Robert Rodriguez

The James Cameron Touch Creates ‘Alita: Battle Angel’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The creation of new worlds has always been a mainstay of the cinema, virtually since it was invented. And whether you love or are indifferent to the films of James Cameron (“Titanic”), he remains one of the prime movers in advancing the creative tools of films. His influence is all over “Alita: Battle Angel.”

More Risqué ‘Sin City: A Dame to Kill For’ Doesn’t Dare to Trailblaze Again

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.

Nine years since the visually groundbreaking, avant-garde hit “Sin City,” Frank Miller and Robert Rodriguez’s biggest mistake with their next incarnation is replacing the first film’s bloodthirsty impact with too much nudity.

‘Sin City: A Dame to Kill For’ Breaks No New Ground

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.

‘Machete Kills’ So Over the Top, it Has No Bottom

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – You gotta love director Robert Rodriguez. When other filmmakers are slogging through their important films, he’s out convincing big stars to blow off cinematic fireworks, giggling all the time. The excess is the thing, more so and more so, in his new film “Machete Kills.”

Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?

Adrien Brody’s ‘Predators’ Unmemorably Lulls Through the Expected Motions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Good films deliver on their promise. Great films up the ante even more. In this version of the long “Predators” franchise from director Nimrod Antal (“Control,” “Armored,” “Vacancy”) and more-known producer Robert Rodriguez (“Grindhouse,” “Sin City”), we merely see more of the same: just enough to get us by but not nearly enough to make us care.

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  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

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