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Toni Collette

Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Romantic Comedy ‘Enough Said’ is a Sweet, Gentle Gem

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The plot description which this review will eventually get to is going to make Nicole Holofcener’s “Enough Said” sound sitcomish. It’s a conceit straight out of Must-See TV. And so I want to say up front that you need to dismiss the overly slapstick-y preview and your hesitation about the plot and embrace this gem of a comedy, the rare laugher made by adults for adults that understands dynamics of human relationships beyond meet-cutes and slapstick humor.

For a Real Summer Movie, Go ‘The Way, Way Back’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nothing evokes the time, sights and smells of summer like the getaway resort. The long days, the mystery of night, the first crush and the summer job are all brought back in the soapy yet fun “The Way, Way Back,” featuring Steve Carell, Sam Rockwell and Allison Janney.

Hard to Wrap Head Around Misguided ‘Mental’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Despite boasting the talented efforts of the always-great and tragically underrated Toni Collette, P.J. Hogan’s “Mental,” opening this weekend in Chicago, is a tonal mess. It’s a bewilderingly strange movie, the kind of thing that one might write off as being lost in translation from its Australian origin before realizing it wasn’t that funny there either.

‘Hitchcock’ at its Heart is a Relationship Film

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The great director Alfred Hitchcock had morphed to legend rather than a man, so it’s interesting that two films have recently been released about his all-too-human foibles. The feature film, starring Sir Anthony Hopkins as the director, gets inside the man’s relationships in “Hitchcock.”

Clever, Scary ‘Fright Night’ Remake With Colin Farrell

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The word remake sends an understandable chill down the spine of most horror fans. We’ve been subjected to so many retreads and reboots and the batting average of quality has been pathetically low. And yet, there are exceptions including Zack Snyder’s “Dawn of the Dead” and David Cronenberg’s “The Fly.”

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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