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Val Kilmer

Renny Harlin’s ‘5 Days of War’ Succumbs to Action Clichés

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “5 Days of War” is a stark reminder of the atrocities that can occur when a B-movie director tries to tackle serious material. The Russo-Georgian War of 2008 was largely ignored by the U.S. government and media, so it was only a matter of time until filmmakers attempted to raise belated awareness about the devastation.

‘Kill the Irishman’ Offers History as Explosions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The amalgamation of big time unions and organized crime in post-WW2 industrial America is as enlightening as any struggle for power. Cleveland, Ohio, in the 1950s thru the ‘70s was both on the waterfront and had the East Coast influence of New York City’s most notorious crime families. That history is wasted in “Kill the Irishman.”

Will Forte, Kristen Wiig Explode a Megaton Bomb in ‘MacGruber’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – In a parallel universe, perhaps a version of “MacGruber” exists that actually understands that comedy should be funny…oh what a beautiful world that would be. Here in this astral plane Will Forte, Kristen Wiig, Ryan Phillippe and Val Kilmer, plus the writers, director and craft services obviously conspired to create a movie bomb that no one could diffuse.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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