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Vanessa Redgrave

Ralph Fiennes Modernizes Shakespeare in ‘Coriolanus’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The plays of William Shakespeare, influencing culture and morality for over 400 years, continue to open themselves up to new interpretations and settings. Ralph Fiennes directs and stars in a film version adaptation of “Coriolanus,” set against the modern day machinations of politics and war.

‘Anonymous’ Such Stuff as Bad Movies Are Made On

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Roland Emmerich has been commonly mocked for his larger-than-life blockbusters that include “Godzilla,” “The Day After Tomorrow,” and “2012.” I would rather sit through a marathon of all three of those works back-to-back-to-back than suffer through “Anonymous” one more time. While those movies have undeniable flaws, they do so on a grand scale common with the words guilty pleasure. There’s absolutely nothing pleasurable about this self-serious and remarkably stupid drama.

Rachel Weisz Anchors Melodrama of ‘The Whistleblower’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rachel Weisz elevates the harrowing true story of “The Whistleblower,” a pull-no-punches drama about a disturbing international conspiracy to cover up a sex trafficking ring involving the men tasked with protecting the innocent who turned to exploiting them. This is a graphic, dark, violent piece of drama, as it should be given its subject matter, but it’s the work of one of our best working actresses that truly makes it worth venturing into the darkness.

Vanessa Redgrave Shines in ‘Letters to Juliet,’ But Romantic Leads Bore

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I want to live in the alternate universe where Vanessa Redgrave’s Claire is the lead of “Letters to Juliet” and the two vapid dorks who trail her on a journey of lost love can learn a lesson or two but never take the spotlight. Sadly, such is not the case with this Amanda Seyfried and Christopher Egan vehicle, a romantic drama entirely stolen from its young stars by a timeless actress.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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