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Ron Howard

Director Ron Howard Delivers a Meticulous ‘Rush’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Defining the glory days of any sport is often centered on personal rivalries. The 1970s – notable for stand-offs like John McEnroe and Björn Borg – had a similarly contentious rivalry between Formula One car racers James Hunt and Niki Lauda, portrayed in Ron Howard’s “Rush.”

Studio Ghibli Gives Fans Sweet ‘From Up on Poppy Hill’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The torch is being passed at Studio Ghibli from the great Hayao Miyazaki (“Princess Mononoke,” “Spirited Away”) to his son Goro, who directs this week’s tender “From Up on Poppy Hill,” certainly not one of the best in the Ghibli canon but a well-made, enjoyable melodrama nonetheless. A full awareness that it’s kind of a cheap melodrama (one of the characters even says so) doesn’t change the fact that it is but the young Miyazaki’s visual palette is notably beautiful and the voice work is strong throughout.

Vince Vaughn, Kevin James Seek Trust in Uneven ‘The Dilemma’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In many ways, “The Dilemma” is director Ron Howard’s most daring film. Leaving behind the usual brightly lit, good/evil morality tales, Howard weaves a narrative basket filled with infidelity, gambling addiction, blackmail and mistrust. This is Opie on the dark side, with Vince Vaughn and Kevin James along for the journey.

Tom Hanks, Ron Howard Misfire With Ridiculous ‘Angels & Demons’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGORon Howard’s “Angels & Demons,” the sequel to “The Da Vinci Code,” is an absolute mess, a film that tries hard to break free from the dull tone of its predecessor but ends up even more ridiculous, frustrating and generally worthless.

Frank Langella, Michael Sheen, Ensemble Save ‘Frost/Nixon’ From Soulless Direction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Peter Morgan’s play “Frost/Nixon” was a searing portrait of two men trying their best to change their image and their future. It was a head-to-head battle between a celebrity interviewer whose reputation was on a steady decline and the man credited with bringing shame to the White House.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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