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Richard Kind

‘Inside Out’ is a Loving Masterwork of Pixar Animation

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It starts with the imagination, and the story that comes from that lightning inner creativity. Nobody, it seems, does it better than Pixar Animation, and they are taking it all to a new level. For your consideration, and in a perfect world a candidate for Best Picture, “Inside Out.”

‘Obvious Child’ is a More Authentic Romantic Comedy

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Real life is not a romantic comedy, unless you’re willing to understand the levels of clownish tragedy that sometimes accompanies it. The new film “Obvious Child” comprehends all that, and has an unforgettable performance from Jenny Slate in delivering the goods.

Jeff Garlin Directs Inconsistent ‘Dealin’ with Idiots’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jeff Garlin has created a good “character” in TV and films – a gruff but affable schlemiel that ambles through life as if distracted. He amplifies that role in his latest comedy, “Dealin’ with Idiots,’ but the loose improvisation style has too many unfunny stretches and an unpleasant spirit.

‘A Serious Man’ Plays as Masterfully Fictionalized Autobiography For Joel, Ethan Coen

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “A Serious Man” isn’t the story of Joel and Ethan Coen’s lives. But you might not necessarily know it. While the brothers continue to turn their films into Hollywood gold, this 1967-set black comedy is among the more personal projects in their repertoire.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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