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Thomas Dekker

‘Angels Crest’ Takes Lead-Footed Trip Down Misery Lane

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Six years after her sentimental debut feature, “On a Clear Day,” filmmaker Gaby Dellal has gotten mired in the wintry sludge of her sophomore effort, “Angels Crest.” This is the sort of film that doesn’t stand a chance of being embraced by many viewers, particularly during an awards season crowded with gems. There’s little to recommend here beyond the icily beautiful cinematography and a few strong performances.

Gregg Araki's ‘Kaboom’ Merrily Enters the Ontological Void

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rarely has the apocalypse appeared as trivial as it does in “Kaboom,” a disarmingly lovable mess of a picture that manages to work in spite of itself. It’s the tenth feature film directed by Queer New Wave icon Gregg Araki, who seems to be in an infinitely better mood than he was fifteen years ago, back when the Reagan era’s ignorance of the AIDS crisis was still festering like an open wound.

‘A Nightmare on Elm Street’ Remake Plays Like a Bad Dream

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Samuel Bayer’s remake of Wes Craven’s “A Nightmare on Elm Street” may be about repressed memories coming back in horrific ways, but it ironically ends up one of the least memorable films of 2010 to date. Not as abrasive as the “Texas Chainsaw Massacre” remakes and not as dumb as “The Amityville Horror,” “A Nightmare on Elm Street” is merely forgettable; something never said about the influential original.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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