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Tom Berenger

Stephen Dorff Gets Trapped in Deeply Flawed ‘Brake’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – With obvious comparisons to “24” and “Buried,” Gabe Torres’ “Brake” comes with a bit of referential baggage in its trunk. Also in there is Secret Service Agent Jeremy Reins (Stephen Dorff), a man trapped in a nightmarish kidnapping situation in the trunk of a car. He wakes up there and it’s where the vast majority of “Brake” takes place as he’s tortured physically and mentally by a group of terrorists trying to find the Executive Branch’s secret bunker.

Dwayne Johnson, Billy Bob Thornton Are Redemptive in ‘Faster’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The Action Film is getting a bit creaky, relying more on computer generated eye candy than character or plot. It is refreshing to experience a film like “Faster,” featuring Dwayne Johnson and Billy Bob Thornton, because it is an action film that means something, and puts its inhabitants on a path to their own salvation.

Following ‘The Dark Knight,’ Nolan’s ‘Inception’ is a Mind-Stupefying Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – After thinking it’d take “a couple months” to ink, director Christopher Nolan (of “The Dark Knight” fame) took eight years to painstakingly write the “Inception” script. And you can tell. It’s his first pure masterpiece.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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