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Zachary Quinto

Visual Excess Dims ‘Star Trek Into Darkness’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The anticipation of experiencing the rebooted crew of the starship Enterprise now may overwhelm any creative team’s ability to deliver to that anticipation. “Star Trek Into Darkness” piles on the space war excess, while lessening the savory humanity and memorable characters.

‘Star Trek Into Darkness’ Satisfies Fans with Entertaining Adventure

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOJ.J. Abrams’ “Star Trek Into Darkness” is like a really solid mid-season episode of a great TV series. Entertaining, for sure, but lacking the energy of a premiere or the stakes of a finale. It leaves fans wondering what’s next in the franchise, which will surely make Paramount happy, but doesn’t stand on its own like the truly great part twos (“The Dark Knight,” “The Empire Strikes Back”).

Pure Summer Entertainment Lives on in J.J. Abrams’ ‘Star Trek’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It will be a stunning surprise if the summer of 2009 produces another slice of movie entertainment as satisfying and well-made as J.J. Abrams rollicking “Star Trek” reboot, a film that not only delivers on high expectations but shatters them by clicking on every single level.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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