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Sam Elliott

‘The Good Dinosaur’ is Pixar Studio’s Most Ordinary Film

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The animation in Pixar Studio’s latest feature ,“The Good Dinosaur,” is nothing short of extraordinary. At times throughout the film, the images looked like they came right out of National Geographic, and I truly couldn’t believe i was watching animation. However, this delightful animation is in service to an undistinguished prehistoric buddy comedy that wouldn’t be out of place in an episode of “The Flintstones.”

Lily Tomlin Fuels the Journey Depicted in ‘Grandma’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a circumstantial and frank presentation of abortion in the new Paul Weitz film “Grandma,” and it probably could not have resulted the way it did if the story wasn’t anchored by the great Lily Tomlin. She portrays the title character, helping her granddaughter get to the procedure.

Life is Never Over in ‘I’ll See You in My Dreams’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Fairy tales can come true, it can happen to you, if you’re the main character in “I’ll See You in My Dreams.” Blythe Danner portrays a long-time widow whose routine is set, but life is what happens when you’re busy making other plans. The series of extraordinary events are life lessons, at a point in life where class is dismissed.

Oscar-Worthy ‘Up in the Air’ Gels With Shrewd Script, Fresh Faces, Unpredicted Realism

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Director Jason Reitman is becoming like a fine wine. He’s maturing with age, tasting newer with each sip and leaving an aftertaste that makes you think you’ll savor what’s next.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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