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Tim McGraw

‘The Shack’ is About Spirituality, Not Filmmaking

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

Awe Factor is Sorely Lacking in ‘Tomorrowland’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

Melodrama Weakens Gwyneth Paltrow in ‘Country Strong’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Modern country music is actually quite fascinating. Whereas in the classic days of the 1950s to ‘70s, when it was a cult stepchild of popular music, now it occupies the rarified heights of the Justins and Taylors. That is why “Country Strong,” starring Gwyneth Paltrow, is so annoying. It doesn’t even try to be modern.

Sandra Bullock, Strong Script Bring Clarity to ‘The Blind Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Based on a True Story” films are difficult to pull off, especially those that are the improbable story of a white Memphis family adopting an African American football prodigy. Sandra Bullock is the mother, through it all, in “The Blind Side.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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