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HollywoodChicago.com Movie Reviews

For ‘Once,’ Carney Casts Musicians – Not Actors – in Masterful Musical

Rating: 4.5/5CHICAGO – To purely document the life of a street-singing busker, “Once” director John Carney didn’t engage actors. He married musicians.

‘Shrek the Third’ is Foxy Flirt Between Kid’s Play, Adult Wit

Rating: 3.5/5CHICAGO – To thwart his fate of being royally screwed (“mommy, what does that mean?”), the ornery ogre who smells like the shallow end of a swamp has unwavering resolve to crown someone else as proxy for his kingdom’s recently croaked king.

‘28 Weeks Later’ is Heart-Palpitating, Seat-Jittering Gore Fest

Rating: 2.5/5CHICAGO – Having sold so many on a first film that’s watertight in warranting a second, a sequel answers to a much higher authority.

Tobey Maguire ‘Black’ in Action in Venomously Conflicted ‘Spider-Man 3’

Rating: 3.5/5CHICAGO – At the heart of every great film is a good conflict. In Spidey’s third advent, his heart is venomously conflicted and so is the film.

The film gets gargantuan props on its special effects. Of course, the entertaining visual acuity is expected and is no surprise.

‘The Condemned’ Attempts to Validate Violence With Provocative Concepts

Rating: 2/5CHICAGO – This is why wrestlers wrestle and actors act.

The Condemned” tobogganed downhill the second it splashed the WWE on an introductory screen. Sure, you know the WWF, but you may be learning for the first time about World Wrestling Entertainment, Inc.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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