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Robert Forster

George Clooney Stars in Stunning ‘The Descendants’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – If one looks solely at the central male characters, it can seem remarkably easy to classify Alexander Payne’s movies under the subgenre heading of “mid-life crisis comedies”: Jim McAllister (“Election”), Warren Schmidt (“About Schmidt”), Miles (“Sideways”), and now the memorable protagonist of his stellar new dramedy “The Descendants,” Matt King.

Muddled ‘Kalamity’ Plays One-Night Only Chicago Engagement

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – There was a day not that long ago when it felt like Nick Stahl was the next rising star. He delivered nuanced performances in films and on HBO’s “Carnivale” that led one to believe there was potential for stardom. “The Thin Red Line,” “In the Bedroom,” “Bully” — he was going somewhere in the early ’00s, but he was derailed into basically nothing but straight-to-video junk like “Mirrors 2” since 2005’s “Sin City.”

Matthew McConaughey’s ‘Ghosts of Girlfriends Past’ Overdone, But Relatable

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Ghosts of Girlfriends Past” is the cinematic blending of two familiar formulas: the “love, lose and then love again” framework of most romantic comedies with the idea of transforming ghosts from the classic “A Christmas Carol”. The result: an overdone yet relatable story of a man coming to terms with his true desires.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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