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Unfunny ‘Tammy’ is a Melissa McCarthy Misfire

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Melissa McCarthy has jumped the shark. Or if she hasn’t, she’s strapped on the skis and is contemplating the ramp. Going once more to the same character well – this time with a script co-written with her husband Ben Falcone and directed by him – McCarthy shows little originality or gumption as the title character in “Tammy..”

Nicole Kidman, Aaron Eckhart Avoid Melodrama in Moving ‘Rabbit Hole’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – John Cameron Mitchell’s “Rabbit Hole” tells a story not uncommon to cinema in its exploration of the emotional minefield that comes after the loss of a child but it does so with such restraint and humanity that it sets itself apart. With some of the best performances of the year from Nicole Kidman, Aaron Eckhart, and Dianne Wiest, this is one of the strongest dramas of the awards season.

Beverly Cleary’s ‘Ramona and Beezus’ Works For Young Adults

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Ramona and Beezus” may not be the perfect film that Beverly Cleary fans hoped for when they fell in love with these characters but it is successful on its own terms in its refusal to talk down to its pre-teen audience and through the massive future star-power of its talented young stars. I admittedly have a soft spot for any film that places teachers on a higher pedestal than businessman and effectively teaches young viewers to stick to their creative visions. It’s flawed, but “Ramona and Beezus” works.

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  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

  • reno 911 front.png

    CHICAGO – The oughts was the era of the workplace mock-doc comedy, with shows like “The Office” and “Reno 911!” born into a time where TV viewers were excited to see see fake realities about the crumminess of a job. While this series has been available in separate season collections previously, “Reno 911!” is now available in a complete series set, one that boasts a grand amount of special features content in spite of some lacking comedy in the actual show.

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