direct a documentary segment on chapters in the book.

The film will be produced by Chad Troutwin and Seth Gordon (“The King of Kong”). The controversial book, which is written by University of Chicago economist Steven Levitt and New York Times journalist Steven J. Dubner, is full of lateral thinking.

It uses pop culture and data to argue (among other things) that legalized abortion might lead to a lower crime rate or that beginning drug dealers on Chicago’s south side make less money than the starting counter wage at Burger King.

The authors also maintain a blog for further debate.

Spurlock has been the talk of movie blogs recently. Speculation spread that his next film, “Where in the World is Osama bin Laden?,” actually contains an interview with bin Laden.

Morgan Spurlock.
Photo credit: Rebecca Sapp, WireImage.com
This sudden news was based on two things: first, a conveniently truncated Variety quote from June.

Most sites reported the film’s director of photography, Daniel Marracino, as saying: “We’ve definitely got the Holy Grail.” Still, the majority neglected to continue the quote: “Visually, this film is just going to be gorgeous.”

Secondly, there was a bidding war for the film at the Berlin Film Festival won by the Weinstein Company – last February. AICN alleges that the Weinstein Company spent $25 million on a 15-minute preview.

It took blogs from both The Guardian and the New York Times to debunk the rumor.

“Where in the World is Osama bin Laden?” debuts at the Sundance Film Festival in Jan. 2008. “Freakonomics” plans to shoot in the beginning of January and hopes to be completed by the summer of 2008.

By Shane Hazen
Staff Writer
HollywoodChicago.com