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Tom Berenger

Stephen Dorff Gets Trapped in Deeply Flawed ‘Brake’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – With obvious comparisons to “24” and “Buried,” Gabe Torres’ “Brake” comes with a bit of referential baggage in its trunk. Also in there is Secret Service Agent Jeremy Reins (Stephen Dorff), a man trapped in a nightmarish kidnapping situation in the trunk of a car. He wakes up there and it’s where the vast majority of “Brake” takes place as he’s tortured physically and mentally by a group of terrorists trying to find the Executive Branch’s secret bunker.

Dwayne Johnson, Billy Bob Thornton Are Redemptive in ‘Faster’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The Action Film is getting a bit creaky, relying more on computer generated eye candy than character or plot. It is refreshing to experience a film like “Faster,” featuring Dwayne Johnson and Billy Bob Thornton, because it is an action film that means something, and puts its inhabitants on a path to their own salvation.

Following ‘The Dark Knight,’ Nolan’s ‘Inception’ is a Mind-Stupefying Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – After thinking it’d take “a couple months” to ink, director Christopher Nolan (of “The Dark Knight” fame) took eight years to painstakingly write the “Inception” script. And you can tell. It’s his first pure masterpiece.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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