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Ron Howard

Director Ron Howard Delivers a Meticulous ‘Rush’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Defining the glory days of any sport is often centered on personal rivalries. The 1970s – notable for stand-offs like John McEnroe and Björn Borg – had a similarly contentious rivalry between Formula One car racers James Hunt and Niki Lauda, portrayed in Ron Howard’s “Rush.”

Studio Ghibli Gives Fans Sweet ‘From Up on Poppy Hill’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The torch is being passed at Studio Ghibli from the great Hayao Miyazaki (“Princess Mononoke,” “Spirited Away”) to his son Goro, who directs this week’s tender “From Up on Poppy Hill,” certainly not one of the best in the Ghibli canon but a well-made, enjoyable melodrama nonetheless. A full awareness that it’s kind of a cheap melodrama (one of the characters even says so) doesn’t change the fact that it is but the young Miyazaki’s visual palette is notably beautiful and the voice work is strong throughout.

Vince Vaughn, Kevin James Seek Trust in Uneven ‘The Dilemma’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In many ways, “The Dilemma” is director Ron Howard’s most daring film. Leaving behind the usual brightly lit, good/evil morality tales, Howard weaves a narrative basket filled with infidelity, gambling addiction, blackmail and mistrust. This is Opie on the dark side, with Vince Vaughn and Kevin James along for the journey.

Tom Hanks, Ron Howard Misfire With Ridiculous ‘Angels & Demons’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGORon Howard’s “Angels & Demons,” the sequel to “The Da Vinci Code,” is an absolute mess, a film that tries hard to break free from the dull tone of its predecessor but ends up even more ridiculous, frustrating and generally worthless.

Frank Langella, Michael Sheen, Ensemble Save ‘Frost/Nixon’ From Soulless Direction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Peter Morgan’s play “Frost/Nixon” was a searing portrait of two men trying their best to change their image and their future. It was a head-to-head battle between a celebrity interviewer whose reputation was on a steady decline and the man credited with bringing shame to the White House.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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