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HollywoodChicago.com Movie Reviews

‘Wonder Woman’ Creates Power with Social Justice

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a truth in the latest superhero epic, “Wonder Woman,” that is undeniable. The suppression of the power of woman in society, and denying the acceptance of all people – who just desire love – is the evil that can destroy the world. Gal Gadot as Wonder Woman saves the day.

Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Nostalgia Not Enough to Save ‘Baywatch’ From Drowning

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Going to the beach is simultaneously an exciting and disgusting experience. Swimming in the cool water that thousands have gone inside in the past, with more than a few leaving bodily fluid deposits, is the perfect way to describe “Baywatch”. No amount of beefy biceps or shirt-busting breasts could have given “Baywatch” the buoyancy needed to keep from sinking, let alone stay afloat.

‘Everything, Everything’ Offers Close to Nothing, Nothing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ll be the first to admit that I am not the target audience for these stock young adult romance novels. Aside from the odd fascination and romanticization of teenage death and terminal illness, these stories feel trite and much closer to fantasy than anything real or plausible. This is what the film “Everything, Everything” brings to the table, which essentially translates to Nothing, Nothing.

Diane Lane Hits the Blacktop in ‘Paris Can Wait’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The cache of “Paris Can Wait” is what immediately makes it attractive. It’s Diane Lane road tripping through France on the way to Paris, guided by the script and direction of Eleanor Coppola, in her narrative film debut (at age 80!). Along the way there is food, seduction, incredible sights and Alec Baldwin. That formula was destined to work.

‘Alien: Covenant’ is a Pale Copy of Previous Best Films

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s worth noting that the Alien series extends back nearly 40 years, and yet the chest-bursting Xenomorphs have produced a grand total of exactly two good movies. The orginal “Alien” and “Aliens” are great films that stand the test of the time, while every other entry in this series would require a significant stretch of the imagination to be called barely watchable.

‘King Arthur: Legend of the Sword’ is a Dull, Magicless Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Have you ever had such a bad case of déjà vu while watching a film that trying to remember where the familiar elements are from turns into a more enjoyable experience than actually seeing the film itself? If you haven’t, your quest for that kind of film is fulfilled by the incredibly forgettable “King Arthur: Legend of the Sword.”

Amy Schumer, Goldie Hawn Bring Hilarity to ‘Snatched’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – This is the Amy Schumer-in-the-movies we’ve all been waiting for… the brash zing factory who has a bit of insecurity behind her adventurous and licentious ways. Schumer teams with Goldie Hawn in a mother and daughter laugh factory called “Snatched.”

Love is Champion in ‘The Happiest Day in the Life of Olli Mäki’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – As a film set in 1962, shot on glorious black & white 16mm stock, “The Happiest Day in the Life of Olli Mäki” has both a feeling that it was made back then, and a timelessness that radiates from that quality. The film is about a boxer, but his heart turns out to be the champion.

Life Reveals Itself Through Courses in ‘The Dinner’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a peculiar and particular morality in the maneuverings of “The Dinner,” a multi-course meditation on how a tragic incident can split both opinion and family. Everything in the present situation has a below-the-surface past that festers like an unhealed wound, constantly causing pain.

Cut of Nostalgia in ‘Guardians of the Galaxy Vol. 2’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When I first saw “Guardians of the Galaxy” I was unfamiliar with the comic book source. I enjoyed the film, but worried it might be just a little too nerdy and obscure to develop a following. Now with “Guardians of the Galaxy Vol. 2,” the series has solidified itself as the class clowns of the Marvel Studios cinematic universe, and it’s been embraced for it.

Blissful Anarchy in ‘My Entire High School Sinking Into the Sea’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In animation, the real innovators who evolve the artform are the risk takers who stamp their own inspiration on those cartoon images. Director Dash Shaw is one of those breakthroughs, who creates a work of anarchistic art in “My Entire High School Sinking Into the Sea.”

Chef Emerges in ‘Jeremiah Tower: The Last Magnificent’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The culture of food has never been more pervasive, from entire broadcast channels devoted to it, to new trends in eating being invented seemingly every day. Where did it all start? The new film ‘Jeremiah Tower: The Last Magnificent’ documents the chef that opened the door.

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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