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Sarah Polley

Sarah Polley’s ‘Stories We Tell’ Resonates For All Viewers

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Sarah Polley’s “Stories We Tell” may seem deceptively simple or even boring in concept. At its core, it’s a film about a talented filmmaker and actress investigating her family’s past and her own lineage. Where Polley’s work goes from mere family movie to something much greater is in how she uses her own quest for answers to illuminate why & how we tell stories in the first place, especially in the form of film.

‘Take This Waltz’ with Michelle Williams, Seth Rogen

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.

Adrien Brody, Sarah Polley Are Scientists Creating a ‘Splice’ of Life

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The science of existence gets trickier everyday, and it doesn’t help when humans start creating their own competition. The new film “Splice,” featuring Adrien Brody and Sarah Polley, explores the current trend of genetic research, while at the same time paging Dr. Frankenstein.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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