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Sarah Polley

Sarah Polley’s ‘Stories We Tell’ Resonates For All Viewers

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sarah Polley’s “Stories We Tell” may seem deceptively simple or even boring in concept. At its core, it’s a film about a talented filmmaker and actress investigating her family’s past and her own lineage. Where Polley’s work goes from mere family movie to something much greater is in how she uses her own quest for answers to illuminate why & how we tell stories in the first place, especially in the form of film.

‘Take This Waltz’ with Michelle Williams, Seth Rogen

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.

Adrien Brody, Sarah Polley Are Scientists Creating a ‘Splice’ of Life

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The science of existence gets trickier everyday, and it doesn’t help when humans start creating their own competition. The new film “Splice,” featuring Adrien Brody and Sarah Polley, explores the current trend of genetic research, while at the same time paging Dr. Frankenstein.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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