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Val Kilmer

Renny Harlin’s ‘5 Days of War’ Succumbs to Action Clichés

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “5 Days of War” is a stark reminder of the atrocities that can occur when a B-movie director tries to tackle serious material. The Russo-Georgian War of 2008 was largely ignored by the U.S. government and media, so it was only a matter of time until filmmakers attempted to raise belated awareness about the devastation.

‘Kill the Irishman’ Offers History as Explosions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The amalgamation of big time unions and organized crime in post-WW2 industrial America is as enlightening as any struggle for power. Cleveland, Ohio, in the 1950s thru the ‘70s was both on the waterfront and had the East Coast influence of New York City’s most notorious crime families. That history is wasted in “Kill the Irishman.”

Will Forte, Kristen Wiig Explode a Megaton Bomb in ‘MacGruber’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – In a parallel universe, perhaps a version of “MacGruber” exists that actually understands that comedy should be funny…oh what a beautiful world that would be. Here in this astral plane Will Forte, Kristen Wiig, Ryan Phillippe and Val Kilmer, plus the writers, director and craft services obviously conspired to create a movie bomb that no one could diffuse.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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