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Whoopi Goldberg

Schizophrenic ‘Top Five’ is Evolution for Chris Rock

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Chris Rock wants you to take him seriously, so he has made a comedy with inconsistent laughs, and a nod towards the weird fishbowl lives that today’s celebrities endure. It’s a rare film where the last part is stronger than the first few acts, a mishmash that is “Top Five.”

Kate Hudson Reveals Hell in ‘A Little Bit of Heaven’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Kate Hudson portrays a dying woman in “A Little Bit of Heaven,” and the film is so annoying that her extinguishment can’t come fast enough. The film insults both living and dying, and virtually everything in between, and brings along Lucy Punch, Kathy Bates, Gael Garciá Bernal, Peter Dinklage and Whoopi Goldberg for the funeral.

Cluttered, Melodramatic ‘For Colored Girls’ Never Comes Together

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” was a landmark event in 1974, giving voice to a segment of society rarely seen on the stage. It took 34 years for a filmmaker to tackle this remarkable work in film form and Tyler Perry’s “For Colored Girls” retains some of the inherent power of it source and features some strong performances in the process but never finds the narrative cohesion needed to translate it to modern movie audiences.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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