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Zac Efron

‘That Awkward Moment’ Another Dishonest Rom-Com

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “That Awkward Moment” posits its cheeky hashtag of a title concept as one relating to when Friday night flings yield from becoming Saturday daytime couplings (to paraphrase Woody Harrelson’s wisdom in “Friends with Benefits”).

‘Parkland’ Starkly Recreates November 22, 1963

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s been close to 50 years since 11/22/1963, the day when a certain American innocence was lost with the assassination of President John F. Kennedy. In time for that anniversary, is the excellent film overview entitled “Parkland.”

Frustrating ‘At Any Price’ with Dennis Quaid

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/director Ramin Bahrani is interested not in agendas, special effects, or broad statements. He makes films about characters, including the widely acclaimed “Chop Shop,” “Man Push Cart,” and “Goodbye Solo.” For his latest drama, “At Any Price,” Bahrani expands his canvas, using more household names in his effort to tell a story of the heartland and the corruption and greed that can infiltrate even the most seemingly pure aspects of American life.

Nicole Kidman is Unique in Fluttery ‘The Paperboy’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – With all the steamy heat, and the thick, gluey southern accents from mostly non-southern actors, the audience for “The Paperboy” might need to wear lawyer-like suspenders and flap a funeral home fan to take it all in. The sweaty new film features Nicole Kidman, Matthew McConaughey and John Cusack, all chewing the scenery.

Josh Radnor’s ‘Liberal Arts’ Takes Uncommonly Thoughtful Look at Growing Up

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Josh Radnor may be one of the most good natured humanists in modern American film. His perspective contrasts sharply with that of comedic auteurs intent on depicting a cynical view of the modern world clouded with nostalgia. Radnor may not yet be up to par with the filmmakers that have inspired him, namely Woody Allen, but his sophomore directorial effort, “Liberal Arts,” is practically bursting with promise.

‘The Lucky One’ Suffers From Emotionally Constipated Performances

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’m of two minds about the work of Nicholas Sparks. On one hand, I admire his sensitive portrayals of good-hearted people, particularly young lovers, which serve as comfort food for teenagers overwhelmed by peer pressure. On the other hand, I’m also the guy who said the following about his last book-to-screen adaptation, “The Last Song”: “You may need a lump in your head before you can get one in your throat.”

‘Dr. Seuss’ The Lorax’ Boasts Strong Voice Cast But Weak Storytelling

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Dr. Seuss’ The Lorax” certainly isn’t an awful film by any stretch of the imagination. It features some solid voice work, a few lessons worth learning by the iGeneration, and some nifty visuals. It’s also pretty damn boring. Even the little ones at the family screening I attended seemed to lose interest in how this timeless story has been stretched to the demands of a modern family film. It just never quite connects in the way fans of this legendary character hope it would.

Spirituality, Zac Efron Overcome Plot Holes in ‘Charlie St. Cloud’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The rise of Zac Efron has been one of the more interesting movie stories of the past year. Fresh from his notable role in “Me and Orson Welles,’ Efron takes the lead in “Charlie St. Cloud,” with veteran actors Ray Liotta and Kim Basinger. This journey into afterlife issues highlights some nice acting chops from Efron.

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  • Ride Along with Ice Cube

    CHICAGO – Few figures have had less of an exciting domination of the world than Kevin Hart. In the past few years, the comedian has skyrocketed to leading fixture in the comedy scene, creating hit scripts out of films like “Think Like A Man” and “About Last Night,” while taking victory laps in his lacking stand-up features like “Kevin Hart: Let Me Explain”. The big problem is that these projects don’t justify his comic potential.

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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