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Tim McGraw

Awe Factor is Sorely Lacking in ‘Tomorrowland’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

Melodrama Weakens Gwyneth Paltrow in ‘Country Strong’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Modern country music is actually quite fascinating. Whereas in the classic days of the 1950s to ‘70s, when it was a cult stepchild of popular music, now it occupies the rarified heights of the Justins and Taylors. That is why “Country Strong,” starring Gwyneth Paltrow, is so annoying. It doesn’t even try to be modern.

Sandra Bullock, Strong Script Bring Clarity to ‘The Blind Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Based on a True Story” films are difficult to pull off, especially those that are the improbable story of a white Memphis family adopting an African American football prodigy. Sandra Bullock is the mother, through it all, in “The Blind Side.”

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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