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Richard Kind

‘Inside Out’ is a Loving Masterwork of Pixar Animation

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It starts with the imagination, and the story that comes from that lightning inner creativity. Nobody, it seems, does it better than Pixar Animation, and they are taking it all to a new level. For your consideration, and in a perfect world a candidate for Best Picture, “Inside Out.”

‘Obvious Child’ is a More Authentic Romantic Comedy

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Real life is not a romantic comedy, unless you’re willing to understand the levels of clownish tragedy that sometimes accompanies it. The new film “Obvious Child” comprehends all that, and has an unforgettable performance from Jenny Slate in delivering the goods.

Jeff Garlin Directs Inconsistent ‘Dealin’ with Idiots’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jeff Garlin has created a good “character” in TV and films – a gruff but affable schlemiel that ambles through life as if distracted. He amplifies that role in his latest comedy, “Dealin’ with Idiots,’ but the loose improvisation style has too many unfunny stretches and an unpleasant spirit.

‘A Serious Man’ Plays as Masterfully Fictionalized Autobiography For Joel, Ethan Coen

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “A Serious Man” isn’t the story of Joel and Ethan Coen’s lives. But you might not necessarily know it. While the brothers continue to turn their films into Hollywood gold, this 1967-set black comedy is among the more personal projects in their repertoire.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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