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Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Nicole Kidman, Aaron Eckhart Avoid Melodrama in Moving ‘Rabbit Hole’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – John Cameron Mitchell’s “Rabbit Hole” tells a story not uncommon to cinema in its exploration of the emotional minefield that comes after the loss of a child but it does so with such restraint and humanity that it sets itself apart. With some of the best performances of the year from Nicole Kidman, Aaron Eckhart, and Dianne Wiest, this is one of the strongest dramas of the awards season.

Beverly Cleary’s ‘Ramona and Beezus’ Works For Young Adults

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ramona and Beezus” may not be the perfect film that Beverly Cleary fans hoped for when they fell in love with these characters but it is successful on its own terms in its refusal to talk down to its pre-teen audience and through the massive future star-power of its talented young stars. I admittedly have a soft spot for any film that places teachers on a higher pedestal than businessman and effectively teaches young viewers to stick to their creative visions. It’s flawed, but “Ramona and Beezus” works.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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