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HollywoodChicago.com Movie Reviews

Emotionally Perfect Cowboy Elegy in ‘The Hero’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The great character actor Sam Elliott – known mostly for his cowboy roles in film/TV and his unique bass sounding voiceovers – gets an opportunity to deliver a nuanced and emotional performance as a hyper-realized version of himself. There is virtue and truth in this character journey.

‘The Book of Henry’ Generates a Different Story Vibe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There are some total exasperations in “The Book of Henry”… numerous ones that are almost deal breakers. But somehow, some way, the strange twists and ideas take over, and the film becomes fable-like, examining a different line of story elements that switched from one character to another. Director Colin Trevorrow (“Jurassic Park” reboot) reveals a love in what he is doing in this film, and that also counts for something.

‘Rough Night’ is More Than Just a Diamond in the Rough

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The idiotic notion in Hollywood (and in the basements of fanboy mothers everywhere) that women can’t be funny is a joke in itself. Women have been forced to prove themselves on the male-dominated comedic circuit and have come out as successful as their male counterparts. “Rough Night”, despite all of its flaws, is just the most recent example of that.

‘Cars 3’ Puts Series Franchise Back on Right Track

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The Cars movies continue to be the kiddieland of Pixar Animation franchises. Kids adore them, parents tolerate them. Unlike the best of Pixar’s output, the Cars films are lovingly crafted cartoons aimed squarely at kids with far more attention detail than the average fare you’d find scrolling through Netflix. The best that can be said is that “Cars 3” represents a considerable step up from “Cars 2”.

‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

Discerning the Heroes is Tough in ‘Megan Leavey’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The poster is what gives away “Megan Leavey” the most. The titular soldier, and her bomb-sniffing dog, below a billowing American flag. So which war is it? Why, it’s the Iraq invasion, where the U.S. military and the politicians at home “freed” the Iraqi citizens from a peaceful life. Making a dog story out of that boondoggle doesn’t make it any more palatable, except to “support the troops.”

‘The Mummy’ is a Marvel of a Muddled Mess

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Universal Studio’s “Dark Universe,” which is centered around its stable of classic movie monsters, isn’t a bad idea. But in the darkly inauspicious debut feature called “The Mummy,” everything unravels. This is a mixed, muddled, marvel of a mess that contains an assembly of special effects, but precious little life.

The Human Being Behind the Greatness in ‘Churchill’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Winston Churchill, except to hardcore history buffs, is fast fading from the cultural radar. Often called the Greatest Briton Ever, the lion who led his people for so many years became a bit toothless during the greatest World War II battle ever conceived, D-Day the Sixth of June. That moment in his life, and the lives of those around him, is the subject of the magnificent new film, “Churchill.”

‘Captain Underpants’ Saves Us From the Summer Snooze

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I’m sure from the title you can glean the level of seriousness to expect, but how funny “Captain Underpants: The First Epic Movie” turns out to be is no laughing matter. The film’s surprising irreverence and respect for the comic book genre makes this the animated hero we’ve needed, and the second best superhero film out this weekend (SEE: Wonder Woman).

‘Wonder Woman’ Creates Power with Social Justice

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a truth in the latest superhero epic, “Wonder Woman,” that is undeniable. The suppression of the power of woman in society, and denying the acceptance of all people – who just desire love – is the evil that can destroy the world. Gal Gadot as Wonder Woman saves the day.

Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Nostalgia Not Enough to Save ‘Baywatch’ From Drowning

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Going to the beach is simultaneously an exciting and disgusting experience. Swimming in the cool water that thousands have gone inside in the past, with more than a few leaving bodily fluid deposits, is the perfect way to describe “Baywatch”. No amount of beefy biceps or shirt-busting breasts could have given “Baywatch” the buoyancy needed to keep from sinking, let alone stay afloat.

‘Everything, Everything’ Offers Close to Nothing, Nothing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ll be the first to admit that I am not the target audience for these stock young adult romance novels. Aside from the odd fascination and romanticization of teenage death and terminal illness, these stories feel trite and much closer to fantasy than anything real or plausible. This is what the film “Everything, Everything” brings to the table, which essentially translates to Nothing, Nothing.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jesus Christ Superstar, Lyric Opera

    CHICAGO – As a wee lad, I would often go into my parent’s record collection. One day, out of the blue, that brown double album with the gold embossed angels appeared, like a gift from the divine. “Jesus Christ Superstar” began as a record album “rock opera” in 1970, evolved to a Broadway show and film, and then was interpreted through a myriad of stage revivals over the years. The latest is an exciting piece of stagecraft at the Lyric Opera of Chicago. The show has a various evening/matinee run through May 20th, 2018. Click here for more details, including ticket information.

  • Cornerstone, Nothing Without a Company

    CHICAGO – We all need some help. The stage play group Nothing Without a Company realizes that, and has collaborated with the organization “Cornerstone” to provide that assistance. Cornerstone is a seminar and a happening in downtown Chicago, facilitated by “experts” to generate your potential. The presentation has a Thursday-Sunday run at Michigan Avenue’s Artspace 8 through May 6th, 2018. Click here for more details, including ticket information.

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