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Zack Snyder

‘300: Rise of an Empire’ Gets Its 3D War On

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The rewriting of history in comic book movie form – not that’s anything wrong with that – continues with “300: Rise of an Empire.” Ancient wars are brought to life through a combination of mythology, six-pack abs, 3D blood spurts and comprehensive special effects, which can be better than history.

World War II Gets the ‘300’ Treatment in ‘Stalingrad’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It does not take even a high school history class to understand the liberty used in “Stalingrad’s” presentation of its title siege. Boasted as the highest-grossing Russian movie ever, this IMAX 3D event is the country’s own adaptation of the hero glorification seen in “300”, complete with copious slow motion and overflowing testosterone. Made with great pride but also a somewhat goofy sense of war, “Stalingrad” is as irreverent with its filmmaking style as it is reverent to the country’s glory.

‘Man of Steel’ is Strong, But Not Completely Heroic

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Place the Superman legend into the hands of director Zack Snyder (“Watchmen”) and storyteller/producer Christopher Nolan (“Dark Knight”), and old Supes is bound for a makeover in “Man of Steel.” When it works, it’s adds to a legend’s richness. When it doesn’t, it is less than hero.

‘Man of Steel’ Soars Visually But Lacks Humanity

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – From the CGI-heavy attack on Krypton that opens Zack Snyder’s “Man of Steel” to its soaring finale, I had the same reaction -– where’s the “Man half? Snyder’s attempt to reboot the Superman legacy with the loving assistance of David Goyer and Christopher Nolan of “The Dark Knight” fame gets the superhero part but misses the humanity at the core of this legendary character.

Zack Snyder Turns ‘Watchmen’ Into Loud, Disjointed, Brutal Mess

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For years, fans of Alan Moore and Dave Gibbon’s masterful and influential “Watchmen” have been waiting for a filmmaker willing to faithfully and slavishly adapt their favorite graphic novel. Well, we got what we wanted in Zack Snyder’s frame-copying vision of this legendary book, but as someone once said - You should be careful what you ask for because you just might get it.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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