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Sean Bean

Instead of Geeky Greatness, Adam Sandler Sucks the Soul Out of a Badly Miscast ‘Pixels’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The epitome of an idea that far outweighs its execution, “Pixels” is a bittersweet blunder that had all of the elements to be geeky great but ends up being cheesy mediocre. I could literally feel its potential for 105 minutes, but the $88 million film ultimately fails to realize it.

‘Jupiter Ascending’ Might Cause Attention Descending

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Jupiter Ascending” is certainly one of the oddest and densest of sci-fi movies, this side of “Dune,” and has some of the most laughable acting and dialogue seen in a major film in awhile. But the worst offense is that the film is dull, and practically without emotion or human empathy.

Julia Roberts Reflects on Snow White in ‘Mirror Mirror’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Since I know I’m the fairest of them all, I won’t focus on the symbolic impressions of ‘Mirror Mirror.’ This is the Snow White legend based on the original story by the Brothers Grimm, and includes Julia Roberts, Lily Collins, Armie Hammer and Nathan Lane in its cast.

‘Red Riding Trilogy’ Simultaneously Captivates, Infuriates

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Much ink has been spilled about how HBO is at the forefront of made-for-TV filmmaking in the world, a fact already demonstrated this year by the brilliant biopic “Temple Grandin” and the stellar WWII mini-series, “The Pacific.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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