HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Zachary Quinto

Visual Excess Dims ‘Star Trek Into Darkness’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The anticipation of experiencing the rebooted crew of the starship Enterprise now may overwhelm any creative team’s ability to deliver to that anticipation. “Star Trek Into Darkness” piles on the space war excess, while lessening the savory humanity and memorable characters.

‘Star Trek Into Darkness’ Satisfies Fans with Entertaining Adventure

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOJ.J. Abrams’ “Star Trek Into Darkness” is like a really solid mid-season episode of a great TV series. Entertaining, for sure, but lacking the energy of a premiere or the stakes of a finale. It leaves fans wondering what’s next in the franchise, which will surely make Paramount happy, but doesn’t stand on its own like the truly great part twos (“The Dark Knight,” “The Empire Strikes Back”).

Pure Summer Entertainment Lives on in J.J. Abrams’ ‘Star Trek’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It will be a stunning surprise if the summer of 2009 produces another slice of movie entertainment as satisfying and well-made as J.J. Abrams rollicking “Star Trek” reboot, a film that not only delivers on high expectations but shatters them by clicking on every single level.

Hot stories on the Web

Syndicate content

User Login

Free Giveaway Mailing


  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions