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Tessa Thompson

Consider the Meaning of Life Force in ‘Annihilation’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Alex Garland, the standout creator/director of “Ex Machina,” is back with “Annihilation,” another science fiction story. And like the previous film, it explores implications of a sci-fi event, in this case an outer space incident that restructures a cellular code, that ends up destructive.

‘Thor: Ragnarok’ Shatters the Hammer, But Maintains the Mold

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Any blacksmith will tell you that their job is much more than the brute action of slamming a hammer onto steel. There is some finessing and an attention to detail that needs to take place in order to make something truly notable. With Taika Waititi manning the hammer, he takes the “Thor” franchise out from the Dark Ages and into the technicolor light.

‘Creed’ is a Champion in the Rocky Balboa Legacy

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – This is what happens when passionate filmmakers come into a known movie project – with an obvious love for the previous stories and characters – and create a new chapter that both evolves and honors its source. “Creed” does all of that, and gives the beloved Rocky Balboa one more time in the spotlight.

Racial Satire ‘Dear White People’ is Heated, Hilarious

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A new voice has everyone’s attention with the shaking-head comedy “Dear White People,” a necessary “Wake UP!” to a melting pot nation that still needs to get itself together, even if a black president is in the White House.

Cluttered, Melodramatic ‘For Colored Girls’ Never Comes Together

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” was a landmark event in 1974, giving voice to a segment of society rarely seen on the stage. It took 34 years for a filmmaker to tackle this remarkable work in film form and Tyler Perry’s “For Colored Girls” retains some of the inherent power of it source and features some strong performances in the process but never finds the narrative cohesion needed to translate it to modern movie audiences.

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  • Cher Show, The

    CHICAGO – Cherilyn Sarkisian… yes, that is her birth name… is the redoubtable Cher, and it’s perfect timing for her to have a jukebox musical tribute. “The Cher Show,” covering three eras/songs of the six-decade career of Cher, opens for a Chicago preview before its Broadway run, from June 12th through July 25th, 2018.

  • ThroatPunch

    CHICAGO – The provocative title of Sharon Krome’s new stage play, “ThroatPunch,” does not contain that particular fight technique. But it does have standout performances by the three person cast, as they make their way in Chicago, circa 1983, amid their emerging twentysomething punk rock attitude. The World Premiere of the show has a Thursday-Sunday run at the Chicago Mosaic School through June 3rd, 2018. Click here for more details, including ticket information.

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