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Tom Berenger

Stephen Dorff Gets Trapped in Deeply Flawed ‘Brake’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – With obvious comparisons to “24” and “Buried,” Gabe Torres’ “Brake” comes with a bit of referential baggage in its trunk. Also in there is Secret Service Agent Jeremy Reins (Stephen Dorff), a man trapped in a nightmarish kidnapping situation in the trunk of a car. He wakes up there and it’s where the vast majority of “Brake” takes place as he’s tortured physically and mentally by a group of terrorists trying to find the Executive Branch’s secret bunker.

Dwayne Johnson, Billy Bob Thornton Are Redemptive in ‘Faster’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The Action Film is getting a bit creaky, relying more on computer generated eye candy than character or plot. It is refreshing to experience a film like “Faster,” featuring Dwayne Johnson and Billy Bob Thornton, because it is an action film that means something, and puts its inhabitants on a path to their own salvation.

Following ‘The Dark Knight,’ Nolan’s ‘Inception’ is a Mind-Stupefying Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – After thinking it’d take “a couple months” to ink, director Christopher Nolan (of “The Dark Knight” fame) took eight years to painstakingly write the “Inception” script. And you can tell. It’s his first pure masterpiece.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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