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Vanessa Redgrave

Human Emotions Transcend Wealth in ‘Foxcatcher’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the memorable film “Barton Fink,” the title character is asked to write a wrestling movie for Wallace Beery. If Fink had isolated himself long enough, he might have come up with “Foxcatcher,” demonstrating once again that a true story is much stranger than fiction.

Ralph Fiennes Modernizes Shakespeare in ‘Coriolanus’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The plays of William Shakespeare, influencing culture and morality for over 400 years, continue to open themselves up to new interpretations and settings. Ralph Fiennes directs and stars in a film version adaptation of “Coriolanus,” set against the modern day machinations of politics and war.

‘Anonymous’ Such Stuff as Bad Movies Are Made On

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Roland Emmerich has been commonly mocked for his larger-than-life blockbusters that include “Godzilla,” “The Day After Tomorrow,” and “2012.” I would rather sit through a marathon of all three of those works back-to-back-to-back than suffer through “Anonymous” one more time. While those movies have undeniable flaws, they do so on a grand scale common with the words guilty pleasure. There’s absolutely nothing pleasurable about this self-serious and remarkably stupid drama.

Rachel Weisz Anchors Melodrama of ‘The Whistleblower’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rachel Weisz elevates the harrowing true story of “The Whistleblower,” a pull-no-punches drama about a disturbing international conspiracy to cover up a sex trafficking ring involving the men tasked with protecting the innocent who turned to exploiting them. This is a graphic, dark, violent piece of drama, as it should be given its subject matter, but it’s the work of one of our best working actresses that truly makes it worth venturing into the darkness.

Vanessa Redgrave Shines in ‘Letters to Juliet,’ But Romantic Leads Bore

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I want to live in the alternate universe where Vanessa Redgrave’s Claire is the lead of “Letters to Juliet” and the two vapid dorks who trail her on a journey of lost love can learn a lesson or two but never take the spotlight. Sadly, such is not the case with this Amanda Seyfried and Christopher Egan vehicle, a romantic drama entirely stolen from its young stars by a timeless actress.

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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