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Ron Howard

Director Ron Howard Delivers a Meticulous ‘Rush’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Defining the glory days of any sport is often centered on personal rivalries. The 1970s – notable for stand-offs like John McEnroe and Björn Borg – had a similarly contentious rivalry between Formula One car racers James Hunt and Niki Lauda, portrayed in Ron Howard’s “Rush.”

Studio Ghibli Gives Fans Sweet ‘From Up on Poppy Hill’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The torch is being passed at Studio Ghibli from the great Hayao Miyazaki (“Princess Mononoke,” “Spirited Away”) to his son Goro, who directs this week’s tender “From Up on Poppy Hill,” certainly not one of the best in the Ghibli canon but a well-made, enjoyable melodrama nonetheless. A full awareness that it’s kind of a cheap melodrama (one of the characters even says so) doesn’t change the fact that it is but the young Miyazaki’s visual palette is notably beautiful and the voice work is strong throughout.

Vince Vaughn, Kevin James Seek Trust in Uneven ‘The Dilemma’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In many ways, “The Dilemma” is director Ron Howard’s most daring film. Leaving behind the usual brightly lit, good/evil morality tales, Howard weaves a narrative basket filled with infidelity, gambling addiction, blackmail and mistrust. This is Opie on the dark side, with Vince Vaughn and Kevin James along for the journey.

Tom Hanks, Ron Howard Misfire With Ridiculous ‘Angels & Demons’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGORon Howard’s “Angels & Demons,” the sequel to “The Da Vinci Code,” is an absolute mess, a film that tries hard to break free from the dull tone of its predecessor but ends up even more ridiculous, frustrating and generally worthless.

Frank Langella, Michael Sheen, Ensemble Save ‘Frost/Nixon’ From Soulless Direction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Peter Morgan’s play “Frost/Nixon” was a searing portrait of two men trying their best to change their image and their future. It was a head-to-head battle between a celebrity interviewer whose reputation was on a steady decline and the man credited with bringing shame to the White House.

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  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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