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Selena Gomez

Ethan Hawke, Selena Gomez in Numbing, Awful ‘Getaway’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – You know a car chase movie is poorly made when you’re longing for more dialogue scenes between Selena Gomez & Ethan Hawke just to break up the tedium of the neverending, personality-free vehicular nonsense. At one point, Hawke’s character actually says, after one of several situations that could never possibly be replicated in the real world, “I can’t believe that actually worked.”

Bikini Girls with Machine Guns in Mesmerizing ‘Spring Breakers’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Already hailed as this generation’s “Fight Club,” Harmony Korine’s “Spring Breakers” is a mesmerizing piece of satire, a journey into the dark side of teenage excess. And what’s a better symbol of excess than the ritual of spring break? But lest you think this is like MTV’s watered-down version of pop bands and bikini girls, Korine has something much more intense in store for you.

‘Hotel Transylvania’ Proves Hyper Isn’t Always Funny

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It was probably just a matter of time. With the current vampire craze dominating pop culture in flicks like “The Twilight Saga” and shows like “True Blood,” it was inevitable that creatures of the night be turned into family entertainment. Even “Abbott & Costello Meet Frankenstein” was recently released on Blu-ray and Universal is about to unleash a whole set of HD monster movie classics. Monsters are hip. “Hotel Transylvania” does its best to put a nail in that coffin.

‘Monte Carlo’ is Cut Above Young-Women-Abroad Films

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nothing like a summer surprise at the movies to make the season a little more tolerable. Selena Gomez and the ubiquitous Leighton Meester take a sumptuous trip and brings us along in “Monte Carlo.”

Beverly Cleary’s ‘Ramona and Beezus’ Works For Young Adults

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ramona and Beezus” may not be the perfect film that Beverly Cleary fans hoped for when they fell in love with these characters but it is successful on its own terms in its refusal to talk down to its pre-teen audience and through the massive future star-power of its talented young stars. I admittedly have a soft spot for any film that places teachers on a higher pedestal than businessman and effectively teaches young viewers to stick to their creative visions. It’s flawed, but “Ramona and Beezus” works.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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