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Robert Pattinson

Impulsive, Curious Tale of Dystopia in ‘The Rover’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –There is a profound interest in impulse within the work of Australian filmmaker David Michod, whose number of features finally reaches two with his anticipated followup to “Animal Kingdom,” “The Rover.” Even his co-writing work for Joseph Gordon-Levitt’s life-crasher movie “Hesher” is indicative of a storytelling force jazzed by that which is abrupt and unexplainable, and without worry of how polarizing these weirdo choices may be.

‘The Twilight Saga: Breaking Dawn -- Part 2’ Takes Final Bloodless Bite

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Even the most hardcore, defiant fans of “The Twilight Saga” must admit that there clearly was not enough material in Stephenie Meyer’s final book to justify two films as “The Twilight Saga: Breaking Dawn - Part 2” plays more like a bloated final hour of a better movie than an actually satisfying experience on its own terms.

Robert Pattinson Takes Interesting Ride Through David Cronenberg’s ‘Cosmopolis’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of our best living filmmakers, one of our best working authors, and a teen heartthrob who has largely been known for looks over skill get into a slow-moving limousine in David Cronenberg’s adaptation of Don DeLillo’s “Cosmopolis” starring Robert Pattinson in almost exclusively one-on-one scenes with some great supporting actors and actresses.

Robert Pattinson Drains Life From Misguided ‘Bel Ami’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Robert Pattinson is such a divisive actor. While he’s clearly one of the most popular young stars in the world thanks to his work in the “Twilight” films, he has yet to prove to most people that he can really act. While some who have seen David Cronenberg’s upcoming “Cosmopolis” claim that this will be the film that finally allows Pattinson to break out of the franchise that has defined him, we’re stuck with something far lesser for now.

‘The Twilight Saga: Breaking Dawn -- Part 1’ Hardly Even Bewitches Twi-Hards

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The bloated franchise’s worst film without question, the fourth “Twilight” popcorn flick is a futile exercise on the disappointment of anti-climactic waiting. Waiting for something more. Waiting for something bigger. For 117 minutes, you’re waiting – for something – but just not ever getting it. It doesn’t sparkle or shine. It flickers, and then disappointingly dies.

Tensionless ‘Water For Elephants’ Fatally Mismatches Leads, Casts Spot-On Supporters

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – While Robert “Twilight” Pattinson has persuasively branched out beyond his typecasting of reanimated and preternatural corpses, his miscast union in the tensionless “Water for Elephants” with pin-up circus spectacle Reese Witherspoon works as well as an elephant trying to spoon a sworn-enemy lion.

New Director Finds Teeth in ‘The Twilight Saga: Eclipse’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Easily the best entry in the franchise, “The Twilight Saga: Eclipse,” finally allows those of us unfamiliar with the books by Stephenie Meyer to understand why the saga of the vampire, the wolf, and the sullen girl in the middle has become an international phenomenon.

Robert Pattinson Anchors the Forgettable ‘Remember Me’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The hottest actor of the moment, smoldering Robert Pattinson, gets the opportunity to ditch the “Twilight” fangs and sink his teeth into a drama about New York City and the splintering factions of family in “Remember Me.”

Melodrama, Weak Performances Hold Back ‘The Twilight Saga: New Moon’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The amazing adoration for “The Twilight Saga: New Moon” is based on one of two things: a crush on one of the cast members or goodwill spawned by a love of Stephenie Meyer’s books.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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