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HollywoodChicago.com Movie Reviews

‘Love in the Time of Cholera’ Searches Soul, Comes Up Half Full

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – In 2000’s “High Fidelity,” John Cusack mused: “I’ve read books like … ‘Love in the Time of Cholera’ and I think I’ve understood them. They’re about girls, right?”

‘Beowulf’ in IMAX 3D Affords Break For Big Actors to Improve Even Themselves

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – It’s all the rave today to exhume an epic from long, long ago and bring it back on the monster screen bigger, better and with more grandeur than ever fathomable before.

‘Wristcutters: A Love Story’ Inventively Imparts Life’s Story After Death

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – The vision of life after death varies between the religious and the non-religious, the optimists and the pessimists and the believers and non-believers. There are few after-life stories, though, as unique and humorous as the one in “Wristcutters: A Love Story”.

Wily ‘Ira & Abby’ Averts Predictable Hollywood Boy Meets Girl Trap

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Groucho Marx once said: “Marriage is a wonderful institution … but who wants to live in an institution?” For the romantic and humorously charged “Ira & Abby,” holy matrimony seems a stressful but hilarious adventure.

Message Movie ‘Music Within’ Still Within Fledgling Director Steven Sawalich

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – “Most people go to their graves with their music still inside them,” 19th century poet Oliver Wendell Holmes once said. First-time director Steven Sawalich’s “music” presumably still resides inside him because it doesn’t resound in his “Music Within” message movie.

‘Rendition’ a Mediocre Message Movie With What Should Be Self-Evident Politics

HollywoodChicago.com Oscarman rating: 3/5AUSTIN, Texas – German writer Franz Kafka meets the war on terror in “Rendition,” which is a message movie with what one would consider a self-evident message: torture is bad. We live in a political climate, though, where that isn’t self-evident.

In ‘Gone Baby Gone’ Directorial Debut, Ben Affleck Matures Into Polished Auteur

Rating: 4.5/5CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.

‘Juno’ the First LiveJournal, Blogger Film; Writer Diablo Cody a Standout Star

HollywoodChicago.com Oscarman rating: 4.5/5AUSTIN, Texas – No one says anything plainly in “Juno”. Hyper clever, hyper literate and hyper pop savvy, it tells a light story of teenage pregnancy in a package of verbose middle classiness.

Jodie Foster is Wicked, Wicked Witch With Furious Vengeance in ‘The Brave One’

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – Jodie Foster reinvents herself and plays a vigilante flung galaxies out of character in “The Brave One,” which opened on Friday.

Following ‘The Sandlot’ Home Run, ‘The Final Season’ Strikes Out

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – Once a year, it seems a studio releases a film that tries to nudge its way into the almost-holy canon of American sports cinema. Most years, studios succeed. Recently, we have been lucky with the caliber of sports films offered up to us.

‘The Darjeeling Limited’ Seesaws Between Deft, Forced Eccentricity

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – With his aloof character panache and colorful imagery, Wes Anderson is one of those directors you either love dearly or loathe dreadfully.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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